petra_ste Hugo Pratt was a master narrator. His comic book adventures of Corto Maltese were elegant and unique, with charismatic dreamer Corto, his ruthless companion Rasputin (a creature of pure Id and malevolence who still miraculously came across as sympathetic), exotic settings and memorable secondary characters.La Cour Secrète des Arcanes is a worthy adaptation of Corto's best adventure. With stylish art direction, a pleasant soundtrack and an effective atmosphere, this cartoon is intriguing and features characters of remarkable depth like Ungern Khan and the exceptional Shangai Lil.End of WWI: adventurer Corto Maltese is recruited by a secret society to recover the treasure of the Tsars; his companions are friendly rival Rasputin and enigmatic Shangai Lil. To say more would be a pity - don't be deceived by the outrageously low IMDb rating.I believe Pratt would have loved this, and there can be no greater compliment.8/10

CortoMaltese007 And still think that I was right but I admit that this was close. Very close. The other day I was going to lend it to a friend, he didn't know it was animated and I hadn't realized about it. When I mentioned it my friend looked at me as if he was disappointed. But I kind of insisted. Some days later, once he had already seen it, he told me he was surprised about the quality an animated film can have. So, I don't say I am a manga fan but why do people have the concept of animated films as childish??? People have these awful concepts don't they.Finally I think a story/legend/tale/myth like Corto Maltese should have his higher and deserved place in popular knowledge and we the ones that know him should collaborate to it. We must not let him stay away as he did frequently in his stories.

Andorion Granted, I don't speak French, so I won't be able to comment on the plot, but I got a fair idea of what it's about. The visuals range from fairly impressive to mundane - some of the film is obviously rendered (hand drawn over the rendering) but overall, "it looks good." It has its own style, very reminiscent of the comic book, which is pretty cool. The French voice acting is well done, as is the cinematography - the movie is very moody, but never dull. The various scenes have a lot of atmosphere, especially sequences with infrequent or no dialogue - just very well done and spooky sound effects. I'll have to see it again with English subs to decide how worthwhile it is, but for the visuals alone, I'd suggest seeing it.

The Truth Being a big fan of Hugo Pratt's comic, I was pleased with this animated adaptation of Corto Maltese. The plot was most faithful to the original graphic novel, the dialogue being used almost verbatim. This must've been somewhat risky, since the story isn't exactly easy to follow. Animated features cost more than comics, so they also need bigger audiences, and the film-makers must've been tempted to tighten the pace and cut some of the historical references. Luckily, they haven't done so.The drawing style is also truthful to Pratt, and the animation is as good as it can be without a Disney budget. Regarding this, one could even say that the faithfulness of the adaptation is a limiting factor. Pratt's contemplative and somewhat static form of storytelling is perhaps unfitting for an animated film, since animation has a different set of dynamics than comics.The biggest flaw with the film is something that couldn't have been helped: the original comic is a long series of stories, of which the film can offer only a slice. Pratt's world isn't the easiest to enter, and seeing one film (or reading one comic, to that matter) probably isn't enough to make one see what's so special about Corto Maltese. The friendship between Corto and Rasputin, one of the most interesting aspects of the comic, is well conveyed in this particular story. But to wholly understand this relationship one needs to know their past - which the film can only refer to. The film-makers' choice of not starting from the beginning is understandable, since the first Corto Maltese story isn't the best or the most filmable of the bunch.To sum it up: while I liked the film very much, someone not familiar with the comic probably doesn't get as much out of it. The best thing this film can do is to acquaint such people with Pratt's masterful work.