cmovies-99674
PROS: Something that I can say without a doubt that was at least better than OK was the location. The movie set up a great environment with some greatly scripted characters. One location, a common enemy, and people who don't trust each other. The way the movie was set up it would've thrived as a psychological horror, but instead they went down a different alley. If they stuck with what the knew, then this movie would've been a blockbuster hit and set apart from other films of its time. The last good thing that I can say about this film was the way the plot was slowly revealed over time. You went back and forth from knowing to not knowing which gave this movie a pretty good amount of tension.CONS: From beginning to end the one big fault lied in the actors. Although the dialogue was realistic the way that it was delivered was poor. For the readers that don't know, I participate in theater and theater related activities, and as an actor I become really alert to how characters should be acting in specific environments, with specific lines, in contrast to the other characters around them. This movie however, was just very frustrating. When an actor didn't have lines they weren't relevant and they just sat their waiting for it to become their turn, this in turn slowed down the rising action leading to an uneventful climax. The only thing in the movie that was bad though was the ending. All the things I talked about earlier were "ok", but the ending was just plain bad. If you see the movie you'll understand, but the ending just fell flat and was very worthless.www.chorror.com
Leofwine_draca
CONTAINMENT is a modern-day British horror flick about a disparate group of characters trapped in a single location. That set-up has already played out admirably in the likes of TOWER BLOCK, a film that looks like a masterpiece in comparison to this one. Sadly, CONTAINMENT has a poor script with no real beginning, middle, or end, and it's one of those films where virtually nothing happens throughout.Most of the faults can be laid at the door of the scriptwriters, who fail to make any of the characters remotely sympathetic. Conflict between the protagonists feels artificial and tacked-on in order to keep viewers interested. It doesn't work. There's no incident, action, or real horror, just a few sequences of characters shouting which is hardly enthralling. The ending requires the viewer to care about the fate of a couple of the characters and needless to say that by this stage all interest has long since vanished.
Peter Pluymers
"Are you an artist? No.Yes. It's debatable."In "Tower Block" a group of residents were gradually slaughtered by a sniper and although they didn't really knew each other, they started relying on each other to save themselves from that situation. In "The Divide" it was about survivors of a nuclear attack locked in a cellar ending up in a chaotic struggle for survival. In the low-budget film "Containment", residents of several apartment buildings suddenly realize that their apartment is sealed off, there's no electricity or water and phones are dead. Meanwhile, a sort of field hospital is being set up between the buildings and several figures in orange safety suits escort people to it. Initially, there's the notification that a gas leak is the cause of all this trouble. But as a group of residents witness plain executions of fleeing victims, they realize that there's something more going on.A group consisting of Mark (Lee Ross), a not so successful artist with a failed marriage, the young couple Sally (Louise Brealey) and Aiden (William Postlethwaite), the aggressive Sergei (Andrew Leung) and his younger brother Nicu (Gabriel Senior) and a somewhat senile older woman called Enid (Sheila Reid), attempt to find a way out. After some thin cardboard-like walls were being demolished (especially by the energetic Sergei), these colorful individuals were able to form a group. A group of individuals who have no idea what's actually going on and who are also total strangers to one another. Soon they start to panic, despite there are messages broad-casted on the intercom that they all should remain calm. The images of hysterical neighbors who try to bash in their window and the aggressive removal of an entire family, clearly don't help with that. As a viewer you start asking yourself what the hell is going on. Is it something military? Or just another epidemic with a deadly virus in the leading role?And to be honest, this was the most successful part of this indie film. The way the viewer is kept in the dark and information about the entire situation is offered in dribs and drabs. Granted, the whole thing isn't very original and sometimes really looks cheap. No breathtaking action scenes or hallucinatory special effects. The acting wasn't very impressive either. Only Leung was able to convince me, and acted at times really grandiose. And especially Sheila Reid stood out with her demure and brilliant acting. And occasionally the humor was rather enjoyable.Despite the simple storyline and the typical features that come with this kind of film, Lemon succeeded to distance himself from the most obvious outcome. It's not just another film about a virus outbreak that turns innocent people into bloodthirsty zombies. The oppressive atmosphere maintained in this short film (also a plus). However, again those typical characters appeared as usual. The most positive side about this movie was the bigger picture behind this seemingly simplistic story. A story without a clear answer and open to conjecture. Not exactly a feature I'm a fan of, but here it didn't bother me that much. What did bother me were some practical issues. First of all, I admire the team that managed to seal all those windows and doors in the buildings in such a short time. That must have been a hell of a job. And furthermore I was dumbfounded that no one came up with the idea to throw something heavy through the windows. It don't think this organization succeeded in replacing all that glass by shock resistant material.More reviews here : http://bit.ly/1KIdQMT
Jen Pawlowski
kept me on the edge of my seat the whole way through. beautifully acted and shot, with a fantastic score. music does a lot to keep you grounded in the suspense of the movie.the director does a lot with a little -- despite the small budget, containment feels like a big- budget feature length film. his use of space (small set, big story) is wonderfully ingenious. i found something to relate to in every character. the performances made me feel like i was part of the movie, like sally could've been my best friend in real life. lee ross' and Gabriel senior's performances were especially moving.suspenseful and dramatic, but also relatable. highly enjoyed it. i'll definitely be watching it again and recommending it to friends.