laojim
The civil war in China during the first half of the last century from which the Communists emerged victorious left much of the history of the nation problematical. The entire social structure was brought into question and one of the thornier question was the status of Confucius and his teachings. The response of Mao and his comrades was to suppress Confucius and the philosophy that was built on his writings. This was done with the clear intention of infusing the nation with a quite different philosophy.Confucianism, therefore, was suppressed if not entirely outlawed until relatively recent times. It is clearly the intent of this movie to, as we say, rehabilitate Confucius in popular culture. Anyone who has read some of his writings will understand that he is at heart a conservative teacher who appeals to peoples understanding of what they are supposed to do, which is to say that he does not tell people to do this and that but he admonished them to behave properly and to do what is right. You will know what is right if you are a part of Chinese culture and so if you are told to do the right thing then you are being asked, in effect, to be very conservative.With this understanding we see Confucius taking the side of a lad who escaped being buried alive and arguing in from of assembled scholars that he should be set free. In this way Confucius is shown, not as a conservative, but as a radical reformer for the good of the people. He is thereafter persecuted for his radical ideas. This is an interpretation that while not entirely absurd is quite a contrast to the traditional image of Confucius as the old man fussing about how his mat is set out and how the nobles need to be virtuous.It may well be coincidental, but to the American viewer one of the odd elements of this film is the opening and closing theme. We see Confucius sitting and gazing out a window while the orchestra plays a melody that most Americans will recognize as "School Days." The story and the portrayal of the characters is attractive and I don't mean to imply that there is anything false in the tale. I don't know Chinese history or the writings of Confucius well enough to make such a claim. I do think that the movie should be seen in the modern historical context of the rehabilitation of Confucius as a popular figure or cultural hero by the government of the People's Republic.If you know nothing about the times or the man this film will make an excellent introduction, keeping in mind only that it is about a man who has had a vast and generally highly conservative influence.
chrisemmins
Many people that write on here about films such of this almost have too 'expert' a view. As has been said elsewhere, it is a real epic and the performance by Chow Yun Fat is exceptional. Whilst there is always going to be debate about accuracy, style and even politics about such a film, for lovers of sumptuously shot cinema and outstanding acting, it will be a joy to watch and will open up Confucius the man to many more people. It is actually being widely released in the UK on DVD and Blu Ray on Monday 4th October on the Cine-Asia label, so will be really interesting to see what a much wider audience makes of it. Personally, I think that people will appreciate its quality and see it for what it is - a very well made historical epic movie.
BronzeKeilani26
I came inches close to missing this gorgeous epic tale & cannot understand how few posters could feel negative. Unless they're not fans of Asian films or fake posters with motives against the film's makers? But I am so glad I decided not to believe their reviews. First of all, Yun Fat Chow is not going to turn down a major role in Red Cliff to be in another bio-story type film not just as amazing. And this film was far from long & drawn out. If you're a fan of most popular Chinese epic films than you'll love this! Every camera shot was gorgeous as with the costumes. It's rare to find present epic Asian films that aren't tastefully shot anyway. The color was stunning, and the interpretation of the classic tale was unique with plots that never disappoint. Xun Zhou was as beautiful & cunning as she was in Painted Skin which I watched 4 x's, lol. With all the characters, the actors each held such a powerful presence. It's very tough to develop any character singularly while you have so many important characters with their own mythos and chronicles, but each actor really held up professionally! The amazing battle sequences & periods of war were not drawn out(thank God). And formations, strategies & clever weapons take centerstage in the first major confrontation with Confucius advising the King.Confucious is a solid film that is both a mega blockbuster and quality film-making--------One of the best films ever...epic, complex, realistic, emotionally engaging and unforgettable
dontspamme-11
This is the film that the film bureau of the PRC's State Administration of Radio, Film and Television wanted to pit against Avatar? Really??? This film wouldn't even last five seconds against Judge Judy.Here is what I learned from the film: Confucius would have made a perfect litigant for Judge Judy's binding arbitration, 'make belief' court, being sued by his wife for back child support and breach of contract by his 'students.' The film portrayed Confucius as a 'bum'--as Judge Judy would say--who abandoned his wife and children after becoming unemployed. He then meandered all over the feudal kingdoms of ancient China, turning down job after job for the next few decades or so while taking on more students to service him, even when he had no funds or resources to see to their education. In his defense, Confucius say: "I want to change things!" However, other than the fairly common desire to see an end to the perpetual conflicts between warring principalities that characterized the Spring and Autumn Period, it is not entirely clear in the film what specific changes he wanted to affect or how his teachings were going to bring about those changes. In fact, other than dispensing one liner fortune cookie wisdom, when did he actually 'teach' in this film? Now let's put this film into context. As the PRC's communist ideological framework crumbles under the reality of its free market political and economic reforms, the post-socialist Chinese state 're-discovers' once banished Confucian ideals as a way to attempt to re-align its political authority with a moral authority, re-unite the disparate social and political elements of Chinese society, and distinguish the uniqueness of its modernization from Western industrialized countries. But even as a propaganda film meant to promote social values that would reconcile the PRC's authoritarianism with market capitalism, this film fails. It fails because the story was badly scripted and delivered by an over-dramatic acting style reminiscent of the last generation of period Chinese films. It's not smart or stylish, but is desperately trying to be in order to reach a new generation of Chinese movie-goers who would rather be stupefied by films like Avatar instead of being stupefied by films like this.Two stars, for the women in the film - the only aspect of this film that was not profoundly irritating.