david-sarkies This was the last of Truffaut's films and he died less than two months after its completion. I think the rush job at the end of this film seems to suggest that it was quickly finished as not much thought seemed to be put into it to tie everything together. Vivement Dimanche is a murder mystery set in modern times but it has been done in black and white to give the appearance of antiquity. The movie is timeless in the way that props have been used and that most of the scenes occur indoors rather than out. As one watches the film it is understandable if one were to think that Vivement Dimanche was a much older film than it actually is.A man's friend is shot dead while both are out hunting, but the man does not see it and all he knows is that his car has been left wide open. When he returns to his real-estate office he is brought in for questioning and learns that his wife was having and affair with the victim and he is the prime suspect. He confronts his wife after receiving an anonymous and abusive phone call but forgives her. He then returns to the police station and during this time his wife is murdered. Thus he goes into hiding while his secretary, who was on the verge of being fired because she allegedly had a fight with his wife, decides to help him out and clear his name.This film is a real mystery as we learn that his wife doesn't run a beauty parlour in Nice but rather a brothel. As we dig deeper we find that there are some strange characters working at the cinema that turn up in the brothel and we also learn that the man's wife is not really who she claims to be. In some ways this movie is quite far fetched because the main character seems to be quite ignorant to the deep plots that all of his apparently close friends are tied up to. His wife's name is not her name and the marriage that he thought was real is only fake. His friend is a major player in a prostitution ring and his lawyer seems to have a lot to do with it as well.As is typical of mysteries, the real criminal must be one of the characters that we know in the movie. There is little evidence brought up during the movie to point to a particular character, nor does any seem to make much of an appearance. In one way Truffaut has managed to keep us guessing as to what is going on, which I though was good. I was riveted to the movie to find out what was actually happening, but I felt the end was very disappointing. It seemed to throw all of the interesting threads that had appeared into a basket with no common tie. Truffaut could have extended the movie a bit further so as to create a much plausible ending and dropped more evidence to point to the real murderer than the lame trick he uses and the murderer confessing straight out anyway.

Spikeopath World cinema lost a great craftsman when François Truffaut passed away from a brain tumour in 1984, but his legacy lives on of course and here in Vivement dimanche! we have a very fitting and enjoyable swansong. Basically a crime/romance film, Truffaut treats us to a sort of pulp noir for the 80s audience, and by golly it works a treat. The plot is scrambled as Barbara Becker goes in search of clues to prove that her boss {ex} is innocent of a murder when all the evidence points to him actually being the killer. It sounds simple but there is much more going on as Truffaut has woven into the mix the complexities of love, there is more to Barbara and her boss Julien than is at first thought, and the journey that Barbara takes is dark and interesting in equal measure.The cast are simply sublime, I adored every actor in this film because they all give memorable performances to a number of interesting and integral characters. The leads are pitch perfect, Fanny Ardant as Barbara is just wonderful, putting layers into the role the further into the seedy underworld she goes, whilst Jean-Louis Trintignant feeds off Ardant's lead and gives a gusto and perfectly wrought turn to savour, shot in classic black & white to add to the flavour of the genre, the film is a sure fire winner, and the ending is tops as well, 9/10.

gigantes i was up late, scamming for some reason to continue my slackful ways... i chanced upon this little gem, halfway through... i knew nothing about this work except it being from overseas...i was hooked; entranced; captivated by the style, dialogue, pacing and FANNY... what a spark of life she was... beautiful and damaged...well, i am stunned that this film is from 1983??? surely it's a mistake- 1963 perhaps? and i don't mean the fact it's B&W- this production style is long since passed... isn't it??stunned also by these user reviews... they are professional-grade, i swear... as good as the movie, i think... something tells me i must watch much more truffaut... and FANNY...

anton-6 Truffaut´s last film is a funny and smart thriller that feels very Hitchcock inspired.It´s entertaining but has no depth.The acting by Fanny Ardant is very funny and great.Also very beautifully shot in black & white and I think that François Truffaut was one of the best directors and he did some fantastic films.4/5