Confessions of a Serial Killer

1985 "Step inside the mind of a killer."
5.8| 1h47m| R| en| More Info
Released: 14 November 1985 Released
Producted By: Cedarwood Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://theconfessionsofaserialkiller.com/
Synopsis

After being arrested, a Texas man begins confessing to the brutal murder of over 200 women. He recounts his random selection of victims and his traveling companions, his friend and friend's sister. But the police can't be sure whether to believe him or not until he locates a body and shows them some polaroids. Based on the true story of Henry Lee Lucas.

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Reviews

Coventry Mark Blair's 'Confessions of a Serial Killer' is a rather good film but – whether you like it or not – you automatically compare it to John McNaughton's 'Henry: Portrait of a Serial Killer' and then it definitely loses the battle. Reviewing this movie actually states all the more how powerful and unequaled McNaughton's effort really is. 'Confessions...' is very grim, but 'Henry' is at least a dozen times more grim! Rober A. Burns is truly eerie in his role, but Michael Rooker is at least a dozen times eerier in his! 'Confessions...' is disturbing, but... You get the picture! Based on the testimonies of the real Henry Lee Lucas, Burns plays a forty-something Texan hillbilly who quietly and without showing any form of emotions unravels his life as a serial killer to a patient copper. How he picked up multiple hitch-hikers and later dumped their cadavers in peaceful meadows. How he managed to stay out of the police's reach by being on the road all the time, etc... There's very few explicit material featuring in this film and that rather disappointed me. Not that I'm a sick puppy but a documentary about a serial killer is much more realistic when you're exposed to raw, shocking or even downright repulsive footage. Like it was the case in (sorry for bringing it up again) 'Henry: Portrait of a Serial Killer". . The film is suspenseful, however, and the extended sequences of Daniel Ray chasing terrified victims though corn fields are truly unsettling The character drawings of Moon Lewton (Daniel Ray's homosexual accomplice) and his sister Molly are weak and the giant anti-climax is sorely disappointing. It's pretty much like the title says: confessions! You sit and listen to a man clarifying his vile acts, but you never really get inside his twisted mind or guess for the motivations of his insane behavior. Worth seeing but certainly not a must.
letrias Someone, apparently strung out on crack, said this film was realistic - it's anything but. Then again, who'd expect realism in a horror film?Despite this, it's a fine film for what it is. Decent acting, competent direction, and an interesting atmosphere devoid of the overdone tension of Hollywood-style filmmaking, combine to create a low-budget horror masterpiece. People rave and rant about that cheeseball of a film EvilDead, yet truly interesting topics about the dark side of humanity are ignored. What a smart world we live in...With all that said, it was no match for Henry: Portrait of a Serial Killer. And that's why, kids, Confessions of a Serial Killer will be the only film Mr. Blair gets to make. Should he try again? Lets hope so. Good luck.
Travis This film takes the glamor out of serial killin'. The titular murder is a simple man, and his country-boy manner and affability caused me to like him in the scenes where he was not hacking at women and then copulating with their corpses. The happy-go-lucky sidekick character--an essential element of the Henry Lee Lucas story--is especially sleazy in this film, which is a nice touch, I think. The fact that he is named "Moon" only sweetens the pot. I am a fan of disturbing cinema, and this film definitely disturbs. I found "Henry: Portrait of a Serial Killer" absolutely unwatchable, simply due to its lack of plot, characters, and satisfying gore. This movie, on the other hand, boasts down-home characters, good performances, vile acts of posthumous sodomy, and paints a gritty portrait of what it is like to house an insatiable bloodlust. The other obvious advantage over "Henry" is that the more acclaimed picture lacked the proper plot structure necessary for such a film. This movie, on the other hand, with its flashback setup, is a tasty treat from start to finish. I give it three stars out of five.
inframan This is a perfect little movie in its way, succeeding as a voyeuristic experience from start to finish with just the right balance of banality, surprise, horror, disgust and curiosity-arousal & satisfaction. Like watching the seamier part of life through a perpetual keyhole. The art is in the actors & director never giving the appearance of "artfulness". Bravo!!!