Come Live with Me

1941 "How To Woo An Unkissed Bride!"
7| 1h26m| NR| en| More Info
Released: 31 January 1941 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Seeking US citizenship, a Viennese refugee arranges a marriage of convenience with a struggling writer.

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Reviews

abcj-2 I was a little bored with the first half hour of this film, but a well-written turn of events sends this movie in the right direction. It mixes a few classic themes (marry vs. deportation, country comes to town, wealth vs poverty, town goes to country, etc...) that could have made this movie completely formulaic. However, formula goes out the door with Jimmy Stewart's charm and Hedy Lamarr's stunning beauty. Once both characters spend screen time together, consistently, the energy of this slightly screwball romantic comedy picks up quickly. The grandmother is all wisdom, wit, and heart. Her common sense needlework samplers are artfully placed and still hold true today. The grandmother's calm voice, the sound of crickets chirping, and the other country nuances slow down the pace to a level that seems so foreign to an actress like Hedy Lamarr. She seems so out of place, but that is what makes her so enjoyable to watch. She melts slowly from the WWII city girl ice queen fugitive until she's relaxed and calm as if she can go home again, but this time to a slice of Americana rather than Austria and with a moral upstanding young man if that's the choice she's willing to make. This has just been made available for purchase on DVD. It's now on my "to buy" list and certainly worth a watch on TCM if you enjoy this genre and these wonderfully magnetic actors.
CCsito A nice romantic comedy about a marriage of convenience between Hedy Lamarr and Jimmy Stewart where an illegal Austrian woman is subject to deportation and looks for a US citizen to marry to avoid being deported. A very good supporting cast helps to carry the movie throughout the plot. The weak points in the movie is how a woman would go to a near perfect stranger's apartment to discuss the marriage proposal and how she could have allowed herself to be "forced" to accompany her husband of convenience to his family farm for a visit. I think the film needed a bit of more development between the two characters as they were falling in love. The ending seemed a bit too rushed. The woman's original lover just driving away that quickly after she decided to stay with her husband did not seem plausible given the relationship that the former lovers had at the beginning of the movie. It was still a nice script with fine performances.
Neil Doyle COME LIVE WITH ME manages to be a charming trifle of a romantic comedy that gives HEDY LAMARR and JAMES STEWART a chance to prove that they may have seemed like an unlikely pair but have sparkling chemistry with each other.Hedy is incredibly beautiful (as always) as a woman who must find a husband quickly or be deported. On a rainy night, she and Stewart meet accidentally in a fast food diner, and immediately she decides that this penniless bachelor will have to do. She makes a strictly business proposition with the man, a writer down on his luck, which he rather readily accepts--and a loveless marriage is negotiated so that she can wed Stewart, stay in the country longer, and then wed IAN HUNTER, who intends to divorce his wife.It's all rather silly and highly improbable. The deepening relationship between Stewart and Lamarr is never really fleshed out so that the viewer can expect to see hints of romance developing. Instead, after his story is accepted by a publisher (Hunter), Stewart decides to whisk Lamarr off to the country to meet his grandmother in a picture perfect rural setting. Naturally, love develops quickly and before you know it, Ian Hunter is out of the running as Hedy's prospective mate.The most original element in the story has to do with fireflies and Hedy's decision to use a flashlight "to attract a mate".It's an unassuming little comedy/romance, nicely played by the two leads and given good support by ADELINE DeWALT REYNOLDS as the grandma with her platitudes on plaques, VERREE TEASDALE as the publisher's open minded wife, DONALD MEEK as a park bum and FRANK FAYLEN as a tough talking counterman at a diner.Clarence Brown must be commended for getting a relaxed and assured performance from Lamarr, who never looked lovelier. Stewart is his usual earnest self, especially good in some comic reaction shots.
MartinHafer This film started off rather poorly, as you learn that Hedy Lamarr is the mistress of Ian Hunter--a married man who has a "modern marriage". This plot element was difficult to reconcile with a romantic film--after all, what's romantic about this relationship? Plus, I found it hard to care about such selfish characters. Fortunately, I kept watching the film and it turned out to be a dandy old fashioned film.Hedy was in the US illegally--having fled Nazi-controlled Austria. So even though she had overstayed her visa, it was really hard to blame her for wanting to stay. In an odd bit of casting, the immigration agent (Barton MacLane) liked Hedy and suggested that she could get married to an American and thereby stay in the country. But she couldn't marry Hunter, as he was already married. So, a bit later, when she meets down-and-out Jimmy Stewart, she suggests they get married in name only. Unfortunately, over time, Jimmy finds himself falling for Hedy--though they hardly know each other.I could talk more about the plot, but don't want to ruin it. The bottom line is that the writing was excellent, the acting superb and the mood wonderful. This is exactly the sort of romance that MGM did best and it's well worth a look--just don't get turned off by Ian Hunter's character--it does get better.