bonfirexx Brigitte Bardot was so completely feminine, playful, beautiful, and witty, she couldn't miss connecting with the male sector of any movie-going audience. And the women must have hated her, or at least envied her to tears.Bardot's face is so luminous, focusing upon it is more stimulating than seeing close-up, revealing body shots of her contemporaries such as Eckberg and Lollobrigida. She could take a mediocre, or in this case, convoluted plot, and save a film which would have been a dud with just about any other female star.The film is fast-paced, and suspenseful, in so far as the futility of trying to guess the culprit's identity, prior to the odds and ends being tied up neatly, in the end. And it far surpasses Bardot's collaboration with director Michel Boisrond, in "Mme. Pigalle," produced three years earlier. That one is filled with artifice and "mannerisms." such as fake auto rides, background landscape fakery, lip-synch singing, fake piano playing, and the stereotypical bumbling, "moronic cops" syndrome, so prevalent in films of the time. This film contains no artifice, or editing "tricks," whatsoever, and while it lacks for substance, it is entertaining, and the Bardot charisma at this most appealing stage of her life, stays with one, long after the curtain rings down.Henri Vidal, in his final role before his untimely death at age 40, is well-cast, as Bardot's husband who is being blackmailed by femme fatale Dawn Addams, herself a red-headed stunner who exits the film much too soon to suit the male voyeur contingent.********

lotus611 I just want to take note of the great Serge's Gainsbourg stunning appearance, short but classic! "L'homme a la-Tete-De-choux" enters with class, sets his line, and the rest is history...Check out Gainsbourg the artist: jazzman, musician, singer, poet, provocateur, precursor of rap, pop idol, eighties cult, through his musical career. Not to mention Brigitte Bardot in all of her splendor, a must see for any BB fan (check out the song "Bonnie and Clyde" for another Bardot/Gainsbourg collaboration). Good stay-at-home and somewhat suspenseful movie. Worth watching. I found this movie very enjoyable, definitely not a classic, but reminiscent of the pre-60's French thrillers.

bensonmum2 Virginie Dandieu (Brigitte Bardot) finds her husband standing over the corpse of the dance instructor who had been blackmailing him. Convinced of his innocence, Virginie lands a job at the dance studio to investigate the murder and clear her husband. Between the police, the suspects in the dance studio, and her family, Virginie's got her work cut out for her.Come Dance with Me is at worst a mildly entertaining mystery with bit of humor mixed in for good measure. You'll never fall out of your seat laughing out loud, but a few scenes did bring a smile to my face. The mystery elements suffer a bit because it's the kind of movie where you know everything will work out in the end.This was my first experience watching a Brigitte Bardot movie. And it certainly won't be my last. Bardot had a screen presence that's hard to beat. She is the center of every scene in which she appears regardless of what she's doing or not doing. It's impossible to watch a scene and not have your eyes glued to her every movement. I can't wait to discover more of her films.

Wout Visser (wrvisser-leusden-nl) This well-made movie just has one flaw: Brigitte Bardot is not suited for playing a crime plot. As her talents are with light comedy, she is not able to carry out the necessary mystery, horror and suspense here.For this reason I think 'Voulez-vous danser avec moi?' not entirely convincing. But apart from that, it's quite entertaining. It is shot well, its acting is good, and its story catches the viewer's interest from beginning to end. Of course your special attention for the scenes in the dance-school, fully displaying Brigitte's excellent dancing skills.This movie also seriously deals with homosexuality, back in 1959 a groundbreaking issue. For this reason I guess Paris must have been the only location possible.