Michael Ledo If you have seen the original "Coma" and were not in a coma during the first 10 minutes of the film, you should have it fairly well figured out except for some slight nuances.Susan Wheeler (Lauren Ambrose) is a third year hot shot medical student and now an intern. Her grandfather was the legendary Dr. Wheeler who is remembered by the older staff. She quickly discovers something wrong is going on the hospital, the only question that remains is who can she trust. This should have been a a movie that examines the moral and ethical questions of "death panels", the common good, and embryonic stem cell research. Instead it only glosses over the topic and then inanely makes a mockery of the whole thing.It is really ashamed because they had good actors to support this script and failed to deliver the goods. They managed to turn scenes which should have been shocking into the mundane.Made for TV, TV-14 This should be a free film for Amazon Prime. I predict it will soon make the bad horror film muti-packs.

Tracy T --SPOILERS! -- I loved the original "Coma" with Bujold and Douglas, and I liked this version, too. Or would have liked it. It was a bit slow-paced, and could have done without the bizarrerie associated with the obviously mental guy who was chasing Susan around, but other than that, it was well-acted and great fun to watch -- that is, until the character of the evil head of the Jefferson Institute was shown praying the Rosary. I mean, really?! Any Catholic who's Catholic enough to pray the Rosary would know that Church teaching prohibits doing evil so that good can come from it, would know that murder is a sin, would understand very well that one doesn't put people into comas in order to conduct medical experiments on them, and so forth, so why, WHY, did the powers-that-be just have to make that character a "Catholic"? Haven't we had enough of this sort of nonsense? Why does Hollywood have to constantly poke at Christians -- Catholics in particular? Would the director have gone out of his way to depict that character wearing a Star of David or as an obvious practitioner of Islam? Why is it not OK to do that to folks of religions other than Christianity? Why is Christianity singled out for this sort of treatment?I am sick of this sort of thing. It really is disgusting. And it's too bad, too, with regard to this particular movie because, as I said, it was otherwise enjoyable. Sigh.

tonyhouston2 coma wow just thinking about the old Richard Widmark ,Douglas and Bejould classic still sends shivers down my spine but tuned in and really enjoyed this new updated version with the lead actress in particular in great form also the old stalwarts of woods and Dreyfus just go to prove that you never loose your touch but cant help getting the feeling that the the old hospital and in particular the way they shot the Jefferson institute scenes gives us much more off an uneasy feeling plus the way the ending was left open could lead us to think that another sequel could be on the way makes you wonder just exactly what mr Crichton would have thought of the whole thing but definitely worth the watching but just remember one thing Don't LET THEM PUT YOU UNDER .

Stuart Whyte When making Trainspotting Danny Boyle described the film as something of 'a remix' of the source book to allay any fears of viewers who had read and would perhaps feel allegiance to the cult phenomenon of the Irvine Welsh novel. To corrupt that same analogy, this production of Coma is like a bad 80's 12" version of the (rather schlocky) original 70s film. Some scenes are very faithfully/slavishly reproduced to seemingly mimic the original film. I know the source material is the same but exactly the same shots are employed without further thought or creativity. So there is familiarity in places for those who've seen the other one. But the over-riding feel is one of jarring cliché, unrealistic 'lifestyle gloss' applied to the characterisation and art direction and most problematically a lot of condescending exposition and spoon-feeding of plot without any regard for tension or pacing. The cumulative effect is of an overlong, corrosively hallucinatory 'bad trip' with dialogue and acting that create an oppressive air of malevolence that is both reductive and exploitative of the audience.