SnoopyStyle In California, Ronald (Buster Keaton) graduates from high school as he receives the honor medal. Jeff Brown is the popular star athlete who has spend 7 years in school. Ronald makes a speech on the 'Curse of the Athletics' that entrances the teacher but the only person left in the audience is his mother. He's infatuated with Mary Haynes and follows her to athletic centric Clayton college. The dean wants him to be a scholastic star but he keeps trying to be an athletic star to impress Mary.Keaton does do blackface in this but it's not deliberately offensive. If I have any problems with this, it's that I don't buy that Mary is worth the trouble. It's simply a given that she's a dreamgirl. Also Buster Keaton is a true athlete and he can't hide that in this movie. He looks more muscle bound that many of the athletes here. He can't do nerdy convincingly in a tank top. The story struggles to fit. There are some minor funny bits. The stunts are not really that big and mostly just silly slapstick.

MissyH316 Ah, the never-ending debate of academics vs. athletics. Well in this case, Buster proves he's a rare winner at both! While I very much enjoyed the film overall, I kept thinking back to a YouTube clip I saw of Lillian Gish introducing this movie (sorta like they do on TCM). Her commentary alone is what made me decide that this would be the then-next BK film I'd watch! She made the introduction in her usual gentle, elegant way, especially in giving some first-hand perspective to what nowadays would be a very "politically incorrect" scene. But when she made a comment to the effect of, "Poor Buster! Imagine how difficult it probably was for a great athlete like him to do so many athletic feats 'wrong'!", that was all *I* needed to hear! So does "poor Buster", the top academic student, win over the girl he loves with all his clumsy (and sometimes painful!) attempts at athletics? You wouldn't think so, but then again, efforts and results don't necessarily always follow a clear path. Remember "wax on, wax off"? ;-D

Bill Slocum Incredible stunts and deadpan expressions were Buster Keaton's stock in trade, but his best films relied on more to interest audiences. "College" plays more like a filler project between more ambitious efforts, showcasing the talents of its silent comic star only in fits and starts.Buster plays Ronald, valedictorian of his high school class but too poor to afford college and a shot at the woman he loves, Clayton State College freshman Mary Haynes (Anne Cornwall). He enrolls at Clayton anyway, tries his hand at work, and jumps into scholastic athletics despite his grievous lack of physical coordination. Mary is impressed he's trying, but his old rival Jeff (Harold Goodwin) is one of many who block his path.Directed by James W. Horne and an uncredited Keaton as an excuse for a series of sports-related gags, "College" barely makes it to its running time of just over an hour, even with the padding of a long intro centered around Buster's high-school graduation. Ronald's college career seems to consist of alternating bouts of athletics and hazing, with some period shots of USC's campus for atmosphere.Buster's stone face is a little more expressive in this film, beginning with his big graduation speech, an ironic denunciation of sports he delivers with amusing, eye-bulging passion as he sways from side to side, feet planted on the floor. "What have Ty Ruth or Babe Dempsey done for Science!" he demands, angering his classmates so much they leave in mid-ceremony.Speaking of Ty Cobb, his former Tiger teammate Sam Crawford appears here as Clayton's baseball coach in one of the better sequences (he was really USC's baseball coach at the time). As the third baseman, Buster gets caught in a rundown, then as a baserunner manages to cause a triple play by himself. Crawford finally ends things by gives Buster the boot.The overall storyline is episodic and haphazard. For a job, Buster first works as a soda jerk, scattering milk and eggs hither and yon until Mary walks in and Buster ashamedly pretends to be a customer, too. This would seem a promising idea, but instead the boss confronts him and Buster walks out, ending that whole deal with a shrug. Later, he tries to be a "colored waiter" by donning blackface. The color comes off; the sequence doesn't.Even the celebrated visual trickery found in Keaton's other films gets short shrift here. The most prominent involves him being tossed up in the air holding an umbrella, which causes him to "slow" when falling. It's a poor device in service of a weak gag, involving a heavyset woman dressing at a window who gets annoyed at Buster's apparent peeping. Like much else in the film, it could have been eliminated without notice.Finally, with the help of a friendly dean who identifies with Buster's lovelorn state, he gets a varsity position as the coxswain, or "coaxer" as Buster calls it, for Clayton's crew team, which must win their big race or face elimination from the school program.There's an energetic ending, like the blackface humor rather dated, in which Buster must save Mary from a fate worse than death - being caught in her room with a boy. Never mind the couple's fully dressed and she's struggling to get out; it's instant expulsion for her if she's caught. Here, rushing to save her, Buster shows off the athleticism that he has been keeping under cover for the whole film, and it's a nice payoff in that you get laughs and thrills, standard fare in most Keaton films though only in evidence here in the last few minutes.Like many commenters have already noted, "College" is regarded as a lesser Keaton, though its last shot is jaw-droppingly memorable; Keaton's unsentimental sensibilities at their stoniest. It's a good thing he used the shot for a film like "College"; it might have spoiled one of his funnier efforts.

Michael_Elliott College (1927) *** (out of 4) Lesser quality Buster Keaton film has him playing a dorkish book worm who is told by his girlfriend that she doesn't want him unless he becomes an athlete. Once in college Buster goes all out trying to find a sport that he can do. This isn't a masterpiece or even a very good film but it does have plenty of laughs and it's always fun seeing the athletic Keaton dumb it down and not being able to perform all the athletic stuff. I'd say this film was rushed into production after The General tanked at the box office and it's pretty much unlike anything Keaton had done before. You really don't get to see him genius stunts and instead you pretty much just get a one-note joke of a dork trying to be a star athlete. Still, there are plenty of laughs including the best sequence where Keaton, needing a job, gets in blackface only to have it melt off and then he's attacked by the real black folks.