Cold Showers

2005
6| 1h42m| en| More Info
Released: 14 May 2005 Released
Producted By: Canal+
Country: France
Budget: 0
Revenue: 0
Official Website:
Synopsis

Mickael's family is struggling (they don't have enough money to pay for hot water) however his life is full with Judo and his girlfriend Venessa. Then Mickael makes a decision to open up his relationship to include Clement his rich-kid Judo partner, starting a chain of events.

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Reviews

Kirpianuscus not original. far to be impressive. a correct image of the frustrations of a teenagers and his universe. about love and sport, competition and conflict with parents, love and sexual interest, desires, confusion, angry, joy. a bitter blend of emotions and gestures who are far to be original and who seems be, after the final credits, almost a demonstration of improvisation. because the end is confuse and entire tension goes to nowhere. because the old French recipes of the exploration of emotions as basis of complex characters falls in this case. it remains one of many European films about teenagers. dramatic, seductive in few parts, amusing and nice. and, maybe, only problem remains the lost of direction in the middle of story who impose to reduce at classic clichés a promising theme.
gradyharp 'Douches froides' ('Cold Showers') is a film by Antony Cordier that has been marketed in a strange way: the projected audience was supposedly the gay audience, but aside from brief frontal nudity in an innocuous gym shower room there is nothing 'gay' about this movie. Instead COLD SHOWERS is an examination of class, sport, experimentation, and emotional borderlines that are at once fascinating and frustrating.Mickael (Johan Libereau) is from a poor working class family - his father Gerard (Jean-Philippe Ecoffey) is a boozer taxi cab driver who lost his license as a result of a DUI, and his mother Annie (Florence Thomassin) is a cleaning woman in the high school gym: they live on the edge of poverty. Not a great student, Mickael excels in judo and his life is focused on his sport and on his girlfriend Vanessa (Salome Stevenin). One of Mickael's teammates Clement (Pierre Perrier) is from a wealthy family: his father Louis Steiner (Aurelien Recoing) is confined to a wheelchair and his mother Mathilde (Claire Nebout) is a woman of the world and society. Louis decides to sponsor the judo team, buys them outfits, and asks Mickael to work with Clement to perfect his technique and prepare the judo team for a French championship.Mickael and Clement relate well and while Mickael is a winning player, Clement is smarter and understands the intrinsic rules of the game better. An incident occurs that forces Mickael to take the position of a wounded mate and in doing so he must lose 8 kilos to qualify for the championship team. The struggle to lose weight (his body is already perfect) places stress on both Mickael and his family and teammates. Mickael and Vanessa include Clement in their camaraderie, a situation which evolves into a ménage a trois as the three have sex in the after hours gym. Vanessa reacts as though this is the greatest physical feeling ever, Clement is smitten, and Mickael has troubling doubts. When the three decide to try it again in a hotel room Mickael is so conflicted that he does not join the other two, only listening to their cavorting in the bathtub feeling inferior to the smarter, wealthier Clement. But on the judo side, the team wins the championship and Mickael's delicate sense of self worth is restored for a moment. It is the manner in which the trio of young adolescents resolves their antics that closes the film.Though the actors are superb and very beautiful to see and hear, the character development is fuzzy and we are left with little understanding or insight as to the each of the key players. The judo action moments are beautifully choreographed and the intimacy scenes are done with taste and fine lighting but with little passion conveyed. Though we want to identify with Mickael and his methods of confronting his coming of age, there just isn't enough character motivation to make that transference entirely successful. This film feels like two movies: a judo team's antics and a class-crossed ménage a trois. Beautiful to watch, but the script could have been more carefully constructed.
de_xeet It's been a long time since I have been in the art-house theater and I went to see Douches Froides because it has gotten such great reviews in the papers.The thing is with this movie, is that it has no head or tail, but merely a section in time about the life of the three main characters.When it started I already knew that it was gonna be a long sit down, but sometimes things can get better, in this case not. There is no real character development or interconnection between the players. You start in the middle of a situation, all of the sudden there's a girlfriend and then there's a guy with whom he needs to be friends with in order to fulfill his sports ambitions, but the way they are put together is quite odd, since they are "just put together", so it seems.And all of the sudden they have sex with each other, at least one you can see of. The feeling of guilt or jealousy with the other guy is hardly noticeable and really all I could think of during the movie was "when are they gonna have sex again?". And when you think of it, it's quite insane really. Because it basically means there is nothing really worth looking at, but three teens going at it and that, for me at least, makes it a very crappy movie, stay clear from it and save your money (my €7,50 is wasted), there are better art-house movies than this one.I give three stars for the acting performance, one each.
Jamester This film deserves a chance to be seen. This teenage coming-of-age story from France tells nicely against a backdrop of martial arts (judo), competition, and sex. But it goes beyond to show some nice subtleties where class, success, and desire play out against one another to really give you a sense of what the main character is going through. I was pulled in. And the story just seemed to work and be very real and personal for me.The director, who was present at this Toronto International Film Festival screening, mentioned the story started out as a school project -- something that garnered accolades beyond his expectations. It then grew into a judo documentary, before morphing again into a personal coming-of-age story with the director's personal story touches.The result was excellent and succeeds on many accounts. I'd say it's worth checking out.