bkoganbing It's unfortunate that City Without Men could not have been made post WWII. Sadly a lot of very dated flag waving gets caught up in what could have been an interesting story.Michael Duane is a tugboat captain who gets caught with a couple of Nipponese gentlemen on his craft and is arrested. He gets five years in prison for stuff I think a smart lawyer could have beaten even war time.His fiancé Linda Darnell moves to a boardinghouse to be near him run by Sara Allgood whose husband is in the same prison doing a life sentence. Among other roomers it are Glenda Farrell and Margaret Hamilton. It looks a whole lot like the theatrical boardinghouse in Stage Door with all the personalities. But there's no eager hope for a career with these women, they're down and outers and they know it.Darnell has her hopes pinned on drunken attorney Edgar Buchanan and that's not much.This was a somewhat interesting story done of course on the cheap. It lost me however when Edgar Buchanan started waving the flag and drawing illusions to the occupation of Manchuria to Pearl Harbor with this man's case. Today's audiences would be howling in laughter.Sadly some real potential is lost in wartime flag waving.

mark.waltz There's a lot of great actresses in "City Without Men", one of those "B" Columbia films about women in peril. But unfortunately, what they forgot about was getting a screenplay with a story, not touches of a plot here and there, surrounding the wife of a wrongly accused man who moves in with other prison wives to be near her husband. The men, of course, plot an escape, and there's enough cat-fights, card cheating and tragedy to go around. Sara Allgood gets acting honors as the sort of den mother to the girls, whose own husband has a life sentence. That fabulous "wicked witch" (Margaret Hamilton) seems to have fun every time she throws out a wisecrack or kicks a cheating wife in the butt. Unfortunately, she (like the majority of the others) isn't at all likable. Throw in Uncle Joe from "Petticoat Junction" (Edgar Buchannan) adding the same type of sympathy and wisdom he used in "Penny Senenade". This seems to take the plots of "The Big House", "The Women" and "Tender Comrade", throw them all together, and try to come up with something of quality. Unfortunately, they miss by a long shot.In reference to the DVD, I agree with other reviewers that this is not a high-quality transfer and much of the dialogue is difficult to decipher. Please keep this in mind when watching the movie which is hard to resist with that cast. (I must confess, I've watched it three times, hoping to find something worthwhile.)

miriamwebster Picture quality on Alpha DVD release is terrible but garbled soundtrack is even worse. Almost like watching a primitive foreign-language talkie in a language not yet recognized. Basic situation--a boarding house full of girlfriends, wives, and mothers of convicts living across the street from a prison where their men are impounded--has possibilities (think "Stage Door" on visitors' day) but it's impossible to understand what Linda Darnell, Glenda Farrell, Margaret Hamilton (in change-of-pace role as a sassy beer-swilling card cheat), etc. are saying 80 percent of the time. (And what was Darnell doing in a Poverty Row clinker like this at this point in her career?) Odd little film with early David Raksin score, light years away from his "Laura" panache just a few years later.

richard.fuller1 Forgettable bit notable for Margaret Hamilton as one of the wives of prisoners. Hilarious moment is when all the wives in the boarding home gang up on one who is seeking to run off on her husband, watch Hamilton's tough act especially. YOu can't miss it. Think of Laverne and Shirley tough acts (second time I have referred to that show in commenting on old movies) or even Ethel Mertz behaviour. Edgar Buchanan (Uncle Joe of 'Petticoat Junction') and Sara Allgood as the boarding house mother BEG for Academy Award nominations. I don't know what ever made anyone think Buchanan could draw sympathy and pity from an audience, but every performance he gives, he is emoting or spewing wisdom or in PJ's case, thinking he is stealing the show with laughs and warm humour. Here he plays an alcoholic lawyer who pleads for Linda Darnell's husband. He actually might have been effective without the alcoholic slant. Allgood's attempts at sympathy are utterly pathetic and blatantly obvious.In the end, when all seems said and done, Glenda Farrell kind of sets the stage for some sort of sequel is all I can figure. Thankfully there wasn't one, or it there was, I never saw it. Again, Hamilton does manage a few good laughs with her incarcerated husband.