ApeStarfighter This is one of the best documentaries I've ever seen. A rather interesting picture of the cineast of New York. We follow a couple of movie freaks in NY and get to know their every day life and their feelings toward themselves and the movies. In one way this movie makes me want to become obbsessive-compulsive. Long live the cinema!

FeverDog CINEMANIA runs sometimes on the Trio channel so I've seen it a few times. Its characters are what I'd probably become if I had unlimited time and resources to go to the movies five times every day. I've already been to some of the rep houses they frequent (like the Film Forum).But even though this movie purports to be a comedy, I don't find it particularly funny. These people are sad loners who go to the movies all the time because they don't have anything else in their lives to do. Nowhere in the movie do we see them loving the films they see, or even enjoying them. No post-film chitchat about what they just saw, what they think of it, if they even liked it. Roberta collects memorabilia. She's got a fast-food tie-in beverage cup for LAST ACTION HERO, but what does she think of the movie? Has she even seen it? Does she go to summer blockbusters or stick to film festivals and rep houses? Do any of these maniacs have opinions? It's like they're obligated to partake in this ritual day after day, and any joy the cinema once gave them is long gone. Oh, and I object to a movie called CINEMANIA that's shot on video.

stedrazed CINEMANIA is a film for its subject matter: film geeks. I absolutely loved it, which tells you a little about me. This is a great film for anyone who's ever hopped a cab, bus or subway train in a mad frenzy to get from one movie to the next, for everyone who's ever made a list of all the films they've seen in a year just out of morbid curiosity as to how wisely they've spent their time, for anyone who's ever sacrificed a social event to see a movie alone. Yes, I've done all these things and more, but despite my identification with the weirdos that are the subject matter of CINEMANIA, even I was amazed at the absolute compulsion many of them have for cinema. One man is said to choose a carefully orchestrated "constipating diet" in order to avoid the inconvenience of missing the beginning of a film due to the necessity of bodily function; another places a personal ad in which he writes almost exclusively about film; the only woman among them, Roberta, has been known to physically fight ticket sellers at theatres that inconvenience her goal to save the ticket from every movie to which she's ever been. The astounding thing is how proud the cinemaniacs seem of their obsession and the utter lack of anything else in their lives. One film buff proclaims himself a "writer and philosopher", yet we never hear about him writing anything other than the aforementioned personal ad. Another has an extensive collection of movie soundtracks on vinyl, carefully arranged by composer, but doesn't own a record player. But this is not a mean-spirited, satirical film out to expose or poke fun at the "losers" and their passion for passive entertainment. As I have said, it is a film for those who identify with these so-called "losers", hopefully to a somewhat saner degree. Perhaps the most touching and important moment in the film is a scene in which one film buff (proponent of the constipating diet) discusses the escapist quality of film. "In a movie", he says (I'm paraphrasing) "you can just walk out of the restaurant and blend into the crowd, then walk across the street as if moving on into your new life, but in real life, you know, you have to go home; you can't put real life in a frame and make it art." But sometimes real life is art, sometimes it's better without the frame, and I'm happy to know that the tragic, comic and wonderful "characters" of this film are really out there, still passionate about this great art form, even to the point of insanity. Right on, brothers (and sister)!

jbels I feel a little cheated by this documentary as it seemed to be packaged as a quirky comedy and it is downright depressing. One of the cinephiles mentions that the obsession is like being in a prison, which is true, but the film wasn't presented that way. At best, the five subjects are sad and at worst, they are sick. They cross the line of being "buffs" to living unfulfilled lives in which they will see thousands and thousands of movies and then just die. They live in death traps, do not work and seemingly cannot even dress properly. The movie's whimsical tone betrays the truth and the viewer leaves knowing that these five people will never be any better. Sour.