Michael Ledo The title makes one believe this is simply a gross slasher film. In the first few minutes you are sucked in with the dark humor and quirky characters making this more of a cerebral mind fest...with a little bit of axe murdering.My first question is, "Was that a 4 door racing Volvo with a rear tail fin?" Did they ever make such a vehicle?Will Keenan stars as Lance, our pathetic "victim" who is hounded and forced to do things. Tanisha Mukherjee plays his wife. Camille Keaton (gang raped in the original "I Spit on Your Grave") plays Mrs. Keenan. "B" actor Timothy Muskatell does an excellent job as the bizarre tormentor of Lance.This is an excellent dark comedy horror film with decent soundtrack, great script, good quirky characters, and a touch of dismemberment.F-bomb, explicit sex talk, oral sex, no nudity

trashgang First I would like to mention that I had a question about the duration of this flick. On IMDb it's clocking in at 98 minutes and looking at US DVD's it clocks in at 89 minutes but the European official release clocks in at 78 minutes. I can't think that they cut out 20 minutes to make an release in Europe. I never had that seen happen except for A Serbian Film (2010) that was cut 19 minutes for a UK release.There's no real horror to catch in Chop, this is really a no-brainer with some comedy attached. But as you all know I have troubles with comedy from the US. Mostly it doesn't work and here I never had a smile on my face. It's silly that I can tell and you just can't take it seriously. There's indeed some chopping on a guy captured by a man asking him for an excuse for what he did to that man. By trying to solve who he is he admit other crimes and the victims or friends are coming in to torture the captured man. Gore, no, funny, not really, just an excellent flick to watch with your friends while necking some brewskies.Gore 1/5 Nudity 0/5 Effects 2/5 Story 2/5 Comedy 0/5

DavidTroi My opinion on this movie is blunt. The plot didn't seem confusing. The movie was easy to follow overall. My confusion was what genre they were going for. Was the movie suppose to be a comedy, or a thriller?There were parts throughout the movie where the acting seemed different than mainstream movies. The main actors "smart-ass" attitude brought on the whole comedy feel. Yet at the same time the whole held captive being tortured thing could pass as a stretch from the Saw films.The scenes where he started losing body parts was great. His reaction was hilarious. His DAMNIT! I fell asleep again mood was great. Various points like the main character bringing up past mistakes. Great Stuff. I would recommend this movie to anyone looking for a good laugh. At the same time the unique format for their plot and script all together was very... interesting.

chaos-rampant You know by now this isn't going to change your life or how you define film, so let me tell you what it can do for you. A perfectly decent latenight comedy horror viewing, made proportionately better by how much beer at hand.The guy behind this grinded his teeth working at Troma, so he knows film as Lloyd Kaufman taught it; make your own damn movie, doesn't matter how cheap or choppy so long as the game is agile, self-aware and one step ahead of you dear viewer. This is done on the cheap but is all the rest. The setup here is that our likable guy is being quite literally chopped away until he can remember how he affected others. Turns out he was a pain in the ass junkie before he cleaned his act. Strangers are brought in to take a piece. Our half-mad psycho keeps taunting for an answer.There is some gore and some tension involved that is probably being spoofed from Hostel - our guy looks a little like Roth anyway - but this is pitch black comedy first and foremost, like Trome used to do it minus too much explicitness. So throw some weirdness on screen that you know is going to attract a crowd, then be a good host and make everybody have a good time. This one does, up to the halfway point at least.The downside: it's a great premise, our guy wakes up and fingers are missing. It hinges a lot of its power on us feeling genuinely sorry for the plight of our awkward protagonist. But that's the whole thing and it's not taken further. While enjoyable and riproaring for a while, it gets tedious in the latter stages.The Pegg/Wright team could have done this with more acerbic wit, a young Sam Raimi with some cinematic verve. It would have been a classic in both cases.