jotix100 Johnny Williams, an American photographer, finds himself a prisoner of the Japanese during the invasion of Burma. With the help of a couple, Weed and Fifi, that are also being held in jail, escape their captors by getting on a small plane parked nearby, after almost being killed by their enemies. Luckily for the trio, Johnny, who is an expert in many things, knows how to fly. The problem, as they try to land in Mandalay, in upper Burma, near the Chinese border, the aircraft, with Japanese markings, is almost shot down.From the moment these three arrive in Mandalay, things begin to change. Not only are the so-called-friends spies for the Japanese, they want to do a number on Johnny. The arrival at their hotel of the exotically beautiful Haoli Young, awakens a passion in Johnny, who falls head over heels with the gorgeous woman. Haoli and her father, want to get to Kunming, in China, where they have established a mission for orphans. Sadly, the Youngs get to their destination, but war in the area comes with a deathly toll for them and their school. Johnny is helpless trying to save the woman he loved.Coming from a writer like Ben Hecht, the film is somewhat disappointing. Not even Henry Hathaway, a good director, was able to make this movie work. The trouble is the way the main characters are conceived. Johnny Williams romance with Haoli doesn't ring true. After only one day, he is madly in love with this woman, ready to do anything to keep her forever. Then there is Fifi, who sees right through Johnny and ends up wanting to have him. It might have worked in the 1940s, but it feels false today. We are not trying to demean what the creators tried to give the public, but much of the story makes no sense.The fun comes in watching George Montgomery's take on Johnny. He was an action hero whose work in films gave him opportunities to display a charming personality. Gene Tierney, on the other hand, seems wooden in her approach to Haoli. She was a lovely woman with a screen presence to match. Lynn Bari, who appears as Fifi, fares better. Her Fifi is a dubious character that feels real. Victor McLaglen, as Weed, has nothing to do. Robert Blake, who was a child actor, turns up as Chandu, the little boy that is befriended by Johnny and acts as his personal accountant.Fans of Henry Hathaway and the stars will enjoy "China Girl" even if it is flawed.

Pearly_Gates This is an underrated film that has received reviews too dismissing, I feel. I agree with the above reviewer on some of its shortcomings, but would also point out that there is a very nice tension set up between Gene Tierney and Lynn Bari throughout most of the story — which certainly had me watch it through to the very end. Contrary to other opinions, Tierney fans will not be disappointed here, although I agree she doesn't truly shine as in some others; and Lynn Bari is at her best and definitely makes us wish she had been given more prominent parts. Some feel that Bari actually makes this movie, but this may be going too far. Moreover, I don't believe China Girl was ever intended as a war movie per se, rather a drama. The war-scene ending just happens to be the bitter twist that closes what is essentially a war-time drama between a guy and two gals — it's no more complex than that.Also, the camera is no slouch either, in this movie. It has excellent shots in the hotel rooms where much of the action takes place, giving it a somewhat noir feel that definitely generates an overall stylish period polish that is in synch with the true noirs of the period. If you like this style, as I do, China Girl is worth seeking out. One can only hope that it will eventually become part of a Tierny Collection. I'm certainly keeping my fingers crossed!

larry41onEbay During the early days after America's entry into WWII, Hollywood cranked up the pro-war propaganda machine to both explain and justify our late participation and urgent need to catch up in the global battle against fascism. This pre-Pearl Harbor story concerns one he-man opportunist's efforts to juggle the bad guys and bad (?) girls with questionable motives. At times it looks like a film noir and other times a spy romance/melodrama, but with cynical dialogue by the master Ben Hecht and tough-guy direction by Henry Hathaway, this chop suey has enough meat and potatoes to satisfy. Example of the catchy language: George Montgomery says to sexy Lynn Bari, "I like you because you're everything a girl should be, 115 pounds of lies, venom and kisses." Another line has spy Victor McLaglen reporting the only Japanese he could translate from a secret document was the number 7 and the word Pearl!!! Oh - and the reason most folks will be watching - the China Girl, Gene Tierney is scrumptious!

pzanardo Probably "China Girl" is a movie for cinephiles (I'm not one of them, though). Hathaway is a high-level film-maker, McLaglen, Montgomery, Lynn Bari, Ruman are gifted and nice actors. The black-and-white photography is beautiful: the scenes inside the colonial hotel are indeed very evocative. Even the plot is better than one may expect and presents a noble finale. At any rate, it is so pleasant to see a film with no beastly violence and trash talk which are routine in current movies. Of course, for us happy people Gene Tierney's fans, the main recommendation for "China Girl" is the presence of our Goddess of Love and Beauty. Beyond her incomparable beauty and loveliness, Gene shows her usual (underrated) talent as an actress: with her sad dreaming eyes, her rare sweet smiles, her refusal to give way to love, even her bravery in sharing her unhappy people's sufferences, she instills in the audience the foreboding of her bitter fate.