barneypackard I was living in Chicago when much of this was filmed. This is true life, forget "fake reality TV", this is the real deal. The main star grows on you, you can empathize and feel what he is feeling, although you might not choose his route! Point is, when I finished watching, early in the morning, I thought, "Wow, this is a great movie". Gritty, real in the mob life, the drug life, the police life, and politics. Here you have a criminal, a former hit-man, and he has needs, to care for his family, to hold his rep, to be cared for. The ending was I surprise. I won't spoil, just watch the movie!

ayante_hdc Apparently someone had the idea that having two old guys, each one in a different side of the law, one of them being Frank Vincent (great in his role) and some mafia stuff was enough to have a decent film. Well, it wasn't. It's a pity because with a better script and better acting work in some cases could work but with the bunch of clichés, some nonsenses dialogs and that awful old cop altogether made a depressive cocktail. Some scenes are simply embarrassing to watch, like the one between Lou and Danny. Perhaps it' about the acting difference, perhaps with a more even set of actors could work. It's a pity in any case.If you are bored without nothing else better to do or see, OK. Otherwise...avoid it.

toddg-473-289818 I really wanted to like this movie. But within the first few minutes its attempt at being a film noir was an epic fail. The script read like a theatrical production rather than a cinematic feature. And every character was a cliché: The main character, Lou, is an aging mob soldier who requests a murder contract in an attempt to capture his younger glory days. Add to that his longtime spurned lover, his dysfunctional daughter, his young and innocent grandson, and the pair of big city cops on his tail. Not only were all of the characters a cast of clichés, but the storyline was as well. To add to it, every character had one dimension of emotion, which was anger. It gave the audience no reason to like anyone or remain engaged in the story. By the end, this film became a caricature of itself.

John Seal This surprisingly good independently made crime drama stars Frank Vincent as Lou Marazano, an aging Toddlin' Town hit-man now living in reduced circumstances. Lou hasn't made a hit in years, and is now mostly employed for minor league shakedowns, but when the opportunity for One Last Big Job arises — and with it the chance to set his daughter up for life — he leaps feet first. It's far from the most original of stories--and the film's production values are on-par with a made-for TV movie--but Vincent is excellent and Chi-Town looks great. Fans of gangster films will definitely enjoy it. Also noteworthy: Stacy Keach as an equally worn out cop and Kathrine Narducci as Lou's love interest.