Cherry Crush

2007 "Passion has a price."
5.4| 1h29m| R| en| More Info
Released: 16 February 2007 Released
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Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A high school photographer breaks his own rules and falls in love with his teenage model.

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Reviews

chrichtonsworld "Cherry Crush" is a movie that heavily depends on it's cast! The few actors that are in this movie do a decent job! Jonathan Tucker is convincing as a teen who gets in trouble after having an affair with Nikki Reed! Throughout the movie we sympathize with him and really care for him! This is one of the main reasons why this movie stays interesting! The other one is Nikki reed as Shay Bettencourt! One beautiful and very dangerous young woman! That's why she is perfect as the femme fatale! The plot is simple and not really exciting! There aren't many twists and turns! And the once that are there are far too predictable and a bit convenient! As a whole "Cherry Crush" is pretty average and doesn't offer anything new! I wouldn't recommend this movie!
coreguy Sex, money, desire, crime…all these “necessary” elements combine using an old plot: story of a freaky photographer and a sexy girl. He takes her as his model and sex companion while she takes him as her tool for getting money.The process is also plain and stereotype: They get acquainted. The girl tells a lie. The man trusts her and don’t know he is already trapped. Then the climax: They mistakenly kill someone,who is just the girl wanna murder in her plan. Her scheme makes the man really involve in the affair because of the photos he takes on the spot of case, and the tracks he leaves. Under the investigation, his character of indecisive and maybe some love for that girl keep him from telling all clues out. So, he bogs deeper and deeper…at last, his life is ruined. um.hum,nothing particular, isn’t it? Many crime flicks about “Photograph” act like this.Bad side is over, now turn to the good side. Firstly, The leading cast is a highlight. Nikki Reed and Julie Gonzalo especially. Shay Bettencourt’s wildness and sexiness, and Desiree Thomas’s lawyer-like appearance are impressive. Worthy to mention, Some dialogs are interesting, like the discussion between Wade Chandling and Jordan Wells about the lawyer.Secondly, I probably realize that the director may wanna show something under the plain story: a topic about scripted life designed by the family and an own life made by oneself. At the end of the flick, the main role loses his scripted life and have to escape but maybe it’s actually a good ending for him since he is not suitable for a lawyer career? Deep thought may survives this movie.
Baris Sentuna This is not a movie that is so good. It is only average. The only things I liked are the beautiful, Nikki Reed (Shay) and some good cinematography in some places. The use of colors in those places is great.Unfortunately, this is a film that you demand more as from the beginning. The beginning scenes are shot very well. But it is as I said average unfortunately.The very beautiful girl. A young boy and older lover. Guess what. If what you guess does not come around so what again. Philosophy, Psychology, Great Scenes, Unbeliavabe Moments, Some great action none of them are in this film.Hope you enjoy it.
rw212605 Like many films starring teens or pitched to a teen audience, Cherry Crush falls short on intrigue and plays long on wrought dialog and narration. What Cherry Crush has that say, Cruel Intentions, doesn't have is a languid and saturated visual feel that distracts from the film's occasionally empty writing. The film has a similar feel to The Virgin Suicides, which also focuses its artistic energies on creating rich landscapes and detailed portraits of its characters (rather than character development). Director Nick DiBella's choice to prioritize style is a good one given his strength with the camera. It's no wonder that the protagonist in his co-writing debut is a photographer.Because of its sophisticated cinematography and laudable go at film noir in color, Cherry Crush deserves to be offered to an art house audience. The story of a rich kid bewitched by a mysterious pauper isn't a terribly sympathetic, but putting the failures of the plot concept aside, DiBella captures his subject well.