wintyrfalls This is not the best or greatest dirty cop movie ever made; it is not even a traditionally "great" film, yet it holds your attention straight through. There is something about the rhythm of the film and performances that are, at times, mesmerizing to watch.How is that? I am still trying to figure it out, but watch for the following:1) Chris Penn delivers one of his best, truest performances; one that is on par with "The Funeral", in that it is just a tortured character played purely without clichés.2) It presents the gritty underworld of Los Angeles without even a hint of Hollywood or elite characters. 3) Henry Czerny. Where did he come from? I have no idea, but you will try to find his other work after watching Cement.4) The feel of the movie is right, there is nothing bright or shiny. The story is that of a dark, intense life and the atmosphere created fits perfectly.The film is not for everyone! You will not end a viewing feeling all is right with the world, whistling happy tunes, OK? It is a gritty film with amazing performances, do not expect laughs or feel good moments. If you like Abel Ferrara (King of New York, Bad Lieutenant, Funeral) or early Scorsese (Mean Streets, Taxi Driver), see this!

dawn1129 I feel Chris Penn is at his best "cop/mobster" characterization in this movie. He's the central character who's life affects every others' after he experiences a life-revelation. Sorry this is so cryptic, but I don't want to reveal any of this twisting plot. Similar movies would be; "Reservoir Dogs", "Internal Affairs".

Tonci Pivac The only good thing this film had going for it was Chris Penn, that was it, nothing else in this poor excuse for a movie was any good.If they had put more of an effort in to the budget of this movie, it mite have been quite good. Stay away from this film, trust me.

Sharon-13 Adrian Pasdar, mainly noted as an actor (ie: Mysterious Ways TV and Profit TV), has switched to director for this fantastic film. The opening sequence, of a man being buried alive in cement, grabs the watcher by the throat and keeps the viewer riveted to CEMENT until the ending credits. Look for the Profit references. No wonder this was awarded the Grand Prize at a film festival. Well done, Adrian!