Casualties of War

1989 "Even in war… murder is murder."
7.1| 1h53m| R| en| More Info
Released: 18 August 1989 Released
Producted By: Columbia Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

During the Vietnam War, a soldier finds himself the outsider of his own squad when they unnecessarily kidnap a female villager.

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MattyGibbs Casualties of War is a film I chanced upon whilst flicking channels one day. As a result I had no expectations as to what the film would offer. I remember being slightly surprised to see a young Michael J Fox playing a soldier and I think it was this point that kept me watching. Fox plays a good at heart man who finds out what war really entails and how it can affects different people in different ways, often for the worse. His young squad capture a local girl and things turn ugly. It is at times brutal but always compelling. It features a great young cast headed by Fox and an impressive Sean Penn. I am surprised that this currently has a rating of just 7.0 as for me it is one of the better war films of recent decades. It is always engrossing and has the guts to tackle difficult subject matters in a no holds barred way. A very memorable film and one of my favourite war films.
doug_park2001 CASUALTIES of WAR is one of the very best of the late 80s Vietnam films. Being all about the rape and murder of a young Vietnamese girl by U.S. troops, it's understandable why this film produced much controversy and why there are so many quasi-political reasons for liking/disliking it. CASUALTIES of WAR is "based on" something that actually happened, and I'm sure there are some departures from how exactly it all happened. While the critical aspects are obviously factual, I'm appraising this film simply as a drama and will let others quibble about how true or untrue the specifics are.Though he comes across as just a little TOO squeaky-clean, Michael J. Fox is decent in the lead role of Private Eriksson. I've noticed a number of criticisms of Sean Penn's portrayal of young charismatic Sergeant Meserve, but I find him to be an utterly convincing and memorable character and think this is one of Penn's very best performances, which is saying a lot. Those who play the other four soldiers in the understrength squad are similarly real, as are many of the supporting cast, particularly Dale Dye as Captain Hill and Ving Rhames as Lieutenant Reilly. Thuy Thu Le's strong performance as the victim is also noteworthy.Viewed simply as a war film, CASUALTIES of WAR has all the elements that anyone would look for in that genre. Before the pivotal event occurs, there is a lot of gripping combat footage of different types in different locations and situations with all the necessary plot, character development, and sense of place. Fine script too, believably quirky without falling to the stereotypical "soldier-talk" we often encounter in films of this sort. There are also many themes to analyze if you're into it, especially in what this film shows us about the ironies of military "justice." And let's not forget the basic conflict of CASUALTIES of WAR. A crime of this nature can never be justified, of course, but this film does the best that can be done in showing the how and why of it all. Some have objected because they think it makes our troops look bad. It's an unavoidable fact, however, that a number of crimes of this magnitude did in fact occur during the Vietnam War, and they occurred more often than we'd probably like to think. At the same time, I do not think it's ever suggested that all or even most American troops in that war committed acts like the one shown here.Finally, CASUALTIES of WAR has a darkly beautiful ending.
buddyboy28 I am not usually a fan of War films, but this is not a typical War film.It's not a grand-scale action movie with big battle scenes. It's a low-key Vietnam War drama about the kidnapping, rape, and murder of a Vietnamese girl at the hands of a group of US soldiers.The film focuses on Michael J.Fox who plays Erikkson,a naïve soldier who has only been in Vietnam for three weeks. His Sergeant is played by Sean Penn,a tough,efficient soldier who is just about hanging onto his sanity amongst the chaos and destruction that's going on around him.Whilst relaxing in a village,Meserve's closest friend,and radio operator,Brownie,is shot,and later dies. This is the point where Merserve starts to lose it. And when he and the rest of his men are refused entry into a brothel,he decides to kidnap a local village girl and use her as their sex slave.Brian De Palma proves again what a masterful filmmaker he is,in scene after scene,shot after shot. The film is grim,and disturbing in many parts,but his style and cinematography is so good, it's difficult to look away from. This was a film that he'd been wanting to make for years,and you can tell when you watch the film that he was passionate about it,and wasn't just interested in showing sex,or violence for the sake of exploitation,or just to shock,which he has been accused of sometimes.For instance the rape sequence is brilliantly filmed. It goes without saying that rape scenes are always uncomfortable to watch, but the rape scene here is surprisingly the least graphic I've seen from a visual point of view. There's hardly any nudity,and there's no close-ups of the sex act. However, emotionally it is one of the most disturbing. Partly because there's such a long build up to it. As soon as the girl has been kidnapped, we know what her fate is going to be. Partly because it's a group of soldiers that are committing the act on her, and partly because De Palma films it in a way that puts the audience in Erikkson's place. While the rape goes on,he is helplessly on look out duty, and it's filmed from his point of view as he watches the soldiers from a distance in the hut, taking it in turns with the girl. We feel what Eriksson feels, horrified and angry. It's a disturbing yet stunning piece of filmmaking and Ennio Morricone's haunting music makes it even more effective. We don't see Erikkson again until the moment when Meserve approaches him,and then we finally get a close-up of his face. This is the moment where Erikkson has become demoralised.His face speaks volumes about what he's seen. The moment where the girl is killed is equally unsettling. Again, De Palma avoids sensational violence and shows the girl been stabbed in the distance behind Erikkson as he is taking out the Vietcong with his rifle and doesn't even notice what is going on behind him. The close-up of the girl been shot dead is shocking and filmed again from Erikkson's point of view, as he witnesses this tragedy whilst trying to prevent her death.The third and final section of the film focuses on Erikkson's attempts to bring his comrades to justice. This was a part of the film that I felt lacked something in the theatrical version but now thanks to the extended cut, I think it's just as powerful as the events leading up to it. There's only 6 minutes of extra footage but it adds to it. There's a scene where Erikkson is interrogated by two Military agents that was missing before. It's a great scene because it now explains how the investigation began after Erikkson's Captain and Lieutenant tried to dismiss it. Again, De Palma films the interview well with one long tracking shot.And the courtroom scene is brilliant too. While each of the four guilty soldiers are been prosecuted,we are not shown anybody else in the room,we just see each of the soldiers and hear the voices of the lawyers. It's also one of the most shocking moments because it's the moment when these criminals are shown in all their glory. Obviously you never forget that they are soldiers during the events leading up to their trial, but all through the kidnapping they are rough and dirty unshaven.Here they are clean and shaved, dressed in their formal uniform and wearing their medals but it doesn't change the fact that they are rapists and murderers. The extra scene here shows Erikkson been cross-examined. It further drives home the point that even though Erikkson didn't take part in the incident, he failed to save her, and he feels as guilty as if he did take part in it and it will ultimately haunt him for the rest of his life.Michael J.fox doesn't belong in a serious War film but he's perfectly cast here. His youthful looks work for the part of the innocent, naive young soldier ,and his short stature works for the "ordinary,everyday man" caught up in an unthinkable situation. His acting his outstanding throughout. He does have a few bits of clunky dialogue,but it's not his fault,it's the writer David Rabe who actually served in Vietnam, trying to get some moral points across. Fox handles it well. But it's mainly his subtlety I was impressed with throughout. His expressions speak volumes. I've never been a fan of Sean Penn. I've always found him to be an overrated,scenery-chewing actor and I still feel he's the same here. But I think it kind of works this time because of the extremes of the situation his character is in.This is a thought-provoking, powerful piece of cinema that shows the best and worst traits of human behaviour. It's a difficult film to watch at times but I've seen it many times because of the performances and film-making. It's a masterpiece.
noritaka01 It has been a while since I last saw this movie. I decided to watch once again and I got to say that I am still amazed by the quality on this movie regarding the actors (Michael J.Fox is tremendous is his role), the music, the scene, the realization, the plot...For the one who says that it is an anti war movie, that American soldiers were heroes... I will just add that as a book, an article in the newspaper, a song... the movie depicts a specific event which occurred in Vietnam, and sadly it is a realistically true and usual behavior from soldiers in period of war. For movies showing American soldiers as heroes I will just let you choose between the million of them.Great storyline, great movie. Still love it.