pynchonv-89350
This should be rerun now, and every year that our current president is current. The words of Peter Sellers' Imperial Me could've been written about Trump specifically. The nuclear devastation will be provided later. The script is Serling at his most pessimistic, and yet terrifyingly prescient.
Scarecrow-88
Although it spends its running time preaching an anti-war, global- unity message, Serling's 60s-contemporary Christmas Carol variation has its heart in the right place, even if many might consider the pulpit sermon and bong sounding a bit wearisome. This cast is top to bottom with incredible talent, which might explain how important the United Nations Special meant to those involved.Sterling Hayden as the heart-hardened military powerhouse, Daniel Drudge, a lonely, bitter man who lost a son to WWII and is against his nephew's (Cassavetes' vet, Ben Gazzara) UN peace efforts; Steve Lawrence as Ghost of Christmas Past, a phantom representing all the soldiers, from every nation, taking Drudge to the battlefield; Eva Marie Saint as a Naval officer in the past who accompanied Drudge to a particular bombed area of Japan where they encounter a tent housing burned-face children for which anguished her; passionate Pat Hingle as Ghost of Christmas Present, at a dinner table covered in food and the finest trimmings, reveals barbwire fences and captives singing carols, certainly confronting Drudge about the plentiful times he's enjoyed the finer things while many others starve; Robert Shaw as Ghost of Christmas Future, in robe and speaking with righteous indignation, presenting an America wrought in rubble and madness; a masterful Peter Sellers as a rabble-rousing, messianic madman instigating a remnant of human deviants out of the Holocaust of the future to embrace selfish doctrine and hold close to Imperial Me instead of unifying to salvage what is left of mankind; Percy Rodrigues as both Drudge's butler/manservant and a rational, peace-minded man of conscience trying to appeal to Sellers' followers in a future fallen to ruin; pre- stardom Britt Ekland as a knitting Imperial Me follower.This one doesn't have Hayden returning from his visits in time with the phantoms a spiritually rejuvenated man ready to make the world a bright and shiny place. Serling instead realistically ends it with Hayden and Gazzara agreeing that they need to help do something that makes a difference in the world they live. Not extravagant or extraordinary but just something instead of nothing. The Serling-ian dialogue is cerebral, thought-provoking, confrontational, long- winded, and heavily political. It asks not only Hayden but us how we will help make a difference. Nothing much has changed since 1964, which many might say this film is as relevant today as ever before. But it uses Christmas Carol as a platform for change and might be a nuisance to those not quite beholden to the message it wishes for us to accept and be influenced into action by. If anything this film just wants us to listen.
lrldoit
This movie presents the problems of the world and posits the UN as a possible solution. Hayden's character is a rich man who hates war. He beliefs in NOT fighting the world's battles.The other characters treat him in a contemptuous manner - as if most of the world starving is HIS fault. The blame him for enjoying life while others are starving.The basic idea is that as long as governments talk, they will not fight. In reality, wars are fought for gain. The only thing we can do is stay out of world affairs as much as we can and make sure that our enemies do not dare attack us. If a rich man gave away all his money, nothing would be accomplished. It is not the fault of an isolationist if people are starving. It is the fault of dictatorships.The heavy handed idiotic portrayal of the problems of the world must be seen to be believed.The only subtlety is in the ending where our protagonist decides to give the UN a chance. Would that the rest of the film was written as well.
DKosty123
While Rod Serling's "Patterns" in the 1950's on live television is even better than this twist on the Charles Dickens classic done for the UN might even be more topical now than when it first aired.(Patterns is still topical too, a sign of how great a writer Serling was).Serling wrote a great dramatic script here yet again though for those who expect just a Dicken's remake, your in for a major surprise.Sterling Hayden plays Mr. Grudge, a sort of modern Scrooge ever since he lost his son in World War 2 on 12/24/1944. He has been moping ever since blaming US Foreign Policy of getting involved overseas in everybody's issues for losing his son. Luckily, this is before Vietnam escalated so that does not come into this though it would weaken the main argument against Mr Grudge's logic.It is obvious this movie is made on a television budget and in black and white the sets really look stark. The script and the cast are what brings this off. Late in this special, we get Peter Sellars getting together the survivors of Armagedden and preaching "ME" and that is the scary part of this. We have the me generation now, it is almost as if Serling was really predicting the future here.The "WE" theme is here to counterbalance that theme. The UN wanted this theme obviously. The only thing missing here is the fact that today the "We" theme has been twisted by agenda driven special groups and corporations to be something beyond Serlings vision here which is the more simplistic theme that we all need to cooperate to avoid disaster. Serlings themes here are brilliant and Eva Marie Saint, Britt Ekland, Sellers, and more help Sterling Haydens great performance in this television movie made just a year before some of these folks would be working with Kubrick in Dr Strangelove.I am glad to have caught it this holiday season on TCM as I had never seen it before now.