Carnegie Hall

1947 "Never Before...Never Again...So Magnificent an Array of Artists on One Screen!"
6.3| 2h24m| NR| en| More Info
Released: 28 February 1947 Released
Producted By: Federal Films (II)
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A young Irishwoman comes to the United States to live and work with her mother as a cleaning lady at Carnegie Hall. She becomes attached to the place as the people she meets there gradually shape her life. The film also includes a variety of performances from some of the foremost musical artists of the times: conductors Bruno Walter & Leopold Stokowski, solists Arthur Rubinstein & Jascha Haifetz, singers Lily Pons & Jan Peerce and bandleader Vaughn Monroe among many others.

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bkoganbing Long before Carnegie Hall came to the big screen, modern swing music arrived there with Benny Goodman and his clarinet with that famous concert in the late Thirties. So the idea behind the film was already quite dated.But the rather hokey plot of this film only serves as a frame for numbers by more classical artists than ever gathered on one movie at the same time. If you love classical music and the great artists who are no longer with us from the past than this is your movie and no review good or bad will have anything to do with whether you see it or not.Such as it is the story revolves around Marsha Hunt whose mother was a charwoman at Carnegie Hall and she started there as well and worked her way up to part of the management. She married and had a son who grew up to be William Prince who listening to the greatest classical artists around got a real musical education. But all Prince wants to do is play piano with Vaughn Monroe.Without giving too much away, let's say that the education was not in vain after all.With people like Walter Damrosch and Leopold Stakowski conducting symphonies and such artists as Lily Pons, Rise Stevens, Jan Peerce and my favorite Ezio Pinza on the screen, if you're a classical music fan this movie is a must for you. The story is easy to take as well and there's a nice performance by Frank McHugh as Carnegie Hall's eternal doorman.
richard-1787 This is a movie about a young man and his mother. She sacrifices everything so that he can study to be a classical pianist. He falls in love with big band music and decides to pursue that. His mother is heart-broken. In other words, one long, slow cliché that has been done better elsewhere.If that's all there were to this movie, I would say "forget it." But in between these scenes of melodrama there are live performances by some of the greatest classical musicians of the 1930s and 40s, indeed some of the greatest classical musicians of all times. Their performances, often truly great ones, are not wedged in in bits and pieces. Rather, we get to watch Arthur Rubinstein perform the entire Chopin Military Polonaise - and then de Falla's Ritual Fire Dance. We get to watch Jascha Heifitz perform the entire last movement of the Beethoven Violin Concerto - and with what fire! We get to wonder as Leopold Stokowski completely distorts the tempo markings for an entire movement of a Tchaikovsky symphony, producing a series of remarkable moments that, for this listener, never came together as a whole - but still, what daring to pull Tchaikovsky apart like that. Stokowsky and Rubenstein both remind us of an era when classical musicians were also stage performers. Rubenstein bangs away at the keyboard with fantastic arm gestures. Stokowski is very clearly conscious of the angle from which he is being filmed. These are spectacular musicians devoted to the music, yes, but these are also colossal, theatrical egos.We get to see Ezio Pinza stand there in a costume that would be grounds for a law suit, yet sing Don Giovanni's Brindisi like no one else - and the opening of Il lascerato spirto, from Verdi's Simon Bocanegra, the only musical fragment in the movie.I saw this - most of it - on TCM. It is evidently available on DVD. I hope the DVD recognizes the dual nature of the movie and has the tracks arranged so that one can skip over the melodrama and just enjoy the remarkable musical performances.
Michael Morrison "Carnegie Hall" really deserves a 20 out of 10 stars simply because it is such a brilliant record of some of the greatest musical performers from about 1890 to about 1950.Most people reading this comment will not have had any other opportunity to see or hear in live performance such giants as Jan Peerce or Jascha Heifetz or, especially, the likes of Walter ("Good morning, my dear children") Damrosch.It would be easy to fill several paragraphs just listing and raving about those giants, those icons of great music, including Harry James and Vaughn Monroe, but I urge you to look at each name, follow the IMDb link and then Google each to learn about them.I must, though, mention the marvelous Marsha Hunt. For some function I don't remember, I was in her home when she was the Honorary Mayor of Sherman Oaks, around 1980, and have been an idolatrous fan ever since.She is recognized as a fine actress, but she deserved even more. She was also a beautiful woman, and probably never looked lovelier than in "Carnegie Hall." As her character ages, she goes gray, and her step slows and she dodders just a bit, just enough.It is, in short, a spell-binding characterization, a magnificent performance.I try not to be envious of people with more ability (which is most people) or more luck (which is nearly everyone) but I do envy Marsha Hunt for her opportunity, in this role, to interact with such musical heroes as Ezio Pinza and Artur Rodzinski.By the way, look for a very young Leonard Rose, who went on to well-deserved fame as one of the world's greatest cellists.One final note: The story was by the magnificent Seena Owen, probably best known for her role in "Intolerance." Maybe I shouldn't admit it, but I will: I applauded and cheered and, yes, cried at the beauty of this film, at the glory of it.I urge, strenuously urge you not to miss this "Carnegie Hall."Added 19 June 2015: "Carnegie Hall" is available at YouTube.com: https://www.youtube.com/watch?v=ruvljAjzscg
whpratt1 Enjoyed this film from the very beginning to the end with great artists performing in Carnegie Hall and a great story revolving around a woman named Nora Ryan, (Marsha Hunt) and her son named Tony Salerno, Jr., (William Prince) who wants her son to become a great concert pianist. Nora works in Carnegie Hall as a cleaning lady polishing brass rails and works hard to support her son who she loves very much. Tony grows up in Carnegie Hall and gets to meet all the famous conductors, singers and famous musicians. However, Tony wants to cut the apron strings of his mother and branches off to the modern dance bands and meets up with a very attractive gal which sort of breaks his mother's heart. If you like Classical Music and enjoy the great talents of super star talents from the past, this is the film for you. By the way, Marsha Hunt is approaching the age of 90 years and contributed a great deal of her acting ability to the Hollywood Silver Screen. Great film, don't miss it. Enjoy.