mark.waltz The Panama canal is the target for communist spies in this Z grade thriller that is basically a 1950's version of the type of B movies coming out of Warner Brothers in the early 1940's, exchanging the flag with the spider on it for reds. With Germany no threat, the movies concentrated on the Russians, making them all stereotypical villains as they recycled old plots. Starring as the lead villain is veteran Warner Brothers supporting player, Barton MacLane, and boy, is he a baddie: smooth, but evil. Virginia Grey, a second string lead at MGM, is one of the passengers on this ship, unaware that her and everybody else are in danger of being blown up as this tug turns into tooth picks. There are a few tense moments, but mostly, this just drags.At just over an hour, this slows down at times as the commies try to show human values even though they aren't afraid of dying violently with everybody else. As MacLane puts it, Americans thrive too much on the value of human life. At times, he seems to be emulating Bela Lugosi. Its just too bad that thus doesn't have the camp value of Lugosi's Z grade thrillers. That might have raised this past being a rather dull thriller.

MartinHafer It's pretty obvious as you watch CAPTAIN SCARFACE that the film was made for a relatively small budget and starred lesser actors. It's also obvious that the "big name talent" for the film (Barton MacLane) was given a very weird and unconvincing role in the film. He plays Captain Scarface--a Russian maniac who sounded most of the time like he was doing a Bela Lugosi impersonation. While MacLane is a fine villain in films, he never really had a lot of range--this assignment was clearly outside his abilities. However, despite this as well as a rather abrupt ending to the movie, the film does work reasonably well--thanks to good writing.The plot involves a duplicated merchant ship that replaced the real one once it was torpedoed. The plan is to sail this fake cargo ship into the Panama Canal and explode an atomic bomb on board. The baddies are all Russian Communists bent on harming America. However, what the Ruskies don't know is that an American (Leif Erickson) has replaced a Russian collaborator, as he is sure something is amiss with this strange boat. With Erickson's help, the few passengers aboard the ship learn that death awaits them and so they work together (mostly) to stop the attack.This film is an interesting curio from the Red Scare and came out the same year Stalin died. Today, many might see the film and laugh at its seemingly paranoid and silly plot, but at the time this sort of film appealed to fears that Communism would engulf the globe. It gives us some insight into the people and the times. And, unlike some propaganda films of the era, this one is reasonably well done and quite interesting. Well written, aside from a very abrupt ending, it's worth a look.By the way, you gotta love the way they chose names for this film. One of the guy's names is Perro ("dog") and the boat is called the El Baño (though it's missing proper accent mark) which means bathtub or bath. Pretty goofy.

classicsoncall The film gets credit for it's slow and deliberate pacing in the early going, as it builds suspense toward the revelation of the plot to destroy the Panama Canal. You had to wonder what all the intrigue and mystery was about regarding Clegg (Paul Brinegar), Kroll (John Mylong), Sam Wilton (Leif Erickson) and the film's title character Captain Trednor/Scarface (Barton MacLane). It's not often you catch MacLane at the top of the credits, though he might have been upstaged in this one by Erickson as the hero of the piece. Still, he does a pretty good job when he's on screen, even if that German accent was somewhat distracting.The movie also did a nice job of explaining two key elements that might not have been offered in another film of the era where these kind of details weren't as important. For one, I was thinking about how the original Banos could have been blown up and disappeared without the authorities knowing, and that was handled competently by the Captain's explanation of Clegg's role to Wilton. Speaking of which, having Wilton's character portrayed as a former plantation foreman allowed for his proficiency with a machete. Too bad though about Mrs. Dilts, she seemed like a nice lady.That's not to say the picture didn't have it's share of outlandish elements. An atomic bomb on board a banana freighter? - I don't think so. And how did Scarface manage to secure all the right scientific looking equipment on board the fake Banos without some knowledge of atomic bomb technology? No need to get into that.Say, keep an eye on the handful of scenes starting with Wilton taking out the Captain, up to breaking into the radio room with Crofton; the sweat stains on his shirt and the bruise on his face change size and shape a number of times. Makes one wonder why those scenes weren't filmed one right after another.On balance though, I have no problem recommending this film for devotees of mystery and espionage, especially as a throwback to a time when Communist ideology threatened the very existence of the Western world - remember all those duck and cover drills in elementary school? Ah yes, the 1950's, you had to be there.

ronvieth This is the kind of movie Humphrey Bogart could have starred in. You just have to think Leif Erickson (the Sam Wilton Character) = Humphrey. Here you have it all... exotic locale, beautiful damsel, Communist secret agents, the mystery ship.Captain Scarface is really fun if you watch it while imagining what it would have been like with Bogie in it.There are only so many movies that we, today, can hold up as the icons of the era of the 1940's to 1950's. You can't idolize them all, and for some reason, just about any movie with Bogie in it seems to suit peoples' subjective criterion of greatness. The golden age of black and white movies yielded a ton of dramas that kept people heading for the local movie theater. No, they weren't all classics, but who cares? I'd much rather watch Captain Scarface for the first time than Casablanca one more time again.