bkoganbing The title of Bulldog Drummond escapes is certainly misnomer. Not only does Ray Milland as Bulldog Drummond not escape, but he needs a bit of rescuing before the film is over.Adventure just seems to find Bulldog Drummond in a lot of films including this one. He's just driving along when he stops to avoid hitting Heather Angel out on the road. Then Milland hears some shots and goes to investigate, when he comes back she and his car are gone. When the car is recovered from a ditch, she's conveniently left a handkerchief and calling card. Of course Milland is convinced she needs rescuing, though police inspector Guy Standing is not convinced at all, in fact he acts rather obtuse about it.Of course this Angel has fallen into the hands of a gang counterfeiters and cutthroats led by Porter Hall. Milland does his best, but does require help before the film is over.Reginald Denny and E.E. Clive are also on hand as Drummond's silly pal Algy who isn't quite sure how he became a father and E.E. Clive his all knowing butler. Denny's character is more silly than amusing.Milland is fine, but this film is sure not up to either of the Ronald Colman films.

robert-temple-1 Three Bulldog Drummond films were made in 1937 in quick succession, this being the first, and the only one starring Ray Milland as Drummond. It was the eighth Drummond film to be made. It came out in April, 'Bulldog Drummond at Bay' came out in July, and 'Bulldog Drummond Comes Back' came out in September. Each had a different leading man, the next two in succession being John Lodge and John Howard. In this one, the young Ray Milland was amusing and engaging, but over-acted in a way which was not helpful. He portrayed the hero as someone with adolescent, almost juvenile, attitudes, thereby turning Drummond into a rather idiotic parody, and making the whole film too much like a comedy, despite its scenes of danger and distress. The producers instantly realized they had made a mistake and had endangered their plans for a series of films, so they sought someone with more gravitas. The next film used John Lodge once. But after that, inspiration finally came in the form of John Howard, who was perfect casting and would go on to make many Drummond films, with just the right combination of gravitas mixed with a residual boyish sense of fun, openness (never Milland's strong point), and solid, sporting good humour. In this film, Phyllis Clavering is introduced for the first time, and inspired casting occurred when Heather Angel played the part. The producers made a big mistake in having Phyllis played for three more films by the boring Louise Campbell, but Heather Angel would reappear the next year five films later (Phyllis does not appear in one of them), and carry on for several films to great effect. Phyllis enters the world of Drummond as a helpless imprisoned maiden in distress, whom he rescues. Eventually she ends up suspended in his arms, kissing him, with marriage beckoning. (As all Drummondonians know, this marriage would be 'interruptus' on numerous future occasions.) Guy Standing is boring as Inspector Nielson in this film, and they got rid of him too. E. E. Clive as Tennie the Butler, and Reginald Denny as Algy are in fine fettle for this episode, and were to grace the series for a long while with their charm and talents. There is a curious scene in this film where the villains are driving through the gates of a great house in a Rolls Royce. This shot is actually cut from the 1929 'Bulldog Drummond' and re-used! Much of this film is spent with Algy Longworth desperately trying to phone the hospital to see if his wife has had her baby yet. In 'Bulldog Drummond Comes Back', he will be desperately trying to make it to that same baby's christening, while Drummond will be desperately trying to marry Phyllis, the villains preventing both of these things. This film is entertaining and lively if one is not fussy, and has humour as well, so it is good viewing. As Tennie the Butler would say: 'That is my thought exactly, Sir.'

Hitchcoc As with most of the items in this series, one must put aside a great deal of incredulity. There are far too many coincidences and events dependent on the victim, for the bad guys to be as successful as they are. That said, there is a great deal of byplay among the principles, including the police department and others makes it a good deal of fun. The thing that really stretches things is that the young woman whom we focus on is semi-conscious much of the time and participate a bit too much in the plot to conceal her. There are, however, so many opportunities to escape or to get help, the ultimate rescue seems a little unnecessary. Ray Milland as Drummond is quite good. I always found him unflappable in his many portrayals (even the Hitchcock classic). He has suavity down to a science. The byplay with the butler is quite delightful. I'm still not sure why they were hanging on to this girl (she seemed like excess baggage) and what the mystery was, but I still had a fine time. I have six of these films and look forward to the next one.

spcummings The basic review is spot on. This is a fun movie. Neither deep nor meaningful, but it is a good romp in a Post WWI England. Enjoyed it with my family. Three generations of my family stuck with it until the end, and all enjoyed it. The cinematography, with fog and lighting adds nicely to the suspense. It is a great look, though typically romanticized or glossy, at the morays and social structure of post WWI British society. Although totally predictable in plot, the dialog and characters made for a fun hour plus at the movies. Not a must in any DVD library, but when on sale, a worthwhile addition as the price of a single ticket.