Brown's Requiem

1998 "In L.A., The Law Is Still For Sale."
5.7| 1h44m| R| en| More Info
Released: 01 November 1998 Released
Producted By: J & T Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Fritz Brown is an ex-LAPD, recovering alcoholic who now splits his time repossessing cars for a used car lot and staffing his one-man private detective agency. When a filthy caddie named Freddy "Fat Dog" Baker wanders into Fritz's office one day, flashing a wad of cash, Fritz is hired to follow Fat Dog's kid sister Jane, who is holed up with a Beverly Hills sugar daddy named Sol Kupferman. Kupferman is a 70 year-old bag man for the mob, and Fat Dog claims that "Solly K" is up to something evil that may harm Jane. The trail leads Fritz to an encounter with his dark past in the person of Haywood Cathcart, current head of LAPD internal affairs and the person who kicked Fritz off the police force.

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Reviews

NateWatchesCoolMovies Brown's Requiem is a neat little slice of Los Angeles film noir in the tradition of L.A. Confidential and Mulholland Falls. It's based on a book of the same name that's written by James Ellroy, who actually wrote L.A. Confidential as well, so the crime vibe here is thick, rich and genuine. Michael Rooker is flat out fantastic as Fritz Brown, a world weary, hard bitten private investigator who is hired by a rotund caddie named Fat Dog (Will Sasso) to find his kid sister (Selma Blair) a wayward girl who has apparently run off with a her sugar daddy, and may be in danger. Brown noses around and before he knows it he's neck deep in police corruption, violence and murder. It's convoluted, but film noir always is, and when the plot is left to bake in the California sun, it's going to be nicely sinewy and labyrinthine to please all the filmgoers put there who fancy themselves gumshoes and like to decipher the happenings along with the protagonist. The trail leads Brown to sinister police captain Cathcart (the late Brion James), brutal thug Richard Ralston (Jack Conley) and many other bottom dwelling nasties. This is a rare lead role for Rooker and he's riveting, fitting this genre protagonist like a glove. His innate menace and gruff whisper of a voice are put to good use as the hangdog tough guy takes care of business in style. Watch out for Kevin Corrigan, Tobin Bell, Christopher Meloni and a brief but darkly funny cameo from Brad Dourif. Where L.A. Confidential hid it's grit beneath a sheen of glamour, Brown's Requiem wears it proudly on its seedy sleeve, a scrappy little cousin to Confidential, and a sturdy little noir mystery boosted by Rooker's work.
mikeallen21 Brown's Requiem is a gritty, realistic, detective story. Michael Rooker is top notch and very believable. His supporting cast is excellent.The casting was spot on. William Sasso of Mad TV fame is spectacular. He really is a versatile actor that needs more and larger roles. Brad Dourif adds some veteran skills and Selma Blair gives a good performance as an enticing teen with trouble always in tow.If you like realistic suspense/thriller situations you will love this.It lifts the veil of the shiny city and shows the dirty, dangerous underbelly of a large city filled with unpredictable misfits.Dark, not so perfect, lead character with all his flaws and fears trying his best to do right against the odds. Rooker can be VERY menacing when backed in a corner!
tlifson The film succeeds at the most basic level: it creates a vivid lead character, and portrays a specific time and place accurately and memorably.Fans of noir should not miss this undeservedly obscure rendering of Ellroy's first (and most autobiographical) novel.
barbra-2 Brown's Requiem is, in my opinion, modern day Film Noir at its best. Jason Freeland's obvious understanding of James Ellroy's notoriously clever dialogue paved the way for one of the best adaptations I've ever seen. The casting choices were right on and this was one of the few crime stories where I didn't guess the ending after the first half hour. It definitely kept me on my toes. Well Done!