Broadway Serenade

1939 "It's got "Maytime's" glories..."Ziegfeld's" thrills. No wonder 22,000,000 people voted Jeanette MacDonald Queen of Song, Romance and Beauty!"
Broadway Serenade
5.7| 1h54m| NR| en| More Info
Released: 07 April 1939 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

A married singer, pianist/composer team are struggling to hit it big in New York. Finally, they audition before a Broadway producer, but the producer only wants the singer, leaving the husband without a job and feeling a failure.

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Reviews

gkeith_1 No color movie. Boo and hiss. Jeanette lovely voice. No Nelson Eddy. 1939 movies included Wizard of Oz and Gone With the Wind. Here is Frank Morgan from WOZ also in this movie. Color could have been used here, like WOZ and GWTW. I guess MGM put the money into color for those movies, but not this little gem. (MGM distributed the GWTW Selznick vehicle). Jeanette becomes a star in this movie. I love those old performer gets famous films. This movie is reminding me of Red Shoes and A Star is Born. Man gets less attention than the leading lady. Nice to see Mary Gordon from The Little Minister. I liked Jeanette's costumes. I liked her performance hairstyles. I did not like the lederhosen male stereotypes. War was afoot in Europe. Hitler bombed Poland in 1939. This was way too creepy. The scene may have been Switzerland, but German themes were all too obvious. 8/10
bbmtwist Although Jeanette MacDonald struggles valiantly, the script is poor, overlong and cliché. Ayres' character is thoroughly unlikeable, boorish, insanely jealous, violent - the audience has difficulty caring about him and likewise the motivations and caring of MacDonald, who plays his wife.Able support is given by Al Shean as the kindly old musician who takes an interest in Ayres' serious music composition, and Rita Johnson, who gets all the best lines as a catty chorus girl who has her eye on the producer (Frank Morgan) and won't let anyone get in her way. Also fine is Franklin Pangborn who is wonderful in his three scenes as a frustrated arranger.The score is lackluster. Jeannette has a medley at the beginning (Yip I Addy I Ay, Just A Song at Twilight and a few unrecognizable tunes), Lonely Heart - based on Tchaikovsky's song, Flying High, Un Bel Di from Madame Butterfly, another montage of snippets of songs, Musetta's Waltz, Les Filles de Cadiz, Italian Street Song, One Look At You. It's a combo of song and opera snippets and new songs that are dreary.The stupid finale with grotesque masks and bizarre sets and lighting makes no sense in terms of a staging of a rhapsody, less in the fact that the music is stolen from Tchaikovsky - one of Busby Berkeleky's very worst conceptions.Flatly directed by Robert Z. Leonard and overlong at 114 minutes, this is a forgettable mishmash, far below the standard the studio had previously set for Jeannette, at the time its biggest star. See it only for her.
jjnxn-1 Conventional musical with some odd touches in the musical numbers. Jeanette MacDonald is in good voice and her numbers are a bit more varied than her usual sets with Nelson Eddy. As someone who has a limited tolerance for both operetta and MacDonald/Eddy musicals I enjoyed the substitution of Lew Ayers for Nelson. Unfortunately his character makes little sense, he initially pushes his wife to grab the chance she's given than when she starts to succeed acts like a churlish jerk almost instantly and yet still she pines for him. So the story is wanting but at least the cast is full of good actors, Frank Morgan, Ian Hunter, Rita Johnson, Virginia Grey, Esther Dale etc., all adding nice touches to the film making it much more pleasant than it would be.Shot for some unknown reason in inconsistent sepia tones which both add and distract from the flow of the film where this goes off the rails a bit is in a couple of musical numbers. The Madame Butterfly riff is interesting on an enormous stage that no theatre could possibly hold but with some beautiful almost surreal images. However the finale is like some crazy fever dream with a majority of the participants in creepy immobile masks. Not a major musical or even a major picture in any of the stars filmographies this is still an decent musical from the king of studios in the dream factory.
ktatlow A lot of fun! The ending sequence is great. MacDonald is indisputably a talented vocalist, extremely powerful. (See and hear her in "San Francisco.") She's a little TOO powerful for my taste. Whenever she solos or duets, she smothers everything else with soprano sauce. She's a warbler for sure! Her best bit is the swing sequence at the bar.July 2005 Trivia: Lew Ayres old house in LA (< 2000 square feet) just sold for around $620K.So rent it!Here's another line!