Bring Me the Head of Mavis Davis

1997 "Marty's about to make a killing in the music business"
5.2| 1h40m| en| More Info
Released: 16 January 1997 Released
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Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

Marla Darland is blessed with the voice of an angel, a singing legend. But when her agent, Marty Starr, finds his agency in trouble, he concocts a sinister plot to bring up her record sales. Amazed at the posthumous record sales of Elvis and Jimi Hendrix, Marty becomes determined to arrange a similar fate for Marla, staging the perfect tragic demise. But he didn't count on Marla not being quite ready to go.

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JohnHowardReid There are only two ways you will react to this movie: You will either love it or you'll hate it. There is absolutely no in-between. The opening scenes set the character of the whole film which, admittedly, is written, directed and played in a most unusual style. Needless to say, I loved it. My only quandary is deciding who gave the best performance. Most people pick Rik Mayall and he is most certainly the best of a whole screen-full of absolutely unique, way- out male characters. Admittedly, he and everyone else were given a great script to work on. But my favorite of favorites is undoubtedly Jane Horrocks. The scene in which she strips down to black briefs and bra and vigorously ignites her song is a classic interlude that deserves listing as one of the Best Twenty Movie Scenes ever made. All the acting is absolutely first class. The only point I'd like to raise is who is this Mavis Davis? There is no Mavis Davis character in the cast at all. Is this an intentional inside "joke", or am I really missing something? This movie is available on a superb – and I really mean "superb" – Trinity DVD.
Paul Creeden Rik Mayall won my sense of humor in the wonderful 80s Britcom, "The Young Ones", which I highly recommend to the uninitiated. Jane Horrocks is extremely talented and does a great job. Danny Aiello plays a wonderfully smart and silly Mafia don. The film is silly. But, I still think silly is funny, when it is done with some intelligence. The best part of this film for me was the sprinkling of fabulously absurd character roles throughout the story. Aiello's bodyguards, the puerile hit man, the insecure security supervisor. All very clever. Ronald Pickup as Mayall's competition is also very funny. If you like the slappy end of Brit comedy, I think this film will satisfy you quite nicely.
kefka-2 I, too, fail to understand why this flick has been trashed so completely. There seems to be an ever-increasing trend toward eschewing black humor because it 'isn't nice'. Well, so what! this movie is VERY dark and in several places absolutely hilarious. I admit that I did not know who Rik Mayall is, but I'll be looking for him in the future. Jane Horrocks is every bit as good as she was in "Little Voice", and the guy who played the contract killer is hysterical. Please don't pay any attention to the nay-sayers and catch this movie if you can.
psico I think this film is very funny and highly underrated.You have to have seen Rick Mayall in the New Statesman to understand how well he can play a shifty businessman. Jane Horrocks performs very well (Particularly when you realise she does her own singing) and for me seemed very believable. Whilst some of the side plot lines may seem tenuous and dare I say it even a little dry, the whole piece spirals toward the climax of both the tour and the movie with Rick Mayall 's character bouncing in an emotional maelstrom between love and hate. (One of the smaller scenes which is actually very funny is when Mayle is being driven to see the gang boss. in a 30 second piece they manage to put a parody of Pulp Fiction and a very funny gag about answering questions. (In fact when they get to talk the secondary characters (and the thugs in particular) are given some great lines) If you can forgive the straight-to-tv look and like the Rick Mayall of Alan B'Stard instead of the Young ones or Bottom then this will have you laughing out loud.