dongseong-hwang Ik-Joon Yang is the director, writer, and main actor in this movie. He produced this movie using his private money.The home of Yeon-Hue, the main actress, is Ik-Joon's renting house. After recording all scene in the house, he moved out from his home because his money run out and he needed his deposit in the house.He spent his every money to this movie, and fortunately this movie hits the 5rd best in the Korea indie movie history. Many Japanese also watched this movie in the theater.I really appreciate his marble art; Breathless and King of the pigsFor more information, please refer to this wiki. https://mirror.enha.kr/wiki/%EB%98%A5%ED%8C%8C%EB%A6%AC This is written in Korean but Google translator might help you.

rls154 This movie is about a faraway place were people get beat up kicked and spit on even family kids. If their really is a place like that wear nice people get beat up all the time I don't think I would like to live in a place like that even if my mother and farther had our house their.It has many bad words in it and even the kids say them. The mane man smokes a lot and does most of the beating up. Finally he meets a girl who almost changes him but she says bad words to. In the end they all cry for him when he dies because he almost stopped beating people up.THE END

Leofwine_draca BREATHLESS, a 2008 film from South Korean detailing the misadventures of a small-time debt collector and the relationships he strives to pursue, is a hard-hitting slice of social drama that takes casual violence to whole new level. It's clearly a heartfelt project from Ik-Joon Yang, who wrote and directed as well as taking the starring role. Yang is excellent in all three capacities.With a constantly profane script, a gritty level of realism throughout, and an entire lack of sentimentality, BREATHLESS is a thoroughly engaging piece of realist cinema. It has a cinema verite look about it, taking place on mean and run-down streets, and if some viewers find it depressing then that's because it strives to reflect real life rather than movie fantasy.Violence - in the form of beatings and slappings - comes thick and fast and there's so much of it that the viewer soon becomes as desensitised as the central characters, so that the latest punishment almost becomes expected. Yet the quality characterisations and the intermingling of lots of different characters' lives is handled expertly so that this is never less than riveting. It's a strong film indeed, one that's tough to watch at times, but once which explores the depths of the human condition that most movies dare not tread.

DICK STEEL Unfortunately some technical issues marred the supposedly powerful introduction where violence get unleashed by all characters on screen both physically and verbally. Clearly played from a DVD screener with the "Showbox" watermark, the audio was left silent for the good part of some verbal barrage, which to the prudish might seem like music to their ears.If there's one thing I learnt / have reinforced after the movie, is how ubiquitous the Korean swear word which sounds phonetically like "shee-bal" can actually be. It's more versatile than the English language's F-word, and the Korean one can be used to describe a whole host of bodily parts both male and female, with colourful adjectives strung together as well. Either that, or the person subtitling the show has some really colourful imagination to tag some appropriate swear words of his/her own liking, in order to spice up the dialogue for non-Korean speaking audiences.Breathless is almost like a one-man effort, with Yang Ik-June wearing a number of hats in producing, writing, directing and starring in the lead role of Song-hoon, a violent gangster who doesn't have to think twice when deciding to lay hands on his victims, and insulting them concurrently with his foul mouth. He's a debt collector in a small outfit which he co-founded, but finds more pleasure in being a field agent, bringing along underlings whom he can abuse as well, and show the ropes to, in teaching the essence of collecting money, and to show no mercy to those who cannot pay up.Most of the violence happen off screen, though the aftermath is seldom shielded in order to elicit a response from the audience. It actually makes for a great 3D movie with objects flying all around and at the screen, from furniture, to fists, and even spit, and I enjoyed the many unintentionally comedic moments that Ik-June effortlessly paints into his narrative despite the very negative elements of violence and language that pepper throughout, and almost every character was left tainted by dishing out, or be at the receiving end of bad signs or an uncouth mouth.I suppose the question here is, and the issue that Ik-June could have wanted to address, is that of violence, and domestic violence even, if a circumstances of a tragedy would lead to impressionistic youths turning to violence as a means of release and addressing their emotions. Or more directly, if being brought up in a violent environment would lead to the nurturing of violent tempers, given the lack of proper role models, and being unable to break out from the vicious circle as that painted in the film.Breathless may seem a little too long as it had attempted to give each character equal opportunity to shine, from the schoolgirl that Song-hoon befriends, to his boss, a young boy whom he takes as his own, and his mother, coupled with a protégé in the making. It's quite the complete story serving as a cautionary tale and a statement of the never-ending cycle, but would have benefited from tightening up the pace a little and could have gone under 2 hours. That said however, it did result in enough apathy given toward the characters here, given the anti-heroic stance they're all under, and you'll buy into its story of redemption toward the last act, and the fortification of the positive relationships that Song-hoon had, through his own violent ways, brought together.