DICK STEEL I guess the holidays now give me some extra breathing space and time to raid my DVD library for many films yet unseen, and given my profound admiration of films coming out of Hong Kong's Milkyway Studios, such as the recent Sparrow or Mad Detective, that I would pull Breaking News out of my archives and give it a go too. Helmed by Johnnie To and written by Chan Hing-Ka and Yup Tin-Shing, like the other two films mentioned, this was also picked up by a European film festival (Cannes no less) and probably propelled To to cult like status in the West, with legions of fan (myself included) left almost always anticipating what's To has up his sleeves as his next offering.True, interest in the Hong Kong crime genre might be waning, but To and his band of filmmakers from Milkyway have so far never disappointed in giving the genre some breath of fresh air with each offering put on the table. Here, they managed to put a little spin on a tale between the cops, felons and the media, where the latter can be used as a double edged sword, subject to manipulation to further the political gains of either parties. Exploitation doesn't come from just the cops, because even the villains have their fare share of independent ability to put out material, thanks to new media tools for video and picture hosting. In some ways, this is a little bit like Dog Day Afternoon or 15 Minutes, but given a different take from the Fragrant Harbour.If anything, the opening scene is where the money shot is, and cement this film as a classic amongst To's filmography. It's an almost seven minute long continuous take where we get introduced to almost everyone, from the cops in question to the villains, organizing themselves to move out for their big heist, building tension when everything comes together for an all out showdown with the surveillance team hot at their heels. It's a shoot out from all fronts, and the camera captures it all in one sweeping motion, before we head toward the crowded open streets for more mayhem ala Heat, which culminates in a clip taken by the media when a beat cop surrenders in full view to the criminals, allowing them to escape instead of apprehending them.With the criminals on the loose, a cop obsessed to take them down, the police's public image being tainted, and a commissioner adamant in repairing the force's reputation, Breaking News is an enjoyable thriller with fine balance between the dramatics as well as in the action department, where SDU and PTU units get deployed to flush out the bad guys in some claustrophobic inducing cramped quarters of a block of flats.Richie Jen has this steely cool resolve as chief villain Yuen, who leads his boys from the Mainland in a game of survival, having their plans for a heist end prematurely, and finding themselves up against a hard nosed cop Cheung (played by Nick Cheung), despite being armed to the teeth. Nick Cheung is pretty charismatic here in his role despite being nothing more than an action hero, though if you would like to see him in more dramatic material, then the recent Beast Stalker would be the appropriate choice. Kelly Chen rounds up the leading trio as the opportunistic Commissioner Rebecca Fong, entrusted by the upper echelons with the responsibility to restore pride to the force in the eyes of the media and public, and she goes into overdrive with her single minded focus on just that.Being a Milkyway film, some Johnnie To regulars also make their way here to lend gravitas even though in supporting roles. Simon Yam came on and suggested some romantic tangles with Chen's Fong, while Maggie Siu's cop from the PR department allowed for some measured and experienced handling both within the department, and with the media on the outside. Cheung Siu Fai was dished out a rather plain character though, more like a Yes- Man, while Yong You's character was more of a wildcard who provided the good guys an extra dimension to deal with. The affable Lam Suet's role as a dad caught between the crossfire, allowed for some interesting camaraderie forged during a hostage situation, and is now one of my favourite of his supporting roles in many of To's films.For fans of the genre and of Johnnie To, this is one movie that should not be missed. It had plenty of elements which made it genre defining, and for those who enjoy the many films of his which come with some intelligence required on the part of the good guys when hunting down their enemies, then Breaking News firmly belongs in that territory. Highly recommended!

t-d-t-m82 Johnnie To has created a movie based on very simple background of police force attacking a desperate team of hit men captured on the run after a heist. Johnnie To is starting to really specialise in this genre which is nice as it is so refreshing to see it done outside the Hollywood narrow minded frame of completely OTT everything.Although this film does have a few hit issues. Like how many bullets can a guy take? How long can one scene stay strong (we're talking 7 minutes here folks!)? Can one opening scene be this long yet the action so extremely violent and snappy? Can audiences tolerate the glamour of the action yet cry for the broken family in the middle? Can the audience relate to the ultra threat of TV used by the killers for their own advantage as much as the cop's own advantage? This film is just a really fun outing of action; thrills, stunning cinematography with a very heavy extra cast in police uniform. This one has an added dose of family drama and TV station morality (ala Dog Day Afternoon). In this case it's more of the dangerous angle of a TV crew. The news has had such an epic presence in the years and the film just turns news on its head.Instead of the news becoming the standby it becomes the core of the film. It's a tale of struggle for power over the TV station in a big Hong Kong flat block.I for one am a bit tedius of Hollywood action and find this film inviting although you really should not take it to seriously with the shots fired and how many times should that guy be dead issue? Come on. Just look at the drivel which Hollywood makes us believe. They're so clueless they can only come up now with Asian remakes and comic idols from yesteryear.Brain De Palma could do a great rendition of this film as could Michael Mann. Lots of wide 35m shots would suit Mann well. Johnnie To and Michael Mann are clearly very favoursome of similar camera techniques which is fantastic. If you love 'Heat' and want to get in on more similar titles without the Hollywood bore then get more Johnnie To.A great film but please do not take body count hits seriously. It's a movie after all.

wilke-mintken I've seen this movie at the Oldenburg International Fim Festival and I really have to say: It's quite good. The story - Police and its image in the media - is in interesting aspect in todays media world and it is worth to think about this relationship. This movie does right that and criticizes a too close relationship. Besides the story, the movie is a cool action-movie with a totally different style than the average western Hollywood-like action movie. Cool camera-work, nice different-angle shot and other cool stuff. It's just nice to watch. The viewer can see many shootings, but the humor does not come to short, especially the characters are quite funny. A negative aspect might be the usage of the "Bond-effect" (no bullet hits a good guy). But IMHO a cool action movie needs this effect. Otherwise there would be too many characters and there would be no development of these characters. All in All: 8/10, which means: Watch it!

khamva I have seen lots of hong kong action movies and most of the time, they are terrible. There are some great hong kong action movies that are great such all of john woo's hong kong movie, the first "infernal affair", "city on fire" and others that I can't seem to remember at the moment. And as for "Breaking news" it did not exceed my great movie experience. although the story was good but it could have been better. The story is a fast pace movie which means there are going to be less characters development. It would have been nice if they would expand on the chemistry between the "leader of the heist" & Rebbecca fong and the "leader of the hired killer" & the "leader of the heist". There are lots of shoot out between the villain and the police. It is one of those shoot out that just kills the action of the movie because they make it too unbelievable. for example, one person is shooting another person about 3 or 5 feet from him or her and they missed. It is just to hard to accept that when someone is that close and you missed. If you want to see lots of shoot out action strategy movie but does not expect much then this is the movie for you.