Boy on a Dolphin

1957 "An adventurous love story that will live 'til the seas run dry!"
Boy on a Dolphin
6.2| 1h51m| NR| en| More Info
Released: 19 April 1957 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Phaedra is a poor sponge diver on the lovely Greek isle of Hydra. While diving, she discovers an ancient brass and gold statue of a boy riding a dolphin, which is said to have the magical power to grant wishes. Her shiftless boyfriend wants to sell it to an unscrupulous art collector, but Phaedra wants to give it to anthropologist Jim Calder, who would return it to the Greek government.

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Reviews

cwpowers-887-16058 Loved the film but have always wondered why the film used the name "dolphin" when they actually used a porpoise . A dolphin, or mahi mahi was a much small fish. Imho.
Seltzer Sophia Loren vibrates and pouts through this film in a manner I'm sure was intended to be sexy, but isn't. She tries to convey earthy sensuality but can't carry it off. It's an embarrassing and tacky performance with a lot of shouting, odd body postures, and ridiculous extremes of emotional response. Alan Ladd, on the other hand, could use a little of Loren's extremism. He is even more wooden than usual, and that's saying a lot. He also appears bloated and heavily made up, especially around the eyes. Clifton Webb gives the only good performance in Boy On a Dolphin, but unfortunately Webb doesn't have enough screen time to save the film. The copy I saw was not of sufficient quality for me to really appreciate the much-vaunted scenery and color photography, so I can't comment on them. Clifton Webb always is worth watching, but otherwise Boy on a Dolphin is a pretty weak effort.
moonspinner55 Miscast, misfired adventure has Sophia Loren playing a Greek skin-diver (!) who comes across the title-named sunken treasure just off the Greek Islands. Soon, two Americans--an archaeologist and a wealthy art collector--are vying for the prize, and Loren finds herself playing both sides: one man for the money, the other man for love. Rarely have I seen a picture so full of pretty ambiance and yet so dead at its core. The music and locations--as well as Sophia's figure--are all gorgeous, but this story is lost at sea. Alan Ladd, looking bloated with gimlet eyes, never connects with mercurial Sophia, who initially is in a constant rage (she snaps at everybody, even the doctor taking a nail out of her leg). It's a shame this film doesn't work, the beauty of the Aegean Sea is worth beholding. The dim script, from David Divine's novel, needed more bite, and the lazy direction needed more zest. Perhaps Sophia should have directed? ** from ****
jotix100 The best excuse to watch again this long forgotten film of the late 50s is the exquisite and gorgeous Sophia Loren. What a beautiful woman; a sight for sore eyes indeed!The Jean Negulesco film shows its age. This film has a little bit of adventure, love story, suspense with the backdrop of Hydra, one of the most enchanting Aegean islands. The film might look a bit outdated to today's audiences, but it's fun to watch Alan Ladd and Clifton Webb doing their best out of roles that don't require much acting. Sophia Loren is perfect as the sponge fisher who discovers a hidden treasure.I saw this movie recently on cable. It was a trip to another, more innocent era.