mark.waltz There are a ton of books pulled off the shelves of used book stores and thrift shops to be used as props in this intellectual entry of the "Boston Blackie" series. It's all about the theft of a first edition of Charles Dickens' "The Pickwick Papers" and a murder that follows. Blackie's in disguise for a great auction sequence, one of the best, along with 1941's "All Through the Night" and Hitchcock's "North by Northwest". Blackie is in cahoots with Richard Lane's inspector, losing the buffoonish quality of earlier episodes when they were more foes. George E. Stone and Lloyd Corrigan are once again featured, with Lynn Merrick an excellent femme fatale. Some clever use of shadows and very tight editing make this one of the better later entries in the series. This entry doesn't throw its intelligence in the viewer's face, but grabs them, pulls them in like a great novel, and keeps them involved. Is it any wonder that later screenwriters, directors and technicians point to the B films of the 1940's as to why they got into the film industry?

binapiraeus Always willing to help his rich friend Arthur Manleder, Blackie goes into a 'racket' pretty strange for him: he agrees to impersonate the sick book expert at an auction of rare books for the bookstore Manleder has just taken over - and soon finds out that it's not only jewels that can be VERY valuable, but also rare old first editions: a Dickens book with the author's signature in it brings 50 000 dollars at the auction! Only that the buyer very soon finds out that it's a counterfeit - and following the first tracks, Blackie very soon finds himself once again with a body at his feet and a gun in his hand, and facing Inspector Faraday...Another FANTASTIC performance by Chester Morris, who in the course of the series really developed into a first-class impersonator of the weirdest characters - and an absolutely NEW feature in the 'Boston Blackie' movies: a REAL, reckless femme fatale fit for any Film Noir! Be prepared for a LOT of surprises...

DKosty123 Chester Morris is the glue to the entire series and here is no exception as Morris is really solid as Blackie. In this case Lynne Merrick is excellent as the devious woman who seems to be smarter than everyone including Blackie. She actually has him snowed until he catches her with her crooked boyfriend late in the film.She outsmarts the cops and even late in the film appears that she might slip out of Blackies trap. Merrick is the major add in this movie that makes it above average.The ending is humor and the acting rises above a script with some major holes in it to carry the day.

csteidler It's murder, this time, of which Boston Blackie is suspected—though, not surprisingly, Inspector Farraday never does get Blackie to the station to actually book him. Caught practically red-handed on a murder scene, Blackie has to resort to the old hiding-under-the-camera-hood gag, pretending he's the police photographer and backing slowly out of the room while the cops stand by watching. (Note to self to do some research: Did they still use those tripod cameras with the hood over the photographer's head in 1945?) The story involves a counterfeit first edition of Dickens' Pickwick Papers, with Blackie in disguise early on as an elderly whiskered book dealer. Chester Morris is his usual breezy Blackie self, with Richard Lane as Farraday as determined as ever to pin something on Blackie. Lynn Merrick and Steve Cochran seem more unstable and thus more frightening than many of Blackie's villains; they both give performances that are somewhat more serious than the good-natured bantering of Morris and Lane and the other regulars.Favorite scene: Farraday brushing off a gang of reporters by shouting, "I'm not Superman, I'm just a human being!" –and the reporters rushing out sarcastically shouting it as a scoop: "Oh-ho, he's not Superman!"