TheLittleSongbird The Bosko cartoons may not be animation masterpieces, but they are fascinating as examples of Looney Tunes in their early days before the creation of more compelling characters and funnier and more creative cartoons. There are some good cartoons, as well as some average or less ones.'Bosko at the Beach' is enjoyable, though hit and miss. It has been well established by now that the Bosko cartoons should not be seen for their stories, which was never a strong suit (quite the opposite), and the story here is very thin and predictable. Some of the material borders on the repetitive and the pacing is not always as tight as it could have been. While he is decent and fun enough, Bosko is sort of limited as a character. His dog Bruno is a much funnier and more interesting character, as well as being more endearing. Wilber is tolerable, more so than usual.As always, however, the animation is good. Not exactly refined but fluid and crisp enough with some nice detail, it is especially good in the meticulous backgrounds and some remarkably flexible yet natural movements for Bosko. The music doesn't disappoint either, its infectious energy, rousing merriment, lush orchestration and how well it fits with the animation is just a joy.Sound quality has clarity and the synchronisation isn't sloppy and has imagination. The way Bosko is animated is well done and remarkably natural. The gags are mostly very nicely done.On the whole, enjoyable. 7/10 Bethany Cox

Edgar Allan Pooh . . . for the Fat Cat One Per Centers--represented here by Honey's thoughtless cat, Wilbert--when their chickens finally come home to roost. Wilbert plays a Game of Chicken with giant, life-threatening waves at the title site in this prophetic Looney Tune from the early 1930s, BOSKO AT THE BEACH. Warner's Animated Shorts Seers obviously are foreseeing what a Dangerous and Deadly Game would-be American Oligarchs such as Secretary of State designate Rex "Exxon Valdez" Tillerson (aka, the "Rapist of Chad") are playing with the New American Czar, Red Commie Russian KGB Chief Vlad "Mad Dog" Putin, and his puppet, Rump. As it says in Our Holy Book, "The Love of Money is the Root of All Evil," and these High Treason Traitor U.S. Fat Cats have heard about how the top One Per Cent Russian Oligarchs sit like the HOBBIT dragon Smaug on mounds of gold comprising 75% of the Russian nation's wealth, and they're extremely jealous, because "only" 45% of America's Loot is currently in their counterpart Piles of Lucre. So while Lucifer's stand-in, Wilbert, flounders at sea, with Bosko making only a Half-Hearted attempt at a rescue, Wilbert's direct shout out to theater audiences is meant to fall upon deaf ears. Don't let the Bleeding Hearts convince you that Fat Cat Billionaires are people, too, or the next thing you know you'll be sharing your bed with Demons and Ghouls.

tavm Bosko at the Beach is another amusing Looney Tunes cartoon from Hugh Harmon-Rudolf Productions in association with Leon Schlesinger and distributed by Warner Bros. In this one, Bosko is selling hot dogs (some amusing animation involving those food goods dancing and jumping rope are done here) with pet Bruno. Honey is also here at the beach with her cat, Wilber. When they join together, they sing "Ain't We Got Fun" while Bruno keeps fetching bigger sticks from Bosko. Wilber stays near the shore and gets caught in the wave so Bosko swims to try to rescue him. Bruno gets his log with fan attached as an outboard motor (does the log have an outlet there?) and gets both Bosko and Wilber rescued as we iris out...Another pretty amusing early Warner Bros. cartoon short that should be entertaining enough for anyone interested in early vintage cartoons. I loved the side gag of an octopus giving eight sea horses a ride on each of his tentacles. Friz Freling (credited as Isadore here) is one of the animators. I saw this on YouTube.

boblipton The early Bosko series of early Looney Tunes are rarely seen. First, because they are in black and white, and most people don't have the patience for black and white. Second, because Bosko and Honey, his girlfriend, are supposed to be Black -- or Afro-Americans, depending on which term you prefer -- and are offensively drawn according to the standards of the era. Lastly, because their construction is not very good -- this is the third of perhaps two dozen in which I have seen the same "carousel" gag.Nonetheless, there are small variations in quality, mostly in terms of the artwork. I think I see some superiority in the ones in which future director Friz Freleng -- here credited under his real name, Isadore, is one of the animators. The lines are a little cleaner, the detail done better and certain things, such as water, is drawn more interestingly.I cannot seriously recommend this or, indeed, any of the Bosko cartoons to a casual watcher, nor any of the Looney Tunes of the era, but if you wish to study them for historical interest, the variations mentioned above are something to watch out for.