wes-connors This could be called the origin of Bomba (Johnny Sheffield). As such, the story is more interesting than usual. Presently, in picturesque Africa, the jungle boy watches different animals with their children. Bomba is sad because every animal in the jungle has father and mother but him. This leads Bomba on a journey of self-discovery. We will finally see the fate of Bomba's parents, John and Laura Hastings. An entertaining "native" Suzette Harbin (as Baru) plays a large part. She's silly, but fun to watch. The pretty girl role is filled exceptionally well by Karen Sharpe (as Linda Ward). Of course, she has a swimming scene. Cast wisely, Ms. Sharpe beautifully fills her one-piece bathing suit. Also lifting this entry is a nicely edited fire sequence. The smoke, controlled background fires and added foreground effects are quite effective. Some acting rehearsals and flashback scenes might have improved this story, along with a more appropriate title.***** Bomba and the Jungle Girl (12/7/52) Ford Beebe ~ Johnny Sheffield, Karen Sharpe, Walter Sande, Suzette Harbin

utgard14 Bomba feels bad about being an orphan so he decides to find out who his parents are and what happened to them. The trail leads him to a village ruled by a corrupt chief and his ruthless daughter. Needless to say, the two don't like Bomba poking around and asking questions. This is a nice change of pace plot for the series, which usually had the standard 'evil white men come to the jungle to kill or steal and Bomba must stop them' formula. It only took seven sequels for them to think about following up on this plot thread from the first movie but I'm glad they finally did.The Bomba series had its fair share of pretty ladies and here we have two. Karen Sharpe is the daughter of a government official and Suzette Harbin is the daughter of the village chief. I'm not sure which girl is the jungle girl of the title. I mean, Harbin is the only one of the two who actually lives in the jungle but Sharpe is the heroine. Neither is a 'jungle girl' in the same sense that Bomba is a 'jungle boy.' Both are attractive and well-written for young female roles at the time. When Bomba swims out to rescue her from a crocodile, Sharpe takes matters into her own hands and swims to shore, gets a gun, and kills the croc herself! Harbin is her father's right-hand and heir to the throne. She's in charge of the village guard and killing her father's enemies. It's one of the best Bomba movies, which isn't saying a whole lot I know. It's a juvenile adventure movie with a little more plot than most in the series and some strong female characters which deserves mentioning. The movie makes use of stock footage, as it always did. Maybe a little less than usual, though. There are some humorous moments with the chimps that I enjoyed. It does go on too long, as most of the Bomba sequels did for some reason. Nothing you can't live without seeing but a good way to pass the time if you're so inclined.

moonspinner55 Writer-director Ford Beebe surprisingly didn't lose steam helming this, the eighth picture in Monogram's "Bomba" serial; rather, Beebe comes through with one of his meatiest scripts for the low-budget franchise, allowing Bomba to have normal thoughts, questions and emotions about his own history. It's springtime in the Congo, with Bomba taking notice of the circle of life happening all around him, yet feeling saddened by his own lack of family. After saving the daughter of a government agent from an alligator attack, Bomba learns his parents were killed many years ago and that a native nurse (presumed dead as well) knew the secret behind their mysterious fate. Like the previous "Bomba" movies, this installment's charm is of a strictly modest variety--only nostalgic grown-ups need apply--however, the film's villainess (the daughter of a phony village chief) is amusingly intimidating, and Johnny Sheffield's Bomba thinks clearly and acts cleverly. The production is predictably crude, though the stock footage is kept to a minimum and the dialogue (strong this time) carries the plot ably without being chopped up into staccato bits and pieces. **1/2 from ****

GUENOT PHILIPPE This little feature is not better or worse than the other Bomba movies. I think they were made for sunny - or rainy - Sunday afternoons. All directed by Ford Beebe, they are all the same. When you have seen one, you have seen all of them. But they are not charmless. I won't explain the topic of this one, it is already exposed in the tag line. I only write this comment because this film has not been commented yet. That's all. If you watch all Bomba features in a row, you'll forget this one. For sure. I recommend to see the Bomba films one each week. That's the best to appreciate them.