Body of Evidence

1993 "An act of love, or an act of murder?"
4.6| 1h41m| R| en| More Info
Released: 15 January 1993 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.mgm.com/#/our-titles/226/Body-Of-Evidence
Synopsis

When an elderly millionaire is found dead with cocaine in his system, his will leaves $8 million to Rebecca Carlson, who was having an affair with him. District attorney Robert Garrett decides to prosecute Rebecca, arguing that she deliberately engaged in wild sex with the old man to overexcite him and lead to his premature death. Defense attorney Frank Dulaney defends Rebecca in court while getting sucked into a dangerous affair with her.

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Reviews

barberic-695-574135 Many critics and reviewers "slate" this movie, why I do not know! It´s actually not that bad, yes it´s predictable and some of the acting leaves a bit to be desired and the story line is weak but I have seen much worse score much higher than this movie. So forgetting that this is "the dream movie " for Madonna fans, the movie is entertaining and unless you spot the obvious, it keeps you guessing. Now add the sex scenes with Madonna and it turns and ordinary movie into something a bit more special, puts Sharon Stone into the shade. Would we watch it again, absolutely.
lamegabyte When your teen idol releases simultaneously erotic songs, a sex book and a nude movie, you feel just sad and know that things would never be the same with her ! I have never understood her choice, all the more than all her products are awful, bad taste and proposes a rather deviant, gloomy, psychotic sexuality ! Is this Madonna hot ? Not at all ! This movie is so dumb that it's finally funny. There is a evident effort to build something respectful with the famous cast and the care for judicial proceeding but at the end, nobody believes it as every opportunity to get nude is exploited. To see Dafoe as crazy as a bitch is just the worst part he did in his career and watching Langella telling how Madonna exhausted him is just the best comedy of the year ! If you like to do trash, the movie is for you and if you are a Madonna fan, well, try to forget it !
atomicgirl-34996 When I first saw this movie, I was disgusted beyond belief. I don't know what it was but there was something about the sex scenes that came across as very scuzzy. I still can't place my finger on why. I've seen so many sex scenes and have even watched the occasional porno or two but there was always something about the way the scenes that were shot in Body of Evidence that had be wanting to jump into a hot bath and scrub my skin with a scouring pad. Some other reviewers said that the scenes were a little too realistic and that may have been the reason. More than a decade later, I saw Body of Evidence again but this time I saw the R- rated version. Ironically, when the sex scenes are scaled down, it's a much better movie. It's not a brilliant film, of course, but a legitimately entertaining popcorn flick that's like a cross between Basic Instinct and Witness for the Prosecution. It's also beautifully shot; I was surprised at the level of cinematography for what's essentially a sleazy softcore movie. Some of the dialogue is also a lot wittier than you'd expect for a film like this. The last scene between Joe Mantegna and Willem Dafoe is a hoot. Dafoe's character is asked if he believes in karma. After he says, "No," Mantegna's character says, "Everyone gets theirs in the end, except for lawyers." Dafoe, who feels guilty after winning the case, then tells Mantegna that he should've won instead and Mantegna says, "I did." Okay, it's no Dashiell Hammett, but it made me chuckle.Also, there are some clever subtleties in the movie that I particularly liked. For example, when Dafoe goes to confront Madonna after she lies to him, look at how she's dressed. Up until that scene, she is dressed and styled like someone from the 1940s. The movie even went so far as to have her wear vintage style "granny panties", garter belts and stockings in many of her scenes! But after the twist, her face, hair and demeanor are different and she has on a pair of elegant, but modern style white satin pajamas. She goes from looking and sounding like this very old-fashioned, 1940s style woman into a typical 1990s chick. I know this doesn't sound like much given how cheesy the movie is, but I was pleasantly surprised by the transformation because I thought she was just going to still turn up looking like something out of Casablanca. The filmmakers didn't have to go that extra mile, but it was a very nice touch. Anyway, if you're interested at all in seeing this movie, I strongly suggest avoiding the uncut version. I know it sounds counterproductive because, hey-- who wouldn't want long, extended sex scenes in a movie? But trust me. They're not the type of sex scenes that you want to see, and they cheapen the movie, anyway. See the R-rated version instead and expect nothing more than an entertaining popcorn flick.
itamarscomix Those three words seem to run through most of the reviews for this title, yet still it maintains its very low 4.1 average rating. It's probably one of the best of the exploitative, sleazy erotic thrillers of the 90's. That's not high praise, but it also places it quite far away from the worst films ever made.The weakest link in the film - and maybe the one responsible for much of its bad reputation is Madonna. Having tried her might at several mediocre comedies, Madonna chose this thriller as her first serious role, and she doesn't quite make it. Her acting isn't quite horrible - but she's clearly trying to channel the femme fatales of the classic Film Noirs, and placing herself in the same category as the likes of Barbara Stanwyck, Marlene Dietrich and Kim Novak, she's nowhere near good enough. It's also not as good as her previous femme fatale role on Dick Tracy, which was just self-aware and campy enough to work. But Body of Evidence takes itself too seriously for Madonna's performance to pass. Surprisingly, she isn't even good enough at being sensual and seductive, making the sexual scenes quite awkward (as lovely as it is to see so much of Madonna's skin, that is).But surprisingly, most of the other scenes work quite well. Willem Dafoe and Joe Mantegna are good enough as the rival lawyers to make the courtroom scenes very effective, and as a courtroom drama alone (paying as little mind as possible to Madonna's scenes) it's well written, well acted and quite entertaining. Julianne Moore is good in her few short scenes as Dafoe's wife, and much of the supporting cast is also solid. All of these make it an entertaining enough thriller, filled to the brim with clichés but still managing to hold a little punch at the end. It's by no means a great film but it's also not that bad.