SnoopyStyle Detective Hoshino investigates a 14 year old case of a brutally murdered maid. His investigation leads him to the mysterious Ukyo. He witnesses him killing and then drinking another young woman's blood. Ukyo is a Samurai who has continued as a vampire. His men take Hoshino to be killed at the docks where he is rescued by vampire Miyako. She shares her blood with him to save him and thereby turning him.This is trying to be a stylish Gothic vampire movie. The film moves way too slowly. The action style is lacking. It would have been cool back in the 80s or 90s. It doesn't look nearly as cool for action of today. The acting is mostly wooden. It's a low budget action wannabe but it fails to live up to its ambitions. The film is generous with its blood flow. However, it is so slow that the tension never gets that high.

Leofwine_draca Vampires, fight scenes inspired by the Underworld films and a leading actress who shows her boobs a lot. That's about all you're going to get out of BLOOD, a low budget and derivative little movie that doesn't know what it wants to be. There are gun fights, repetitive sex scenes that seem tacked on to market this as an erotic thriller, a little detective work and, of course, some vampires. These vampires are of the overly familiar and utterly predictable type, although they seem happy to wander around in the daylight to no ill effect.BLOOD is a low budget movie and it shows. The action scenes incorporate some disappointing CGI effects which make you laugh rather than gasp at the on-screen antics. The worst thing, though, is the script, which fails to make any sense of the disparate story elements. It seems that the scriptwriter is content to emulate throughout, but there's no world-building here, no conviction in the depiction of centuries-old vampires. The romantic scenes are laughable and the cast bad, and all of these detractions end up making this one a bit of a bomb, a Japanese film that copies Hollywood way too much without working out a style of its own.

idiot-snf I was expecting something along the veins of "Snake and Flower" in which Aya Sugimoto starred. I was disappointed. I am not exactly sure what the director is trying to do. The same dialogue lines (Darkness, eternal life, I-am-so-depressed) keeps getting repeated over and over again. There were a couple of sex scenes but except for one of them, the others seems to be rehashes (I mean, same bed, same posture, same lighting, same angle - only thing that differs is the male partner).Not seeing much of emotion/passion either. Everyone is in a state of ennui (except for the male lead, to a certain extent). Not much happens (the pace is unexpectedly slow) and even when there is action sequence the low-budget-looking special effects are quite distracting. No good swordplay or fighting techniques either, they are all pretty basic stuff.So where does it leave us? Maybe it was intended as a "deep"/"thinking" film about love and eternal life? I'm not really getting it. Admittedly, the camera work is pretty good at times, but other than that, there is little for the mind or for the senses.

zenamako This mix of sex, vampires and martial arts seems like it will be a decent (if clichéd) vampire pic until the appearance of the first "wire-fu" sequence. Some fairly steamy sex and a scene in which a nude girl is bound and murdered establish an adult tone that is ruined when characters suddenly begin to fight like they're in The Matrix or Crouching Tiger, Hidden Dragon. It's as if the director (who also did Shinobi: Heart Under Blade) really wanted to make a martial arts flick with plenty of sword fights, but since he had Aya Sugimoto (star of the erotic Flower & Snake films), he was obliged to throw in some gratuitous T&A. The script is extremely predictable, and the characters (with the exception of Sugimoto's young female servant) are unlikeable and keep spouting the same tired lines about how miserable it is to have eternal life. There are also some dodgy computer effects - when a character gets hit by a car and tossed into the air, you'll definitely laugh (the CG effect was like something out of Shaolin Soccer). The are some good points: the movie is well-lensed (Sugimoto usually picks projects that at least have good production values) and the wire work isn't bad, if that's your thing. I wouldn't be surprised if this gets fast-tracked for a North American release, since it's the kind of thing that seems to sell over here.