lost-in-limbo Evocatively directed and slickly photographed psychological mystery thriller with an exceptional lead performance by a sombre Donald Sutherland, and potent support roles from Donald Pleasence and David Hemming. The material decides to keep it all glum, and moves from the investigation period into the back-story of the victim. The seldom, and quite sullen nature of investigation pulled me in, but when it flashback to the victim's side showing her final days weren't as compelling, and became somewhat stodgy and stock-like. While the script is strongly detailed and to a certain degree complex in stringing us along, however the final and surprising revelation should have been more bone-jarring and it's not helped out by its sloppy execution. Howard Blake's music score has an emotional sting to its cues that simply linger, and director Claude Chabrol's capable handling (well for most part) has a strong stylistic and tight manner, which gets the best out of moody locations and flexible cast. The young faces Lisa Langlois and Aude Landry do an incredibly good job as well.

christopher-underwood Considered by many to be a strangely overlooked Chabrol it seems to me the reason it has been cold shouldered is its sleaze factor. Not as overtly sexy, violent or gory as many films of this period it nevertheless starts rather startlingly and although becoming more measured continues to ooze a rather unpleasant odour. Ms Audran, not here the ice maiden but a drunken mother, Donald Pleasence does a cameo as a child molester, David Hemmings has his eyes on underage sex and the central theme involves the relationship between a brother, sister and niece. No not very nice at all and Chabrol treats it all as if it is very normal (like it might be in some small French village!) instead of Ed McBain's New York City. Had this been treated in a more sensational manner then it would have been a more acceptable but lesser film. Here we really have to choose between the likelihood of various unpleasant options before the final denouement. Very watchable

HumanoidOfFlesh When Patricia Newell is attacked after witnessing her cousin's murder,Detective Carrella searches the city for her killer.Identifying the murderer after an intensive manhunt,Patricia is sent to live with relatives in the country.For Carrella the case is closed...or is it?"Blood Relatives" is an overlooked masterpiece.Donald Sutherland plays a cop and it's nice to see Donald Pleasance in a small role as a child molester.The conclusion is pretty disturbing.Still "Blood Relatives" is more of a mystery than a horror film,so fans of gore will be disappointed.A must-see for fans of old-fashioned mystery movies.9 out of 10.

Infofreak Donald Sutherland was one of the most interesting and intelligent actors of the 1970s with impressive roles in movie such as 'Klute', 'Steelyard Blues', 'The Day Of The Locust', 'Don't Look Now' and '1900'. But for some reason 'Blood Relatives' has disappeared into obscurity, despite being directed by acclaimed French New Wave figure Claude Chabrol, and featuring yet another fine Sutherland performance. Why this movie has been all but forgotten is difficult to explain. I really have no idea. But as I could EASILY list 100 other unfairly neglected movies off the top of my head it doesn't really surprise me. Anyway, this is a very well made mystery thriller which kept me fascinated throughout. Sutherland is great, the three young leads (who include Lisa Langlois later of trash classic 'Class Of 1984'!) are all very good, plus we get the wonderful David Hemmings ('Blowup'/'Barbarella'/'Profondo Rosso'), and a brilliant cameo from Donald Pleasence ('THX 1138'/'Halloween') as a creepy paedophile. 'Blood Relatives' is recommended to mystery buffs and Sutherland fans.