Big Business

1929 "The story of a man who turned the other cheek-and got punched in the nose."
7.6| 0h18m| NR| en| More Info
Released: 20 April 1929 Released
Producted By: Hal Roach Studios
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Stan and Ollie play door-to-door Christmas tree salesmen in California. They end up getting into an escalating feud with grumpy would-be customer James Finlayson, with his home and their car being destroyed in the melee.

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Hal Roach Studios

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Reviews

rmestl2 The only criticism of this film is that it has no plot--so what?????????? How many incidents in life have no plot--they just happen--forget any worries about a plot--this is the funniest encapsulation of life ever filmed--it just is as it is--God bless Laurel and Hardy!!!!!
SnorrSm1989 Released the very last year before silent films (at least in Hollywood) once and for all were declared definitely prehistoric, Laurel and Hardy may be said to have made, if one omits Chaplin's two features of the 30's, the final comic masterpiece in the silent medium with BIG BUSINESS. They had proceeded to make pie-throwing appear fresh again a couple of years before in THE BATTLE OF THE CENTURY, and this little two-reeler confirms perhaps even more bluntly why the boys, once teamed up, are often thought of as the last great innovators of silent comedy.Trying their luck as wandering salesmen of Christmas-trees, Stan and Ollie predestine the eventual doom of their "business" when ringing the door-bell of James Finlayson. Annoyed as usual, James slams the door in front of the salesmen, causing their tree to get hopelessly stuck. Hardy rings the bell one more time, in order to get James to re-open, so he and his partner can get their object loose, and leave; James interprets this second call as a further intrusion, however, and what follows may be said to be the quint-essential demonstration of the "eye for an eye"-philosophy which so very often characterizes all types of comedy without the public even realizing it. Laurel and Hardy, in BIG BUSINESS and on many later instances, make us painstakingly conscious of this tendency in comedy, and what's more: they make a point of making us conscious of it.It starts off with the tearing of clothes, and goes on to involve furniture, windows, a car and Christmas-trees; all in the name of sweet revenge. As with THE BATTLE OF THE CENTURY, Laurel and Hardy does little here that had not been done (and over-done) plenty of times before, if one watches the film superficially. Had not audiences been fed with frustrated maniacs going berserk on all thinkable objects since the rise of the Mack Sennett Studio one and a half decade before? Definitely. But the oldest of jokes can still be funny, if made funny. These three men—Stan, Ollie, and James—are not maniacs, but reasonably respectable gentlemen finding themselves in an unfortunate misunderstanding, which gradually builds up to a series of spiteful acts going beyond the powers of anyone involved. And it's breathtakingly funny.When I was a child, an acquaintance (approaching ninety by now) recalled howling with laughter at this film when it was originally released, and, already a fan of Stan and Ollie, naturally I longed very much to see it for myself. Getting hold on Robert Youngson's cavalcade WHEN COMEDY WAS KING on video, eventually I did; and howled.
tbyrne4 I had the pleasure of seeing this Laurel and Hardy short recently at the Old Town Music Hall theater in El Segundo, Ca. Totally brilliant comedy has Laurel and Hardy as Christmas tree salesmen in Los Angeles going door-to-door trying to peddle their flimsy products. They come up against a particularly cantankerous older man and hijinks ensue. The genius of this one is the way the situation builds upon upon a single small incident until things reach truly catastrophic proportions. When you think it can't get any worse, it does. And when you think they've gone far enough, they go even further. Watching this with a large audience of all ages really was proof that great comedy is timeless. Everyone in the theater was roaring with laughter by the time it was through. Just wonderful.
Igenlode Wordsmith Based on what I'd heard about it, I didn't think I was going to enjoy this part of the programme much; destruction derbies really aren't my thing, and while I used to love Laurel and Hardy as a child, I've been a bit disappointed recently on re-viewing their work. Well, I was wrong!Admittedly the funny bits of this film consist almost entirely of smashing things up, but somehow it's the completely childish and almost innocent way in which it's done that raises the laughs: Hardy attempting to dig up the lawn one shovelful at a time, Finlayson rolling vainly on the ground in a Christmas-tree-tantrum. And then, of course, there's the mass hysteria of the ending...I don't think I can possibly have enjoyed it as much as the ladies next to me (who were in non-stop whoops for the last ten minutes), but I definitely found it very much funnier than I was expecting.