MarieGabrielle For an LMN movie, this was a welcome surprise. It was suspenseful, visual, and not the usual fare.Poppy Montgomery is very good as displaced Chicago lawyer ostensibly in search of her sister or husband, who were in a car accident in Tijuana, Mexico.The sights are interesting and bizarre, one of which includes a school bus marked "Out of Service"/Fuera Servicio. As she wanders the blazing hot streets in a symbolic white dress, we begin to piece the puzzle together.Overall this is a very intriguing movie which is well-directed and acted. Do not miss next time it is broadcast. 8/10.

paolo_bf I find difficult to believe how underrated this movie is! For ambition, vision and courage, it reminds me a little of another David, David Lynch's masterpiece Mulholland Drive. I watched the latter several times, and even though I came up with any number of ideas, interpretations etc.. I was still at a loss as to its overall meaning, I got a little help from my friends and everything fell into place. Between is somewhat different in that, when into the very last sequences of the film (to the credit of director David Ocanas) everything become clear, you are left with a very direct and straightforward narrative structure. One thing both movies have in common is that holding the narrative key doesn't detract from any successive viewing, which, on the contrary, become even more poignant. But as to Between's first viewing, you are constantly transported through sequences, dreams, realities, nightmares, the semi-psychedelic effect this had on me was to induce a inward looking reverie/reflection on my own personal experience, our shared 'post-modern' one, and how thin is the line which separates our everyday perceptions from our nightmares! Interestingthe geographical and 'metaphysical' proximity between the two movies respective locations LA and Tijuana. If you liked or loved (like myself) this movie and, in the unlike event that you have not watched Mulholland Drive yet, go out and buy yourself the DVD! I would also like to recommend a BBC production which is not terribly well known beyond this shores: Life on Mars! In the end, Between and Mulholland Drive's somewhat labyrinthine exploration of different and extreme states of consciousness, only bring you an infinite straightforward compassion for the misery, sadness and splendour of human life.

lisa alonso David Ocana posed his wonderful talent in this film.The film was mostly shot in the city of Tijuana, Mexico. It is here that the protagonist Dianne comes to reality, or is it something else?The movie style portrays the typical Alfred Hitchcock classic suspense with a touch of Bernard Herrmann, the well known composer of movies such as Psycho. The musical score is phenomenal. I applaud the composer for his excellent arrangements. The slightly melodic arrangements are used sparingly throughout the film nevertheless it renders a powerful effect of a good Psych thrill film.Symbolism and imaginary ideas surge from the dreams which are based on Freudian-Lacan theories of dreams and relationships. It is here that Dianne must decipher and decide which step to take, which will take her to eternity. It is Pandora's box on the afterlife. This film is for those of us who love a good psych thriller. The movie contains a lot of clues- one must be keen and sensitive to find each hidden clue. The movie gets better as you watch it again and again!TWO thumbs up.Salud, Dinero, Paz y Amor en 2006!

Miah Artola Impeccable sound, cinematography and editing do justice to the uncommonly elegant plot which we can loosely categorize as a mystery. BETWEEN, however transverses genres with generous ease, so much so that one wonders when "thriller", "mystery", or "love story" became separate endeavors.We first met our heroine, played by the glorious Poppy Montgomery in the midst of a clue. Her journey on the outset is the most physical and mundane of acts: she must cross the border into Tijuana (a visual feast which is worked to the hilt) to find her missing sister.A lesser actor might fumble the demands of this role as Nadine is required to be a spirit of sorts - a brave, sincere, and passionate woman who is willing to cross any border to find the truth. We soon realize that her journey is in fact a metaphysical one calling upon her spirit and strength; it occurs to one how seldom women are given such roles.The clues are presented for our perusal: Valentines' day, a letter, a clock, a bus, a repetition of a phrase. We discover we are involved in a literal story that questions it's own literalness, that is more about the act of experience than any particular experience. The memory and movements of our heroine are in need of our full attention and we come to understand that our participation is required. We have to trust what we see and remember what we see and look, always, closer. This is perhaps the most stunning accomplishment of this film: our own involvement.There is a feel to a Mexican city that is unlike any other. In Ocanas' hands we are two steps closer and inside this city, able to travel freely in a manner not often expressed through most film makers eyes, meaning observing eyes or, plainly, American eyes. The soaring energy and particulars of Tijuana begin to feel intimate and become as regular and every day as our local grocer. In one critical scene Nadine finds herself in a junkyard filled with buses. We are not just captivated by the strange beauty of this scene, we are there with her, searching and stumbling under the same hot sun.Aside from her husband, Robert (Adam Kaufman) is Detective Campos (Jose Yenque) the detective, (though by now we know we realize that we are the detectives) who is equally as compelling and with a leading man's fresh appeal. His character is introduced as, simply, an official and a rather cruel one at that. Campos manages to convey both this and a secret. Is he her enemy? Her guardian angel? Or is he just a bitter man who has seen too much violence.These questions remain available to us and we are willing to accept at any moment that a new aspect of one's personality or a duplicitous motive will be revealed. Much like our relationships in 'real life', every character introduced, from the Tijuana doctor to the elderly matriarch, express a level of personality and presence giving this film much tenderness so even the most daring of revelations and turns remain grounded.BETWEEN does more than this however. It deposits these familial characters inside a plot in which it is reveled that they are mere puppets, at the will of greater forces. The fact that we already feel connected to them makes this both jarring and thrilling.There was a point toward the end of BETWEEN when I realized I was worried. We are all somewhat accustomed to disappointment in some form when loose ends must be tied up - it is a common occurrence in complex works. What a relief it is when our careful attention pays off and we are treated to a finale more deeply satisfying than any you are likely to see in cinema today.