Andy (film-critic) I remember my first bike. It was a Huffy. It didn't have a name and I believe my excitement for it only lasted one summer, but it did get me from point A to point B, and I will always remember it for those solid memories. What would be my actions if during that one summer of joy my illustrious bike were to be stolen? Would I bring about wrath and vengeance upon anyone that dared cross my path? Probably not, but it would have been fun to have an adventure like the two boys in this film.To make it simple. Boy is trained to be a courier. Bike is given, but needs to be paid off. Bike is nearly paid for when it is stolen. Boy goes bonkers. Change story. New boy finds love with new (stolen) bike. He makes more friends. He is the rooster of the farm. Then, these two boys meet. Violence begets violence. Boy looses girl. Boy continues to loose job. Violence ensues. Cut to visionary ending about the life of a bike.Was this a documentary? "Beijing Bicycle" kept my attention, but left me utterly confused as to who to root for. For the first hour of the film, I found myself on the original boy's side, but somehow changed midstream, but then changed back, only to find myself apathetic towards the end. This is not the consistency that I like my oatmeal. A lumpy camera gave us a sympathetic eye towards both of our characters, leaving us with nobody to love or to hate. I needed a definition with this film. I wanted to root for one character and only one character. By giving me passion for both I didn't really have any emotion towards the ending, which could have been quite dramatic.I loved the music.I loved the cinematography.I loved that it promoted smoking.I loved the characters – individually, but I needed a defined bad guy and a defined good guy. Don't get me wrong, when Vader picks up the Emperor at the end of "Jedi", I felt sympathy for the bad guy – but think of what the film would have been like if the Emperor kissed Vader right before he fell. That is the emotion happening with "Beijing Bicycle".Could I watch this film again? Absolutely, but I could not sit still. I would know what was going to happen with our characters, I would know what feelings I would have for both of them by the end, and I would still find myself apathetic to any of their causes. One is strong, while the other is weak. It was like black vs. gray instead of black vs. white. I would call this film a "Study of Cinema's Gray Zone".I will suggest this film to friends and family as a one time viewing. It was a decent outing for a film about a bicycle, and would have no problems buying this DVD for my old Huffy that is still rotting away in the garage. I think he would like it.What are my thoughts? I give this film an "Ehhhhhhhhhggggggggggggggaaaaaaaaaaaaa", as I feel weight on my shoulders as I thumb the edge of this DVD's box.

bobbobwhite This film irritated me with its extreme slowness, and the dumbness and wimpyness of the lead character. Even for a drama, it was worth only about 30 minutes of film, but was extended to movie length for "artistic" effect, or whatever. Mostly whatever. Long, long blank looks at each other, almost no dialogue and what was there was so basic and simple, very slow camera panning to kill time....everything in it was at "walking underwater speed" and it just dragged and dragged. Too many very similar scenes that went on and on told me the filmmaker was padding, and not expressing his "artistry". Mainland China is way behind the west in film-making...about 50 years behind, as this film appeared to be post-WWII, not the early 21st century. Won't get much western audience, that's for sure.Really tested my patience but I stuck it out to the mostly unrewarding end that we knew was coming.(He got his bike. Duhhh.) Very simple type of story told much better many years ago in Italy's "Bicycle Thief". See that one instead.

limethief Browsing through some of the previous comments, it seems many viewers take the movie primarily as an allegory of class clash in Beijing. While the movie does state the contrast with emphasis, it's much more interesting as a story about teens. The title translates literally to "seventeen years' bicycle."The story is just that. Guo is a young man who earned a bicycle and promptly has it stolen. Through luck and perseverance, he finds it in the possession of Jian, a high school student. Trouble ensues.I grew up in Taiwan, and I remember kids doing incredibly cruel things to each other. Not so much gunning down classmates but there were plenty of physical and emotional violence. This movie is a powerhouse of insight into the psyche of teenagers. Contemporary Hollywood pumps out teenage movies by the dozen each year, and most simply gloss over the amount of pain and awkwardness adolescence can bring. Beijing Bicycle, on the other hand, can serve as an instructional manual for any high-school bully wannabes on how to reduce the stammering geek next door to a shell of a man.It's therefore understandable that the movie can be very difficult to watch at moments. Guo suffers humiliation after humiliation, and at times I wondered in frustration what it would take to get him to swing back (the ending provides some answer to that, I think). There is some humor in the movie, and Guo does have the resources to prevail occasionally. If you can stand two main characters respectively passive and oblivious, the story is an incredibly touching one about being young.

anonreviewer I thought it reminded me of some of the European movies, esp. French. Especially the ones made decades ago.My wife thought the ending was bad, in that it left you hanging.