Before I Disappear

2014
Before I Disappear
7.2| 1h40m| en| More Info
Released: 11 October 2014 Released
Producted By: Fuzzy Logic Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

At the lowest point of his life, Richie gets a call from his estranged sister, asking him to look after his eleven-year-old niece, Sophia, for a few hours.

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Reviews

Anabela Soares Got start by saying that at first I was apprehensive to watch this film because of the bad reviews but I like the actors Emmy Rossum and Ron Perlman so I give it a shot and I wasn't disappointed, I know that the actor Shawn Christensen is the main character and the film is centered on him and that he was also the director and it won the Audience Award and was nominated for the Grand Jury Award but I have to admit that I didn't know him at all, so I watch with no expectations. For me its a slow pace movie, very dark and sometimes even comic has an original story but the actors are really good and has a very compelling story. So watch and have a great time doing it!
drjlo It's quite refreshing to watch a movie that holds the viewer's interest with story, characters, chemistry, and real life issues without resorting to gunfights, gratuitous violence, sex, or heroes. There are no heroes in "Befoe I disappear, and why should there be, when the real world does not really have heroes, either? A group of people, all of whom with serious flaws and real-life issues, interacting with each other in situations that are not cookie-cutter'd or neat, can be a fascinating yet frightening thing to behold, as in this movie. Yet, there is just enough of humanity and hope in each of them to deserve rooting on by the viewer. Nobody in this movie is perfect, and nobody is beyond even a little hope, just like us in the world at large. Fatima Ptacek is a crack of sunlight shining through the dark, damp corners of the world in this movie, reminiscent of Natalie Portman in "Leon: The Professional," although "Before I disappear" is far more cliché-free.
MichaelRusseck This movie was a gem. I just saw it today, and it was very powerful. Sean Christiansen(sp?) was phenomenal, as was pretty much everyone else including a very invested performance by Paul Wesley (Vampire Diaries) After watching I checked out the background to find out that Sean, the lead was also the writer and director.. what a feat! I was pretty damn impressed by this unknown actor's performance, let alone the direction, and couldn't't help but liken his acting chops to a young Ed Norton (who I also think is great!) I really hope people see this movie... The critics have it underrated, as seen by the user reviews. It was honest in writing, acting, production, etc... a cohesive, unique and moving film... at least for me!
Lowbacca1977 A few years ago, Shawn Christensen won an Oscar for his amazing live- action short called Curfew, focused on a man in despair and contemplating suicide that gets the first chance to spend time with his niece, now around 11 years old. The short was very deserving of that Oscar, and Christensen took an interesting route to build on that by starting with that same initial story and fleshing it out into a full feature length film.On one hand, I would like to see him go into something new with the same finesse that he showed in Curfew, and I feel like there's directions he went here that didn't feel as genuine as some aspects of the same characters in Curfew.On the other hand, though, he kept many of the key moments and feelings from the short, while fleshing out so much more to it. I do also very much like that Fatima Ptacek returns as Tabitha, the niece, as she had a great performance in the short, and she does just as strong of a job here. This film really wouldn't be as strong as it is without her.Christensen plays the lead role as well as directing, and while he's good in front of the camera, it's behind the camera that's really what impresses me. The style and flow of the short was good, but he does so much more here, and there's a very strong visual presence in so many scenes that it really sticks with me. This includes not only some of the more fanciful parts, like an expanded version of the music number from the short to simple shots, like the phone on the floor at the start of the film.What really strikes me is how he managed to take a short and really not dilute it when he extended it out to feature-length, and it still maintains its emotional center, and I think that shows a lot of creativity and skill as both a writer and a director. I really hope that this film does well enough that it opens the doors to more work by Christensen, although I can't help but feel that with the quality of this film, it will do so.