Before and After

1996 "A murder. A suspect. A shadow of a doubt."
6.1| 1h48m| PG-13| en| More Info
Released: 23 February 1996 Released
Producted By: Caravan Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Two parents deal with the effects when their son is accused of murdering his girlfriend.

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Reviews

Richie-67-485852 If there ever was a movie where you could discuss the pro and con of what was said and done and by whom, this be the one to the textbook. What would you have done is the question and then choose a side and here we go. The arguments for or against what these characters did or didn't do are meaningful and full of depth and remain even closer to real life than one would admit. The opposing points of view and the beliefs behind them remain fascinating. Mother, daughter, father and son each had their own take on what should be done and why. If you don't care to join in and play the different roles, then sit back and let this movie have its way with your emotions. It will push and pull on you, love and hate will surface as well as right or wrong and good and bad. College classrooms would find this good for debate purposes bar none. Popcorn or sunflower seeds recommended to keep the fingers busy plus a refreshing drink. Enjoy
vincentlynch-moonoi I first watched this film several years ago on cable, and then watched it again tonight. I walked away from it this time being even more impressed -- overall -- with it as a drama, and with the much of the acting. And that's saying a lot because I very much dislike Liam Neeson, and usually ignore films in which he stars.The story itself is rather depressing because it tells of the virtual disintegration of a family as a teenaged son is accused of murdering his girlfriend. The mother (Meryl Streep) is probably the parent acting most responsibly, although she cannot conceive that her son might actually murder someone (the "That's just not him" scenario that is all too common among modern parents -- and I say that as a long time teacher and school principal). The father is taking more the attitude that he's guilty, but we'll protect him no matter what -- literally destroying crucial evidence.Streep and Neeson are superb here (although that doesn't mean you'll like or respect Neeson's character). We've come to expect perfection from every Streep role, and here she does not disappoint. Julia Weldon, as the young teen daughter, is also excellent; very believable.As good as those performances are, there are two disappointments. Edward Furlong, as the son, well...as his later career has demonstrated, just doesn't have it to be a successful actor. His only real talent in this film seemed to be his ability to look mournful. He was almost painful to watch. And Alfred Molina...I've seen some performances of his that have been quite good...but not this one. I feel he totally misplayed the role of defense attorney.I thought the movie was quite good, and the acting both good and poor, depending on the actor. But, twice is enough.
Libretio BEFORE AND AFTER Aspect ratio: 1.85:1Sound format: Dolby DigitalA middle-class New England family is forced to confront a range of difficult issues when the eldest child (Edward Furlong) is accused of murdering his girlfriend (Alison Folland).Barbet Schroeder's earnest drama looks and feels like a big-screen TV movie, toplined by A-list stars and filmed with professional elegance on wintry New England locations. Schroeder struggles to avoid melodrama and mawkishness, resulting in a lack of tension, as parents Meryl Streep and Liam Neeson become torn between protecting their son and telling the truth about his possible involvement in Folland's death. Frustrated lawyer Alfred Molina makes the point that 'truth' has little or no bearing on the criminal justice system, where defence and prosecution teams become engaged in brinkmanship designed to sway the jury one way or another. Ted Tally's screenplay makes a number of similar points, but the narrative begins to drift around the halfway mark and never really recovers. Some will be won over by the cast and production values, others won't be so forgiving.
Wood-20 .Spoilers.There was a lot of good things about this movie. It was a compelling and interesting story right from the beginning. The acting was seemingly well played...... until the third act. What on earth happened to the direction of this film? I have not read the book, so I don't know if it has the same direction as this movie played out... but the third act did not even seem like the same movie. The acting took a nose-dive, and the melodrama began flowing freely like ipecac down the throat.From the beginning, I thought: Hey, sure, it's plausible that the Father wanted to save his son, and that these goofy things with the cover-up, and the family binding together to uphold the lie, were certainly no stretch of reason. Then we get to mom's, and Eddie's character's confession, and the whole thing is a puke-fest of gotchas and ridiculous moral claims about right and wrong which are, at best, pointless opposing claims about whether right or wrong and the law are the same thing.Don't misread me, though. I really enjoyed the beginning of this movie. I just hated the end.6/10