sevdakarababa-71077 For that time even for now they could manage to shoot very diffucult scenes. I was watching some cheap ass 2018 movies they cant even close to this movie. I dont know what is the reason behind that movie to make, but directors ( this young stupid ones especially) must watch this. After that they should think about making movie and to be come a director.

framptonhollis All true cinephiles know about "Potemkin" and how it revolutionized cinematic techniques in editing. We all know about that insane, constantly referenced/parodied Odessa steps sequence, but do we really know WHY "Potemkin" is a GREAT movie? Not just an influential or famous movie, but an actually GREAT movie?Well, in my opinion, the reason that "Potemkin" is so great is its ability to manipulate emotions and have relentless emotional energy and thrills. In its slim 70 minute runtime, more emotional intensity has struck the audience than in most 2 hour action thrillers. This film may be communist propaganda, but its also damn good communist propaganda. I may not agree with the film's political intent, but while I'm watching it I sure do! Using the power of film and visuals, Eisenstein works as a master manipulator, pulling at every string in your body, a surging sea of pain and sorrow exploding across his forever influential screen. Who could ever forget those haunting images? The child being trampled on! The baby carriage falling! The old woman with her shot out! Blood everywhere! Tons of extras falling down these mammoth stairs. Its more thrilling than any horror film you've ever seen, and its damned brilliant if you ask me!

willcundallreview I really find it hard to describe Battleship Potemkin because it's just a film that just wows you over before you can even stop to think about it, a technical masterpiece with a genuinely thrilling plot. The story takes place in June of 1905 on the battleship well Potemkin, we see the crew of the ship are not so happy and they are revolted by the standards they have and so they stick up for themselves and when fellow crew members are nearly killed by their own officers, it seems quite the time for the crew to get up and fight. It is a dramatized version of true events but this movie really pumps up the workers as complete heroes, I mean this movie is Soviet propaganda through and through, but it's superbly well made even if it is.The man behind this perfectly crafted motion picture is Sergei Eisenstein who directs this in a way which even when it's going very slow still manages to either be thrilling or throw in some kind of thing to make it so amazing. I think what he also does is create a movie that isn't just for critics to feast their eyes on, this can be enjoyed by anyone I swear and it's actually a genuinely exciting kind of movie, although I would always watch a few silent movies beforehand so that you get the right feel of this. What Eisenstein also does is bring in all the crafts that make up a film and creates an art piece, one that's cameras are perfectly working, editing is finely tuned, dialogue (even for a silent movie) is great and then utilises production design especially in the famous "Odessa Steps" scene where the outfits and the general look of the scene looks amazing.This is so often placed on the lists that people compile with the greatest movies and for good reason, the reasons become even more so when you consider this was made in 1925 and it is silent, but you never truly think about that and this doesn't seem to have aged at all, in fact other than the cast the only expired thing is the Soviet Union. Yet again it is Eisenstein who makes it ageless, I felt he just knew what he wanted and did it, made a film that although is made for a certain political position, can still entertain no matter what your views on politics.I feel that again those steps are like come on, I mean those boots are just a brilliant cinematic piece. The scene is one that is thrilling yet also oddly touching with a little added darkness (well OK make that quite a bit). The choreography of the entire scene is marvellous too with the enormous cast to run and fall down it not only makes it incredible to see but you'd think also really dangerous! Don't watch this just for this scene I mean this has sublime scenes elsewhere, take for example the ending which of course I won't spoil but when you think one thing it does something else and builds you up until you are really excited to see what happens next. I think that if you consider this not your kind of film then think again, this isn't a movie that should only be shown in history classes or film studying lectures, it's a movie that should be seen because it is entertaining but also technically a film of flawless dimensions. Yes feast in what Soviet cinema has to offer and maybe you might like it quite a bit, in fact you might even be accustomed to raising a red flag above your house even if the neighbour calls you a commie.

Sayantan Dutta I just want to know where are the Modern Hollywood Directors who creates 'Horror Films', detective films and so on..? just Make a single scene like Odessa Steps or the last few shots of "Potemkin". How can a man creates this type of suspense with just visual shots along with The Great theory of Montage and extraordinary music? Just look at the misen-en-scene of every shots, in interior..the succession of shots creating the mood, the musical cresendo of tempo, and whatever else. The Detailing..the Perfect Framing..It's the only film that I've seen where every shots are inevitable, if you omit one single shot, the film will destroy.. I'm not claiming that I've understand all the things subdued in each movement, each shots, each key of music and each cresendo and decresecdo of tempo..Eisenstein is (not was) the king of Cinema, And probably he is (again not was) the only director who can make 'propaganda' film in this height...