Barely Legal

2011 "Presents aren't the only thing they're unwrapping!"
Barely Legal
3.2| 1h29m| NR| en| More Info
Released: 26 July 2011 Released
Producted By: The Asylum
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://newsite.theasylum.cc/index.php/titles/detail?id=d1546c3a-0ced-e311-80c1-782bcb56fee6
Synopsis

Sue, Cheryl and Lexi are three college freshmen who have been best friends since they were born on the same day. They do something special every year for their birthday, but on their eighteenth, they set out to lose their virginity.

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Reviews

Maynard Handley OK, let's be real here. It's a teenage sex comedy. We all know what to expect. So the criteria are not how it provides insight into the human condition, they are whether it is funny. The sad truth is that most teenage sex comedies suck as far as laughs go. The exceptional ones --- your American Pie or Superbad --- keep you laughing pretty much nonstop, but 90% of the movies in this category consist of not just a formulaic plot but also not a single laugh.So how does this compare? Well in the hope that the screenwriter one day reads these reviews, let me give my analysis. Naomi Selfman has written a few movies in this vein, but the two best (IMHO) are this and the 18 Year Old Virgin. The good thing about both of these movies is that they are strongly written from the female point of view, which is not just empowering, blah blah, it also provides for a whole new line of jokes. ON THE OTHER HAND both these movies suffer in the script, primarily I suspect from lack of time. Once the script seemed finished, it should have been put aside for three months or so, then revised. And perhaps had a collaborator brought on board. In both cases the overall premise for the movie is good. It is presented, and grabs our attention right away, the pacing throughout the movie is good, and little time is wasted on nonsense. The problem is with the jokes themselves. These come in a few different formssometimes a good joke lives off tension. The audience can see what is going to happen, but it doesn't quite happen, then it doesn't quite happen, then it almost but doesn't quite happen, and then, just when you've given up, it happens. - other times a good joke happens out of left field, totally not what and when you expectedBoth of these are missing in the scripts. The jokes, while funny, are formulaic --- we see the setup, and there's no variation or surprise in the pacing. a third problem (and this really seems a problem with rushed scripts) is the setup that goes nowhere. For example the on-going water balloons in this movie. They seemed like there was supposed to be a setup there --- but there was never a payoff. If a payoff couldn't be figured out, the setup should have been stripped out the movie.the final problem is that the absolute best moments in comedy come from the serial gag that builds up in ever more ludicrous ways. We see the first joke and laugh, then somewhat later we see an extension to it and laugh, then even later we see a truly over the top version of it and laugh till our guts ache. There was none of that sort of ongoing serial gag in this. For example the setup of Sue with the washing machine was a good start. But that should have continued to the vacuum cleaner not being the mild gag that it was but more something like she starts to clean (in front of everyone else) realizes what's happening, and even so loses control in front of them while they all stare. Then even later we see something unexpected like she's walking along the street with her grandmother, a pneumatic drill starts pounding up the street, and they both go flush and start twitching and trying to control themselves, while the grandmother says "I guess you really are one of us" or something. I do hope Naomi Selfman gets a chance to write more of these comedies from the female point of view, but I ALSO hope that she has a chance to spend more time on the future scripts so that they move from around "better than average" to "OMG I could not stop laughing". We'll see.
SnoopyStyle Cheryl, Lexi, and Sue are best friends since birth when their mothers met at the hospital. It's their 18th birthday coming up. Cheryl plans to lose her virginity to boyfriend Jake. Sue is religious and shocked at Cheryl's plan. Lexi is sexually promiscuous and does everything except losing her virginity. After a misunderstanding in confession at church, Sue agrees to join the other two in the virginity plan.This is pretty low quality in almost every aspect. The acting is weak although the girls are willing to show some skin. The writing tries to be funny. It has some outrageous moments that are almost funny. The production is really low budget. They seem to have rented a house and made the movie all in that place. This is a low-budget indie version of a sex romp. It's on par with one of those other alternate American Pie movies with less money.
bsbooga I would like to begin by apologizing about using word to describe such a well-crafted cinematic masterpiece. I have nothing else at my disposal and words will not do it justice. This is the brilliant coming of age story of three young women who happen to all share the same birthday. The actresses playing these women should receive not only Oscar nods, but also the hardware. Hell, they should give them Best Actress, Best Actor, and Best Supporting Actress just so Jeneta St. Clair, Lisa Younger, and the refreshingly brilliant Melissa Johnston do not have to share a statue. There is no way a trifecta so perfect in acting should not be recognized as a whole. The Director, Jose Montesinos, utilizes his cast and film crew so effectively, the viewer does not feel as if they are watching a film, but actually participating in the entire experience. The connectivity he is able to bring out of all of the actors and actresses is unparalleled. There is a young genius at work behind the camera in this film. You will feel the emotion, pain, hunger, and desperation of every character. I mean every character. Tanya Yiang, who plays the role of Girl, will leave you riveted to the screen. You will despise Morgan Benoit's Jake with vitriol normally only reserved for the most heinous of villains, such as Game of Thrones' King Joffrey. You will feel the religious fortitude of Kevin Yarbaugh's Priest. There is no other way around it. The director got everything possible out of every actor who graced the screen. Although that is impressive on its own there is little actors can do without dialogue, and the screen writer, Naomi L. Selfman, nailed this one on every facet of good storytelling. If you are someone who loves dialogue, Ms. Selfman's word craft is a treat to behold. Forget the wittiness many critics claimed of such wordsmiths as Kevin Williamson or Diablo Cody, they are not even in a league with Naomi Selfman. She is more deserving to be whispered in the same breaths as Poe, Keats, Whitman, Dante, or even Shakespeare himself. To say that the script of the film Barely Legal was Shakespearean in quality would be an insult to the film for it has set a new standard to which I am certain books, TV shows, and movies will be referred to as Barely Legalian. It was with some distrust that I took the Netflix recommendation from the PS3 Netflix Max option, but I could not be happier that I had done so. This film was a transcendental and life-changing experience for me and I am sure many others. I am seriously considering getting the three main characters tattooed across my torso, but alas even that tribute would not be worthy of such astute filmmaking genius. If you want to have your life changed and be awakened to what truly standard filmmaking is, then check out The Asylum's Barely Legal, but be prepared for the decrepit, weak, worn-out, schlock that Hollywood normally produces to not even touch your movie viewing palate any longer. It will be like having the most astounding meal prepared for you and then trying to tell yourself McDonald's will be good the next time you go there. There is only pre-Barely Legal movie viewers and post-Barely Legal movie viewers. I am glad to call myself one of the latter and if you take the leap you will be too.
shalimar-4 Ah,... what can be said?? 1st off.. do NOT try to take this seriously.Bad acting.. check Shitty plot? check Predicable BS? Mode definitely CHECK! However thinking of this as a moronic parody of a moronic film.. well u can't help but laugh it's soooooooooooooooooooo bad.Nice cute girls.. nice tits and a few other bits.. nothing porn like.However ultimately it's a bad parody... and you are better off watching Piranha 3DD since it's infinitely better and just as funny if not funnier.btw fyi.. if you have under 2 hrs to totally waste and like cute semi naked girls.. well...........