mikeownby This is not exactly a glowing review, but I do want to address something before I get down to any critique.Giving a film one star even though you think it deserves more is just a crass and cynical thing to do, and the guy who admits he did so should be ashamed of himself for doing it. There are people who absolutely loved this movie. Fans of the actors in particular, which is to be expected. I myself absolutely loved it when I first saw it at its world premiere, and even rescheduled my flight to go back and watch it again a few days later. The cinematography is brilliant, and the role that Dianna Agron plays is far removed from anything else she's done. Her character is very passive and quiet, and thus it falls on her to act as much with her body language and expressions as her spoken words. She pulls it off brilliantly. If you're like me, you may very well come away with an 8-star feeling on your first viewing.Having said that, after watching it a few more times I've started to see some of the shortcomings, though I do still think it's a good film. First of all, I think it helps to be able to relate to or imagine growing up not just in a small town, but in a town with literally nothing to offer besides mind-numbing lack of social life and completely menial nowhere jobs. If you can't put yourself in those shoes, you likely will not get a lot of the film's impact. If you've ever had a time in your life where drinking beer by the dump and then shooting at the cans was the highlight of your week, you'll definitely see where this comes from. That's not really a shortcoming, but it does limit what a lot of people can really get out of the story.As I said above, the cinematography was generally brilliant. The cameras and the way this movie was shot do a great deal to set the scenes, often as much or more than the actors. There are, however, times when this attempt at making art with the cameras actually resulted in scenes that were difficult to understand simply because they were too subtle. Too artistic rather than advancing the narrative. There are also a few times when the narrative is just plain interrupted with awkward dialogue that really could have been either done away with or done better in a perfect world. More on that below.The main actors, including Sarah's family and friends, were all brilliant with the exception (in my mind) of Paz de la Huerta. She was almost right for the role, but in the end her mannerisms just became too much; too distracting. There were a few scenes where her portrayal was almost like a record skipping in the middle of a song, and honestly she could have toned things down a bit and been better.One last issue is simply because of what the film is. An indie by a first-time director shot on a very tight budget and a very limited time frame. When you consider that, this really is an amazing end product. Having talked to the producers, I know there were scenes they wish they could have re-shot, dialogue they wish they could have smoothed out, things they wish they'd done differently. But unlike with major studio productions, you often only have one real shot at it. There's not room in the schedule to scrap a day of shooting and try it over again. There's not room in the budget to pay for the use of a location or the crew salaries to go back and do it over. You have to get it right the first time.They mostly did, and if you look at it like that this is definitely an achievement. It's a story that's overall well told and beautiful to look at. Of course it's not a brand new story nobody's ever told before, but it is overall well done and I think this one has enough going for it (and enough different about it) to be more than worth watching. Give it a try and see for yourself. It won't be some cinematic epiphany or holy experience, but you may just be glad you did.

jameskirker I wanted to like Bare, Diana Agron and Paz De la Huerta are amazing actors, but this type of story has been done to death. Spoilers ahead.Young inexperienced girl meets worldly girl, and tries new exciting things, only to find the new things are not all that she thought they were. We've seen that story many times, I can think of two others, one also with Paz De la Huerta, but there are many more of course. The best thing about it was Diana Agron and Paz De la Huerta kissing. However, the film in its entirety didn't have anything new to offer the film world, and was pretty boring, even for a "serious drama." It was a waste of their talent, but was good for them to get some experience acting in a drama I suppose.

UncleLongHair2 I caught this on NetFlix last night. I thought it was good, a good movie that tells the story very well and with excellent acting. I had never seen any of the actors before and was pleasantly surprised. This is a character drama without much action besides the interpersonal drama which I enjoy but maybe isn't for everyone.The story will resonate with anyone who grew up in a small town and was bored and frustrated by that limited existence. Sarah Barton works at the grocery store, is bored with her job and her life, and looks around at all of the people still in the town and can't imagine growing up and living here her whole life. Her mother and boyfriend are in town but they don't do much to help her tolerate it. She wants something to happen in her life but doesn't know how to go about it.In drifts Pepper, a classic charismatic drifter with a dark side, who befriends Sarah and leads her into a sordid world of striptease, sex and drugs.I thought the interplay between the two leads was excellent and they clearly had chemistry and played their parts so well it didn't seem like acting at all. A scene near the end (no spoilers) where they both know they're lying to each other but are both pretending that they're not was played extremely well.The scenes, supporting actors, and even costumes were so perfect for rural small town America that it was possible to believe every detail of the story.The ending, while not completely "uncompromising" was satisfying and I thought both hopeful and realistic.Overall a good movie.

David Ferguson Greetings again from the darkness. The debut feature of writer/director Natalia Leite takes on the all-too-familiar territory of a disenchanted teenager being smothered by a claustrophobic small town, and twists it into a nocturnal awakening that changes some lives, while leaving others forever jogging in place.Sarah (Dianna Agron, "Glee") is a bored, young local in a small Nevada town. She gets fired from her job as a supermarket checker and spends her time hanging out with her boyfriend (Chris Zylka) and their group of equally unambitious friends. One day she stumbles upon Pepper (Paz de la Huerta, "Boardwalk Empire") who is sleeping in an abandoned store owned by Sarah's father. Intrigued by the drifter, Sarah allows herself to be drawn into Pepper's world of drugs and strippers. A quick trip to Las Vegas really opens up Sarah's eyes to the great big world, and also leads to some amorous feelings toward Pepper.Clichés abound here as the mysterious stranger awakens the spirit of the small town dreamer; the taboo love story; the judgmental family and friends; and the "one last shift" to earn enough money to flee this small town and discover one's true purpose while living a carefree life. Pepper tosses out some philosophical musings and Sarah falls hook, line and sinker. We fully expect this to end badly for both.Filmmaker Leite does a nice job of creating the feel of the night without judging its participants too harshly. Dianna Agron has the screen presence to pull off the innocent girl's self-discovery, while Paz de la Huerta has the mysterious quality of one to whom someone like the Sarah character would be drawn. It's interesting how Sarah is allowed to choose her own path, and explore the possibilities of what might be. At best, the film is one for a sleepless night, and it does provide two disparate female leads and a director who has earned more opportunities.