Claudio Carvalho In Milan, the professional photographer Valentina Rosselli (Isabelle De Funès) takes a ride close to her home with two friends in a party and decides to walk alone in the middle of the night. She saves a dog from a fancy car driver by Baba Yaga (Carroll Baker), a mysterious older woman that insists to drive her home. From this moment on, the life of Valentina changes and she has nightmares and her camera seem to be cursed. She believes Baba Yaga is a witch and that she is under a spell to possess her but her skeptical friend and filmmaker Arno Treves (George Eastman) does not believe. Until the day Valentina visits Baba Yaga´s house."Baba Yaga" is a film with stylish cinematography, beautiful music score that becomes tiresome after many repetitions, and a storyline typical from the Italian films from the 70´s (especially from Jesse Franco) with eroticism and cult elements such as references to Goddard and "The Golem". The conclusion is a plus in this interesting witch movie. My vote is six.Title (Brazil): "Baba Yaga - A Bruxa Maldita" ("Baba Yaga - The Coursed Witch")

ernesti Italian cinema never ceases to amaze me and this was not an exception. Baba yaga is very stylish Italian horror movie but at the same time it's not as graphic as many movies of the spaghetti cinema. I can assume that it was intended for mainstream cinemas as it is quite bland in today's terms.It's plausible as a nightmare, offering very little shocks and more mystery. I wasn't looking for a masterpiece and i was entertained. It should be noted that this movie is an old kind of horror movie without excessive gore.There definitely is symbolism in this movie that many viewers might not understand. Why'd presumably wealthy, old and lonely woman want to extort a young photographer to obey her will? I thought the witch symbolized power and money and its will to gain more control. The witch wanted to corrupt and enslave the main character. She fought for her freedom and prevailed. I thought the movie was actually very political, like on other movie by the same director, "They've changed their face". I find it intriguing that a movie has a message of this kind. Many Hollywood movies just lack that aspect completely. This movie is also quite slow and if one has to have a new scene every third second, then it might get boring.I can recommend this movie to everyone (adults mostly) and not just for retro fans. It's not a masterpiece and if you're not looking for one then you won't be disappointed. It's more like a lost gem.

MovieGuy01 I have just watched Baba Yaga, and i found it to be quite a boring film for most of the time. It was about a girl photographer called Valentina who meets this witch that puts a curse on her camera, and anyone that poses for the camera gets damned. I do like most 70's Euro horror but this film i just could not get into. I found the story quite hard to follow. It seemed quite slow for most of the time, with not a lot happening. I thought that Carroll Baker who played the part of the devil witch was very good. apart from that i felt that the rest of the acting was pretty bad. I do think that the movie could have lasted for a little longer than the 85 min runtime, which would have given more time for the film to develop.

ferbs54 I am wholly unfamiliar with Guido Crepax' "Valentina" comic strip, so really cannot say how closely the Italian/French coproduction "Baba Yaga" (1973) hews to its source material. Director Corrado Farina states, however, in one of this Blue Underground DVD's many extras, that he failed in his intention to produce a film that replicates the feel of a comic strip. Be that as it may, the objective viewer should easily discern that this film has much to offer in its own right. In it, we meet Valentina (Isabella de Funes), a pretty fashion photographer living in Milan, who, one evening, encounters a very strange woman. She is Baba Yaga, a sensual, echoey-voiced, blond enchantress of sorts who gives Valentina a leather-clad living doll, puts a hex on her camera, and shows her her creepy old house (replete with a bottomless pit in the living room!). Carroll Baker, older but still very beautiful, is quite good as this "witchy woman"--I just love the way she wraps her mouth around the word "Valentina"--although, Farina reveals, she was far from the director's first choice for the role. The film has been directed and edited for maximum weirdness, and a dreamy piano theme by Piero Umiliani greatly adds to the strange aura that permeates throughout. Ultimately, however, the film is unsatisfying, in that nothing at all is explained, and the sudden denouement leaves one wishing for a lot more. Still, the picture is consistently interesting, engaging and atmospheric, and the staccato editing, dream sequences and groovy jazz should please viewers who are into "head movies." A mixed bag, to be sure, but good for those who are game for something different....