denis888 This is the first mainland China war epic that I've watched and I can say it left very mixed feelings. On one hand, Assembly, or 集結 號, or Jí Jié Hào, which means something like Assembly Bugle Call, is a very honest portrayal of a Chinese Civil War with its sheer and awfully realistic brutality. The very realism is then quickly becoming sickening with all those snots, saliva, guts, blood, wounds and deaths galore. On the other hand, the film quickly runs off its initial steam and glides into a sentimental, very politically correct patriotic saga of a brave officer doing valiant things. This intake of patriotism actually spoils a very potential hit and makes it a sickly sweet propaganda flick. Mind you, actors are excellent, especially Zhang Hanyu and Yuan Wenkang, battle scenes are enormous and thrilling, which is no wonder since it was cut by Korean filmmakers who know their trade. The dialog is often hammy and openly silly, thus deleting all the good potential. This is a very curious hothcpotch of a film that may be seen once, but since it sinks under its own weight, better be watched and then discarded

kluseba "Assembly" is a Chinese war movie made in collaboration with the special effects and stunt coordinators from the Korean war epic "Tae Guk Gi: The Brotherhood Of War" which is one of the greatest modern war movies along with "My Way".Despite the great war scenes, "Assembly" doesn't come close to the high quality of the aforementioned titles.The viewer is thrown too fast into the story. It's 1948 and wartime in China. We follow the fate of Captain Gu Zidi of the Ninth Company. That's where some viewers might already feel mixed up. Who is at war and why? The movie doesn't explain this issue properly. Let me tell you that we are in the middle of the second wave of the Chinese Civil War. By the end of the Second Sino-Japanese which basically was the Japanese invasion of China during World War II, Communist troops of the later People's Republic of China and nationalist troops of the Kuomintang and the later Republic of China relocated to Taiwan picked up their hostilities again that first erupted back in 1927 and that only came to an end in 1949 when the Communists won. Captain Gu Zidi is representing the Communists and is invading a small town occupied by the Nationalists. He wins the battle with severe casualties. When his political officer dies, he loses his temper and orders in vain to shoot the surviving war prisoners. This brutal attempt leads to a short punishment where Gu Zidi meets an intellectual pacifist and teacher. The two different men befriend each other. Upon Gu's request, the teacher becomes the new political officer who accompanies the Ninth Company to protect an old strategic mine at Wen River.What we see then is how the Company fights back the Kuomintang at all costs. They have to stay and fight until they hear the bugle call for assembly. The fight scenes are glorious but overlong. Some characters start getting some identity and development. Ironically, almost all of them are immediately killed which makes these script attempts useless and the story odd. When some soldiers pretend to have heard the bugle call and others don't, Gu Zidi who has become partially deaf during battle becomes desperate and orders his troop to stay. The whole situation gets tense when a third wave of attacks comes in but the promising scenes are suddenly cut in the oddest way.We are thrown a few months or years into the future. The movie fails to tell us what exactly happened and where we are. The viewers only realize that Gu Zidi is the only survivor of the Company but nobody remembers them. Treated with ignorance and struck by remorse, he decides to join the Korean War that took place from 1950 to 1953. The Chinese troops supported North Korea when South Korean and American troops invaded the northern part of the peninsula and were about to reach the Chinese frontier. We only see a few war scenes here when Gu Zidi saves the life of his platoon commander who stepped on a landmine and loses a part of his sight. We are then thrown another few years into the future. Gu Zidi looks for the battlefield where his Company died. He fights for recognition of his soldiers' glorious death on duty. He is only supported by the platoon commander of the Korean War and the widow of the intellectual political officer. Ridden by despair, Gu picks up fights with the government, tries to find the bodies of the dead and seems to lose track of reality. By lucky coincidence, he meets the bugler who was supposed to call back the Ninth Company for assembly who tells him that he never did that call and that the Ninth Company was abandoned by its superiors.Gu Zidi can't turn the page. Even though his men are honoured posthumously, he absolutely wants to find their bodies. Many years later, excavations for an irrigation project finally uncover them. A large monument is erected and formal burial performed.Gu finally remembers what happened on the battlefield back in the days. His political officer and him were the only survivors after the third wave of attacks. He ordered the officer to sacrifice himself and make the mine explode so that the bodies wouldn't fall into the hands of the Kuomintang. Gu went out on one last suicidal mission and attacked a tank of the Kuomintang. Apparently, he survived somehow as he was left for dead, hid himself in the mines and put on the uniform of a Kuomintang soldier. What exactly happened is never unveiled and the movie ends there.After all, the film has too many cuts. Only historical experts might be able to follow it properly. What starts as a gripping but one- dimensional war movie ends up being a dull personal drama. This mixture of genres isn't balanced very well. The story is sometimes hard to follow. Too many details remain obscure. The elements that save this movie are the special effects, the cinematography, the soundtrack and the solid acting, especially by main actor Zhang Hanyu.On a positive side note, this movie has no propaganda tendencies like similar films. It doesn't tell if the Communists or the Kuomintang are better or who is good or evil in the Korean War. It only tells us the tale of a desperate captain who wants to discover the truth about his soldiers. At some points, the movie even criticizes the Chinese Communist government who doesn't help the broken man and employs an ignorant attitude. This war movie has a few strengths but almost as many flaws. Only cinematic war maniacs and history experts may be rewarded. Anyone else may find this hard to sit through despite a glorious main actor. There also exists a second "Assembly" movie that doesn't relate to this one.

dbborroughs In 1948 during the Chinese Civil War a broken company of men is ordered to hold an old mine until the bugler plays assembly.After the war the captain of the men, the only survivor and the only one who said he did not hear the bugle call, tries to find their bodies and prove his men died as heroes.Profoundly moving story of the brotherhood created in war and the need to right an old wrong. Though not quite perfect, this is one of the best war films I've seen, period. Its power comes not from the battles, rather from the humanity of those that fight. This is a film about people and characters first and foremost and its what lifts this toward greatness. I have never seen a film where everyone, on both sides of the battle, are portrayed as human beings. There are no monsters, no stick figures, just people. Even the people in the mass of uniforms are people even if we only see them for an instant. This is a film about the people, and the individuals who fight in times of war. None of the main characters are clichés. Its not like Saving Private Ryan where everyone is a WW2 cliché, here we have people and even if we don't know everything about them we do know that they are individuals. This is a film about the human cost of war.Ultimately the film works because of Zhang Hanyu as Captain Gu Zidi. Here is a man who is racked with guilt for "killing" all of his men. He wants nothing better than to honor them, and when after being found in the carnage of that final battle he comes to realize that no one believes him, he is forced to not only fight on but also do everything he can to see that the memory of the brave brothers is kept alive. Zhang Hanyu breaks your heart as he tries to both join his men and prove to the world that what they did mattered. It is a portrait of quiet strength and occasional rage that makes you feel for him and for the men who fought with him. Its one of the best performances of the year.I know for some the first hour of relentless battle (its nasty) will make the more sedate second half something they will have trouble sitting through. I know some will wonder where the guns have gone, but at the same time this is not a story of battle but of people. The horrors of the first hour (filmed in the now standard shaky cam style) make the poignancy of Captain Zidi's quest all the more touching, since he wants to make his mens sacrifice and trip into hell worth something. You really have to be patient and go with the film and let the film reward you in its own way. I suspect that knowing the film shifts gears for the second half helps since you don't have expectations of a two hour battle. I know that my initial attempt at watching this film blind lead me to believe this was going to be wall to wall action, however a friend who borrowed my copy before I could finish it warned me of the tone change and I think it helped me a great deal when I finally watched it from start to finish.You really should see this film since it ultimately speaks to all people who send their sons and daughters off to war and why we need to remember them.9plus out of 10 And yes its a true story.

oanhdien indeed,i agree this is a very powerful movie: chapeau to mr feng Xiaogang for this tour de force ! recent years war movies the like of "flags of our fathers", "saving private ryan","iwo jima" are certainly (and always will be) violent but with lesser gratuitous effects and they dealt very justly with the myriads of war consequences, first on the soldiers and the rest of us. i salute the initiative of mr feng. here, i am not comparing his 'the assembly' to the previous film titles, for no war is alike and comparable. but his courage in depicting a period of profound political disturbance in his own country make us all stop and ponder, and this is on a personal note since i am vietnamese and having lived through much of my own country's war, what are the tragedies of fratricide between brothers of same origins, beliefs and values. mr feng showed us the strong sides and the various weak sides of soldier in this part of the hemisphere. by that process, he erased those past clichés of Asian cultures in the practice of that belligerent art. is or are there any morality stemming out of this movie ? mr feng will be more apt to answer than myself. finally, i wish someone in my own country could have courage and integrity ( and resources !) to make this kind of movie for future generations to learn from our past. mr feng has carved himself an indelebile mark in Chinese filmaking. bravos...