jery-tillotson-1 "Ash Wednesday" from l973 marked Elizabeth Taylor's last glamour movie. After winning her Oscar for "Who's Afraid of Virginia Woolfe", Taylor was urged by new husband, Richard Burton, to take on more quirky roles that downplayed, and thus damaged, her phenomenal movie career as a legendary beauty. When she accepted the role of Barbara, an aging middle-aged socialite who goes to Switzerland to have a body lift, Burton was enraged that she would take such a "dumb" role. We have to laugh. Burton by now was notorious for picking roles that resulted in box office bombs, like "Exorcist II," "Bluebeard," "Under Milkwood", "Staircase," etc. "Ash Wednesday" was filmed at the luxurious resort village of Cortina d'Ampezzo in Italy. Here we see a stunning Elizabeth Taylor--at last--clothed in knockout fashions from the hands of Edith Head. Beautiful gowns, robes of velvet, furs galore, hairstyles from Alexandre of Paris, rapturous photography by Ennio Guarnieri and best of all a one-of-a-kind white ermine costume to wear at the movie's mardi gras. Taylor's co-star was nearly as beautiful as she: Helmut Berger. Burton was convinced the two were having a real affair. Everyone laughed because it was known that the gorgeous Berger was the lover of Italian movie director Luchino Visconti. Taylor looks phenomenal throughout, with numerous loving closeups that show why the world had fallen in love with her. We have a beautiful musical score by Maurice Jarre but the biggest casting error is a glum, grim Henry Fonda who portrays her dull-as-dishwater husband. That male beauty, Rod Taylor of the '70s, would have been ideal. Producer Dominick Dunne wrote in his memoirs that there was more drama behind the scenes of this movie than in front it. Taylor and Burton had operatic confrontations over who was sleeping with who. He tried to physically prevent her from appearing on the set. The actress was often late, sometimes never showed up for work, overdosed several times--yet, none of this shows up on screen. "Ash Wednesday" is a movie to be treasured by Taylor fans--and we are in the millions--or anyone else who wants to see a fabulous beauty making her swan song to old-style glamour. She would never appear so uncannily beautiful again.

xavrush89 Obviously, this sight recommends "Breast Men" as a suitable companion piece to this because of the cosmetic surgery angle. (I don't watch similar films together anyway.) To me, it is much more akin in spirit to "Shirley Valentine." Woman estranged from her husband in foreign country amidst beautiful scenery, a change of life, etc. For once, a woman having a co-star old enough to be her father actually works with the script! Taylor's acting here is more subtle than it had been in the previous decade, and it works. I could not relate to a woman who goes to such lengths for her husbands affection, but she is playing a woman of a bygone era, and almost twenty years older than she was at the time (the woman playing her daughter could easily have played her sister in another film). This is a very slowly paced film, but by golly you can't help but root for Taylor to find some solace, just like Shirley V. All of this leads up to an inevitable confrontation with her husband, and the movie keeps you guessing to the end what will happen between them. Was it worth it? I won't tell. Knowing what we now know about the kind of father and husband Henry Fonda was in real life can't help but taint the viewing of him in this role. But hey, they could've gotten Bing Crosby. All in all, I saw this movie on video about nine years ago, and as you can see it has stayed with me. So check it out, it beats the heck out of anything on Lifetime.

sadie_thompson I lost track of this film after they pulled Elizabeth Taylor's face off, so I can't possibly divulge any plot points. (Okay, so it wasn't Elizabeth getting her face torn off, but it was somebody and it was SICK.)The whole point to this film, as I understood it, was that Elizabeth Taylor's character Barbara is a superficial women who thinks everyone else is superficial also. Her marriage is on the rocks, so she automatically assumes she's getting ugly. Appearance isn't everything, Barbara dear. She is understandably shocked when her husband lets her in on that fact. He doesn't care if she looks like a troll named Brunhilde (which is how she starts off the film)--he just doesn't love her anymore. I thought he was a real twit, as he acts as if he couldn't care less about her and never did.I get aggravated when Elizabeth Taylor's face is the centerpiece of a movie. The woman can act, but I have yet to meet anyone who realizes that. Movies like this mirror her real life to me. She has to look beautiful, and if she doesn't, she isn't a whole person. She doesn't function properly. (Small wonder she's had so many personal problems. Being a beautiful goddess all the time has to be difficult.) To me, Barbara Sawyer is a bit like Elizabeth Taylor. Her face seems to be her fortune, and she gets quite distressed if something happens to it. It seems unfortunate that Barbara (and possibly Ms. Taylor) place so much store by looking good. "My husband's leaving me. I'm not surprised, my hair looked awful today." That sounds unreal, but that is how Barbara acts. Even more unfortunate is how my whole review here is based on how she looks. Now I'm doing it. It just makes for a very pathetic individual, and maybe Barbara is supposed to be.

lostngone4ever Elizabeth Taylor plays Barbara Sawyer, wife to Henry Fonda (who shows up late in the film) for 30 years who has not aged well (to say the least). She goes to Europe and receives plastic surgery in an attempt to save her marriage. Will her restored youth appeal to her husband or will she have to start life over and be strong enough to do so? This is the premise of Ash Wednesday, a syrupy soap opera in the ugly duckling to beautiful swan tradition. Maybe you're a fan of Liz Taylor and sought this movie out, or maybe you just managed to catch it on late night cable and there was nothing else on. Either way you probably realized that this movie wasn't exactly high caliber. But in humble defense I will praise an excellent musical score, beautiful on location scenery, and elegant Edith Head designed fashions. The premise of the movie is a good one and it could have made for a very interesting film had the screenwriter or director had any amount of talent. But the dialogue and direction are both flat. Certain scenes seem pointless and unfulfilled. However, the main point of the movie is to show loving close ups and profiles of 41 year old Taylor looking beautiful again. And, yes, with a lot more make-up and just the right camera angle, we the audience, are transplanted back to those fabulous 50's movies when Taylor didn't have to act or even speak to transfix your gaze upon her and hold it rapt. Rating for Ash Wednesday for any viewer. **(out of 4) For Liz Taylor fans. ***