Leofwine_draca An unimaginative title is a pre-warning that this movie isn't much cop, and it even makes Kevin Connor's previous outings - which include the incredibly tacky AT THE EARTH'S CORE - look like Oscar contenders. A kiddie fantasy film full of stock characters, an overload of cheap effects work, poor comedy, and cardboard sets conspire to sink it from the start. I usually get a kick out of this genre, but everything is so by-the-book and unimaginative - did I mention cheap? - that it just doesn't offer up any interest whatsoever. Even the fight scenes are boring.The biggest disgrace is the waste of a good cast in this dull outing. Whoever decided to cast Milo O'Shea (THEATRE OF BLOOD) as an Irish Arab needs shooting, but that's just the start of the problems that plague this movie. Oliver Tobias (COBRA MISSION) is handsome but ineffectual as the leading man, his acting weak. Christopher Lee makes one of those embarrassing latter-day performances that plague his career (POLICE ACADEMY 7 anyone?) as the evil Sultan, Alquazar, but the film doesn't stretch his talents at all - instead he just looks bored, with silly headgear, a villain distinctly lacking in villainy.Elsewhere we have a bland love interest, an annoying cute Indian kid and his pet monkey, a before-he-was-famous appearance from Art Malik, and of course wasted turns from British character actors including Shane Rimmer. Even Peter Cushing puts in a cameo role as a prisoner (!), only two years after STAR WARS and he was reduced to this level - a sad state of affairs.The special effects are typically appalling, the nadir being the magic carpet rides which are achieved via some really poor and unconvincing back projection. There's supposed to be a "chase" between these carpets, but they move at a snail's pace so any excitement is non-existent. There's also a sandstorm in which people supposedly fly through the air but are instead suspended by really obvious wires and a giant genie which is just a bald overweight man with his face painted blue superimposed over the background. What the?! On the plus side, there's a cool scene in which three mechanical fire-breathing monsters appear over the top of a mountain range to menace our heroes like they're come from some Toho flick, some interesting matte work and good location scenery, and colour filters which give the setting an other-worldly look. Unfortunately these aren't enough; ARABIAN ADVENTURE is a waste of talent and money, and a sad reminder of the level British cinema had fallen to by 1979.

Neil Welch Prince Oliver Tobias will be granted permission to marry Princess Emma Samms if he succeeds in a quest to find a magic flower for her father, wicked Caliph Christopher Lee. However, the wicked Caliph has contrived to send along duplicitous Milo O'Shea to make sure the quest fails.This fantasy adventure features special effects which weren't all that special back at the time (back projected backgrounds behind flying carpets with wiggly edges, and models which scream "I am a model!" chief among them), some dodgy fighting, some screamingly though unintentionally funny dialogue, not massively heroic performances from Tobias and Samms, Mickey Rooney overacting as if his life depends on it, and beautifully understated villainy from Christopher Lee.For all that, there is a naïve enthusiasm about it which pleases and, at the time, we had nothing better. But these days we are used to our fantasy being a little less unsophisticated.

unbrokenmetal This was a really nice rediscovery on UK DVD for me; I remember I've watched 'Arabian Adventure' on TV in the 1980s but not since then. I mean, you get flying carpets, jinns, belly-dancers, a beautiful princess to save and Christopher Lee as an evil wizard turning people into toads ("You call yourself my servant?") - what more could you ask for? 'Arabian Adventure' knows the genre standards and delivers. Lest I forget, fire-breathing metal monsters and Peter Cushing with a silly beard are in it as well. One has to admit that the limited budget shows in the set decoration, as the palace looks more like cardboard than marble, and then some effects like the superimposed jinn are rather TV quality than big screen. But fairy tales from 1001 Nights don't need realism that much, I found I could successfully switch into fantasy mode and simply enjoy it. It's an old-fashioned production like they did in the 1940s and 50s, maintaining the same naive charm and that's fine for such kind of things.

alligator I LOVE THIS MOVIE!!!...Yet I haven't been able to find a copy of it for years.. As a child I watched this movie constantly, esp' due to my love of LEE..And it has remained as a special movie to me. It seemed to be one of those movies back then, that was one of the newer 'style' movies in the late 70's (effects and stuff)..so back then i just loved it..It's a true fantasy!! I think most children would absolutly love this film..though if i saw it now, i'd proberly laugh at the effects! But no one i've met has ever heard of it..I think it's a hidden gem..hopefully not lost forever!!!