Xandrieth Xs
This is one brilliant movie. Kousik Ganguly is really making his mark. Relating two lives - a fictional and a real without overdoing it and the same time being honest and yet capturing every emotion.... Just amazing.... One important thing.... Watch the Apu Trilogy of Satyajit Ray before watching this movie cause you won't be able to enjoy the emotions and nostalgia fail to understand the greatness of this movie.... It's really sad how cinema forgets the talented childhood actors who don't try to get into the world of movies after growing up.... They deserve acknowledgement.... To conclude is a #MustWatch an should not be missed at any cost. And to the Apu Trilogy fans, it is not a reboot. You people should definitely watch this....
Purnendu Dey (purnenduvianworld)
Just watching this film and writing a critique on it without having watched all the three films of 'Apu Trilogy' would be considered an impertinent move and a Himalayan mistake to boot. 'Apur Panchali' can be considered one of the best films in Bengali cinema and also the world over. It being not just a rehash of the reputed trilogy, the film explores quite a few precious moments of mainly the famous child actor (Subir Banerjee) of 'Pather Panchali' and how his life was meant to develop some 'uncanny' parallels with the story of the three films. Kaushik Ganguly has touched upon the very tender issues that have gone unheeded until now.A child who had became famous and came to be known to the whole world as the child Apu, later on went into the unknown, cooped-up and covert depths of personal life, which, however, did not keep abreast with him till the very end. Almost like Apu, Subir Banerjee also lost the members of his family in a sequence and was left alone and aloof - just like a deliberate social outcast. He was living life on his own terms until when, quite abruptly, Arka searches Subir out and coaxes him to attend an honorary ceremony for one of the most celebrated child actors of all time. Here, Subir betrays his listless and short temper gradually engendered by the buffets of fortune and life drawn somewhat by The Almighty from the 'Apu Trilogy', it seems. But Arka makes Subir realize the latter's real worth. In the way, childless Subir gets beck a son, fatherless Arka gets back a father and we get back the child actor of 'Pather Panchali.'The story of the film is told in a way that places the reel-and-the-real parallels very subtly. While the trilogy's scenes are shown we relieve the moments, but we turn very sympathetic when they are reverberated in the child actor's real life. Parambrata assays the character of younger Subir and Parno assays Ashima. They act like real people. There's one moment when Parno says ways to look after himself while Ashima would be staying away from Apu. The director keeps things very simple which raises the level of the film to great heights, seen in few directors in Bengal. Apart from the director, the writer Kaushik also stands firm and high above most of the playwrights in the celluloid arena.Sirsha Roy's cinematography touched upon the softest parts of an artiste's life that tell upon our lachrymal glands. Bodhaditya Banerjee has also done no less commendable job. Art direction by Mridul Baidya and Saswati Karmakar stands par excellence. Without it the film would not have got it's archival look. The excellent music that wafts throughout the movie makes one feel nostalgic and catches up with the original films of the trilogy to not a less extent.To sum up, it's a film not to be given a miss at any cost, whatsoever.
Mukut Chakraborty
The beautification of this movie has increased by showing three different but related stories simultaneously and I am pretty sure it was a very tough job to edit a movie like this. As the name reveals, the story is about the forgotten hero of Pather Panchali's "Apu" whose real life name is Subir Banerjee. It shows how a movie changed his life and the uncanny similarity between Apu and Subir Banerjee.All actors of this movie did awesome job, it is hard to compare them, Ardhendu, Param, Parno, all of them were superb. But the most beautiful part was the story telling process, kudos to Kaushik Ganguly for such a movie and personally I feel this movie should be considered as a landmark in bengali movie history.
Ritwika Ritzz Das
ApurPanchali is 97 minutes of pure cinematic delight. A simple, heart-wrenching movie devoid of violence, unnecessary songs,unnecessary titillation. Amidst mostly trash movies being churned out all around, Apur Panchali is like a breath of fresh air which will leave you with happy moments as well as a lump in your throat. Its a collage of moments dipped in nostalgia, a look back to the age and simplicity we have left behind and the tale of an ordinary man told in an extraordinary way. Kudos to director Kaushik Ganguly for writing such a brilliant screenplay. The way he creates a parallel between the real life of a man and the resemblance with the trilogy scene by scene is commendable. A splendid narration of the tale of a man destined to be Apu all his life; not just an attachment to the name, but the life of the character itself. When else can truth be stranger than fiction when your reel life stint uncannily directs your real life and you inexorably live with it. The most celebrated child actor in world cinema who has led years of oblivion,miles away from the arc lights, cannot forget how as if the Apu Trilogy was written for him to act. The sad part being he had to act it painfully in his real life. And how beautifully that dilemma,pain,frustation has been portrayed by Parambrata Chattopadhyay and Ardhendu Banerjjee. Ardhendu Banerjee is a revelation. The way he stares marks him as a lonely man battered by the vicissitudes of life. The making and breaking with the romanticism around Apu will make you realize that their are things in life beyond mobile phones and popcorn tubs in the hall. Parno Mittra will steal you heart away with her innocence,sweetness and naivety.She will make you smile and make you cry within hardly 5 minutes of screen timing alloted to her. The sweet and subtle romance between Parambrata and Parno in those short moments will make you want to fall in love. Lovely cinematography by Shirsha Ray and fantastic direction by Kaushik Ganguly proves that he is one of the best filmmakers we are fortunate to have now. Indraadip Das Gupta 's music will just haunt you. He has taken the iconic musical piece of Pather Panchali by Pandit Ravishankar to a different level and what an auditory treat it is! A balm for the soul hurt in cacophony all around. The film starts with that music, plays all throughout and ends with it and yet you never feel bored. You just want it to go on and on. Seldom seen just a beautiful interval and ending. Truly portrayed brilliantly by the actors and Indraadip Dasgupta's lilting music accentuates the poignancy. Tears well up and flow unknowingly at many a moments. Ardhendu Banerjee moists your eyes when he sadly keeps staring at the curtains made by his long deceased wife. His bonding with Gaurav Chakraborty is endearing and he too is another revelation in this film. Parambrata simply wrenches out your heart in the end when he tears off the armlet tied around his hand in anger and pain. The scene can move even a rock to tears. The look he gave while his wife was lovingly tying it fills your heart with romance and at the next moment when he realizes how uncannily he lost her like Apu in Apur Sansar, he breaks down in tears and you cannot help a drop or two roll down our eyes. These moments create Apur Panchali .The winding road which Apu or Subir takes at the end reaffirms that you don't need a huge budget or foreign locales to make a beautiful film. There are places closer home and emotions close to the heart. Even today a tiny room on the terrace is way more romantic than a posh high rise and Apur Panchali proves it. Was haunted by its aura , still is and will be for days.P.S. People who go to movies just for sheer entertainment, or are not emotional and do not like to slow down, prefer receiving calls in the hall please avoid and spare the others.