guisreis Carnation Revolution is one of the most beautiful chapters of World History in the XXth century and Portuguese movie "April Captains"matches it. Maria de Medeiros's movie is beautifully filmed. Cinematography is amazing, with great frames, both aesthetically and creatively. Besides a brutal opening and some other violent situations such as the one inside the public bathroom and a "Full Metal Jacket"-style scene, there are also many funny moments. Off course one cannot help but becoming touched as people are shown supporting freedom. The image of people putting carnation flowers in the barrel of the guns, which gave the name to the revolution, is also shown. "Grândola Vila Morena" song was an anthem for revolutionaries and it is heard many times during the whole film. Italian actor Stefano Accorsi and French actor Frédéric Pierrot are great in the leading roles. Both for its content and for its artistic realization, "Capitães de Abril" is a film to make all the Portuguese people proud.

jotix100 The events that led to the elimination of the long and cruel dictatorship of Salazar in Portugal in April of 1974, are examined in this ambitious film directed by actress Maria de Medeiros. The screen play is a collaboration by Ms. de Medeiros and Eve Deboise. The story is both women's interpretation of what occurred in the country since the director was only 9 years old that fateful April.The film pays tribute to the men that plotted the coup and the way they conducted themselves throughout the ordeal. The "Carnation Revolution", as it was baptized by the media, was an example restraint as there was no bloodshed during the days when it was happening, or in the days following, which brought Portugal to a democracy that had been denied to its citizens by a cruel dictator.The main point of contention with the military men in charge of the coup was to correct the abuses Portugal had inflicted in the colonies in Africa, where they had been responsible for the deaths of countless of natives that wanted to get rid of the invaders. At the same time, many of Portuguese soldiers died during the wars that were waged overseas.The basic problem with the story, the way it's told on the screen, is a weak screen play that doesn't fully make sense of most of what the viewer is watching. If the viewer doesn't have a certain background about what is going on, he will be lost by what the writers of the picture decided to focus the action on. There is also a problem with the action, which at times, has a flat feeling to it that renders some moments as static and meaningless.This film will resonate with Portuguese, of course, because it marked the beginning of the actual democracy. Maria de Medeiros should have served the film better either by staying behind the camera, or letting some other director be in command. Stefano Accorsi, a fine Italian actor, is the best thing in the film as Maia. Joaquim de Almeida's Gervasio is a puzzle at best. When we first meet him, he appears to be in favor of the uprising, then changes his mind, only to come back on board again. This duality in his character doesn't help in the over all narrative. The same go for Frederic Pierrot, who plays Manuel, Antonia's husband. Fele Martinez, the Spanish actor, has little to do.While the film is entertaining, another treatment for the story would have made a better and stronger movie. One wishes Maria de Medeiros to succeed. Perhaps the next time she will be better prepared to give her viewers a tighter and more controlled story.

esteban1747 Probably the first Portuguese film I have seen in my life, and I enjoyed it. The plot is related of how the young army officers took the power in Portugal in 1974, to finally defeat the fascist government of Caetano and to also finalize the wars in the colonies, i.e. Mozambique, Angola, and Guinea (Bissau)- Cape Vert. Most of the events shown in the film reflect with exactitude the behavior of the army officers and soldiers to conduct the coup, of the oppressed people, who were very happy with this new development and the liberty, the resistance of Caetano's men, and also in a subtle way of most conservative officials, including Spinola, who took over as the new president. The Portuguese revolution can be remembered because of the action of several young officers, but for me the most interesting part of the film was when the young captain expressed that Portugal should develop itself democratically, and this is what the country achieved some years after this coup or revolution. The film also shows that the army officers and soldiers never wanted to kill anyone; even the most serious enemies were respected at the end.

Oskado Okay, I'm not going to critique this film in depth. I note the many elogious reviews in advance of me, and as I generally like Maria de Medeiros, I have been long hesitant to make a disparaging comment - and in such fashion nearly a year has passed. But each time I see that DVD on my shelf, I sense an inner groan. Anyway, let the elogious voices override me! But for other cinephiles like me - beware.Expressed in simplest and gentlest terms, here's my stance: The political turmoil and overthrow providing the backdrop for this film also served as a backdrop for a certain period of my life - via newspapers I read daily in my local middle-European pub. At that time, I followed the newsreports, but never fully grasped what the heck was transpiring. The reporters tended to report either in non-partisan terms, or with a conservatism which frowned upon any groups disturbing the peace or fomenting rebellion against the establishment. Those were times when other winds of unrest swirled through Paris, Berlin, Prague, and various places in the U.S., all of whose issues I understand clearly at the time - but dictatorship or not, my papers tended to treat the govermentment of Portugal simply as the establishment - not as a well-fleshed out "evil empire", to use flippant Star War terms.So, week after week, I read of disturbances, but never found an intelligent editorial that might provide the history behind them, or evaluate the practices and social-economic impacts of the dictatorship, etc.So, in purchasing this film, I had at least two hopes: to finally understand the details leading up to the social unrest, and to enjoy a well-conceived drama. This film gave me neither.The film presupposes that viewers already have ample knowledge and deep emotions regarding the historical facts. And the drama - well, as I said, I want to encourage Maria de Medeiros and the Portugues film industry, but - it was trite and shallow.I obtained my copy of the DVD from France - "Selection Official Cannes 2000 - Un Certain Regard". The box shows smiling clean-shaven actors, the lead giving the victory sign in a fashion that reminds me more of the Playboy bunny. After seeing the work, I wondered what the French could have thought of it - though as a shallow piece of "cinema verite'" with sensitive ethnic content, I can understand their natural inclination to praise it for its "honesty" but...Look at the back of the box: "Un regard chaleuruex sur la Revolution" - a warm regard? Try describing Allende's overthrown and murder with a a "warm regard"! Try it with Czechoslovakia in 1968! Try it with the whole line-up of overthrows, and civil rebellions!Another review: Maria de Medeiros a renoue' avec son pays, son enfance et son histoire." Rubbish, rubbish, rubbish! At least for me. I love Portugal. In all of Europe, Lisbon, Barcelona and Prague are my favorite cities. But my love for a city and a country doesn't flesh out a vacuous film. I'll hang on to my ancient VHS tapes of Capas Negras and A Cancao de Lisboa - meanwhile, I'm stuck with a zone 2 by the above title that might as well go in the trash.