jessicajaglowski
A seriously beautiful film with a such a poignant cast telling a poignant story during a poignant time in modern history.I have been waiting and certainly hope for Jana Kramer and Sam Logan Khaleghi to team up on camera again. This is Jana's best performance and it is because Logan-Khaleghi uplifts her and challenges her in her scenes to become and be the best actress that is within her. Her character in "Approaching Midnight" was much better than her characterization in "Heart of the Country". Aside from that, I want to point out the brilliant cinematography of Carl Ballou known for his work on the upcoming Sam Raimi film "Don't Breathe" starring Stephen Lang (of AVATAR fame). This is also Mia Serafino's best performance to date. I like her on the NBC show "Crowded" but here she really gets to shine with a real character in a real drama. Her scenes with Sam Logan Khaleghi remind me of some classic monologues and dialogues between two characters in independent film that make indie film great. The fun thing about this particular film is that in many ways it doesn't seem like an independent film, but rather a smart and suspenseful drama.
jessicablum679
This is borderline almost perfect, but borderline, I wish the war scenes were a little longer, and I wanted a tad bit more exposition on Kent's relationships with The Mayor and Natalie Church. However beyond those wishes, I found the film a rather pleasurable and masterful time at the film festival where I saw the movie.Written, directed and produced by Sam Logan Khaleghi, "Approaching Midnight" tells the story of a returning Army staff sergeant Wesley Kent (Khaleghi), to a small town middle America home from serving in Afghanistan and Iraq (to make mention, Kent's character has a scene in which he refers to having served in Iraq prior to his time with his Army Captain (played by real life Army Lieutenant Matt Szymanski) in Afghanistan; Therefore, Kent has served in both international war conflicts. Upon his return, he finds out that Aspen Malverne has died recently in a car accident (this is not a major spoiler however) and he now utilizes his skills as a special forces character to find out the truth to her accident. It is at this point the film takes on an action/mystery piece to it.
jamiegreg586
The friends of the director as well as some of the cast and crew are obviously still logging on IMDb in order to give a high rating and glowing reviews to this bad film. One review sounds just like a press release and another claims this to be a million dollar production! It looks more like it was shot with an HD camera bought at Best Buy. The story lags, the editing is dreadful, the acting is poor, and the production values are obviously poor. Not for a minute was I convinced that Michigan was Louisiana, or that they were anywhere close to Afghanistan. Instead of basing the story on the limited budget they had, the film makers have tried to do too much with what they had. Instead of concentrating on a good small story and working on the acting,they decided to make a very bad big story with little consideration for the actors. This makes it all very painful to watch. One final note, it would have been nice to have authentic Louisiana accents in "Louisiana."
ecnar999
Background on myself, I have been an IMDb user for over several years, I am from the midwest area, but I support all mid-west arts, film and creative types. I saw this film in Chicago at the historic Wilmette Theater, and I REALLY enjoyed both great movies from Monterey Media this year that were coincidentally films made in Michigan including "The Citizen" and "Approaching Midnight". I am admitting to being slightly biased as a mid-west film scene supporter but praise has to be given to intense work from such amazing MoTown Filmmakers. As for this one, I don't want to give away any twist endings that the trailer almost gives away, but the film is stellar! I also loved Cinematographer Carl Ballou's work on this movie, it's like "The Thin Red Line," very Emmanuel Lubezki like, kind of reminded me of "Tree of Life" too. The movies soundtrack was very omniscient, and I have been watching the very cool works of composer James Stonehouse or a long time who created a track on this film that was a borderline of Hanz Zimmer and John Ottman, who scored the Usual Suspects. Which is funny, because when I was watching the film at the theater in the suburban Chicago area, the theater had an awesome 5.1 setup that fantastically captured the elements of the soundtrack.