SimonJack This movie is based on a book by Margaret Landon in 1944. "Anna and the King of Siam" was a best-selling novel based on a true story. The story is much more interesting and intriguing than the movie can portray. And the true story within the story is more fascinating yet. So, how much of the movie is fact, and how much fiction? First, the film and then the background. The main characters are real, and played well. I don't hold with those who argue that a person of one race can't play a role of another race. That's part of what theater and acting are about. Sure, it's nice and best if one can find the talent and qualified actors to play various ethnic roles. But it's not necessary. And, I don't nitpick actors who don't look a part, or who's accents aren't perfect – unless they are quite terrible to the point of distraction.Rex Harrison does an excellent job as Mongkut, the king Siam. Lee J. Cobb is very good as Kralahome, his prime minister. He is probably the least believable as Siamese, and that's because his distinct voice, build and persona are so well known. But his acting, and broken English (as one might expect of a Siamese), are very good. Gale Sondergaard is so good in her role as Lady Thiang that she looks and sounds Siamese. Linda Darnell is almost as convincing as Tuptim.Now the background. Margaret Landon was an American missionary who served with her husband in Siam from 1927-1937. She taught here three children along with Siamese in a mission school in Trang. She studied and read all about the country. She learned about Anna Leonowens who had been a governess to the Siamese royal family in the 19th century. After Landon's family returned to the U.S. in 1937, she wrote the book about Anna. It was a best-seller in 1944, and 20th Century Fox made this movie in 1946. A decade later, her book also would become the source for the Fox musical, "The King and I." But how much of the book is true? And how much is the film true to the book, and the real life story? I didn't read the book so I can't comment on it. Another book about Anna came out in 2008 that gave a somewhat different background. "Bombay Anna" was written by Susan Morgan. It claims to tell "the real story and the remarkable adventures of the 'King and I' governess." A New York Times review of that book on Oct. 20, 2008, called Anna Leonowens a con woman. "On disembarking in Singapore as a young widow in 1859, this gifted con woman subtracted three years from her age, relocated her birthplace from Bombay to Wales, forgot her mother's Indian parentage, promoted her father from private to major and changed her husband from a clerk to an army officer." Leonowens was educated and knew languages – Hindi, Marathi, Persian and Sanskrit, and she could mimic a genteel English accent. She was Anglo-Indian and born Nov 6, 1831, in India. In 1849, she married an Irish clerk, Thomas Leon Owens. The two surnames later were merged. The couple spent several years in Australia where a daughter and son were born. First was Avis in 1854, and then Louis in 1856. In 1859, Thomas died of a stroke in Malaysia where he managed a hotel. Then Anna moved with here children to Singapore, where she revised her background to fit in among the expatriate British colony there.King Mongkut of Siam was born in 1804. He became a Buddhist monk and read and studied much. He helped establish a monastery that became the intellectual center of Siam. Mongkut became king in 1851 and reigned until his death in 1868. In 1861, he asked his agent in Singapore to find an English governess for his children. Leonowens got the job and arrived in Bangkok in 1862. She sent daughter Avis to England to school and taught Thomas along with the royal household. She later sent Thomas to England to finish his schooling, and after five years she left Siam for the United Sates. She later moved to Montreal, Canada, to be near her daughter, and she died there in 1915 at age 84.So, how much of the movie is true to history? Well, Anna didn't stay into old age when the king died. He was older than she and he died in 1868. In the U.S. she wrote her memoirs and was successful as a teacher and traveling on the lecture circuit. Her son, Louis, did not die from an accident in Siam. Mongkut did write to a U.S. president and offer elephants. But it wasn't Abraham Lincoln, it was James Buchanan (1857-1861), and it was before Anna arrived in Bangkok. Mongkut was a progressive leader who ensured liberal education for his sons. After his death, they began many of his reforms. There is much more about Siam, Mongkut, Anna and others that room doesn't allow to tell here.In one scene, Mongkut has summoned Anna in the middle of the night. He questions the Bible story of creation. Anna says "Your majesty, the Bible was not written by men of science. It was written by men of faith. It was their explanation of the miracle of creation, which is just as great a miracle whether it took six days or many centuries. I think science does not contradict the Bible. It has only made us more aware of how great the miracle was."

vincentlynch-moonoi I lived in Thailand for a couple of years and had visited many long summers before that, so this movie was of interest to me. I had read quite a bit about Anna Leonowens and her stint as teacher of King Mongkut's children, including Prince Chulalongkorn, who eventually became Thailand's greatest king. It is true that Anna was a teacher of the royal children, but the idea that she had any influence over the king is preposterous, and that is the conclusion of British historians. I should also point out that while the history of Anna is highly fictionalized, some of the history of Siam as represented here is somewhat accurate. Although many of the events pictured here are totally fictitious, at least this version of the story (as compared to the musical) seems somewhat more believable. There are some things I found a bit difficult to swallow -- like that the King would not know how to eat soup. The Thais have several wonderful soups, but perhaps they came to be after this period; I don't know. And, although I don't know what the habits were back then, Thais don't usually use chopsticks. The real problem here, from the point of view of the Thais, is that (particularly during the first half of the film), Anna is so condescending to the King. Think about it -- commoner versus King in any country.Knowing that in advance, I was interested in seeing how realistic the film was in other matters, and to my surprise, I have to give it fairly high marks. While I am not fluent in Thai, I speak a little, and I easily recognized many phrases that were spoken relatively accurately. The representations of exterior and interior architecture are reasonably realistic, with an occasional exception. The representation of the exteriors of the Grand Palace and Wat Phra Keow (the royal temple) are quite good. Art work is rather authentic...for example as related to the Thai Ramakien.Of course, King Mongkut would never have acted the way Rex Harrison acts here, although Mongkut was a rather unattractive man and something about Harrison's face does remind me of Mongkut. Early on there is a mention of "sin", a concept that is not really recognized in Thailand. It's too bad more of the Siamese in the film were not at least Asian.I was particularly interested in Anna's reaction to the first house she was offered. Even today if she saw how many poor Thais live, she would be appalled at the conditions. Clearly, considering the era, she was expecting far too much.In terms of acting, this film is extremely well done. Irene Dunne as Anna is superb. Yes, we know many of these things didn't happen, but Dunne makes them seem reasonable. Rex Harrison is excellent as the King. Again, we know the King wouldn't have behaved in those ways, but nevertheless, it's a very good performance, and I believe it was Harrison's first in an American film.Two actors that usually don't impress me were quite good here. Lee J. Cobb seems an odd choice to play the King's closest adviser, but he does it very well (and his spoken Thai was well-coached). And, Gale Sondergaard, who all too often played villainous women, is quite good here as one of King Mongkut's wives (and the mother of Prince Chulalongkorn).The latter portions of the film are interesting. One tragedy -- Anna's son dies. Which he did not in real life, and the company he founded can still be seen in Bangkok. And one last inaccuracy: King Mongkut died from malaria contracted when he went upcountry to view a total eclipse (astronomy was a passion); Prince Chulalongkorn also contracted malaria on the trip and nearly died himself...which is not at all depicted in the film. On the other hand, long after Anna left Siam, the real King Chulalongkorn traveled to Europe and really did visit Anna. So obviously there was a real teacher/student relationship of respect between the two.The film is so well done that I'd be tempted to give it a rare 8 rating, but due to the historical inadequacies, I'll give it a 7.I should mention the documentary about the real Anna Leonowens on the 20th Century Fox DVD of the film. It's too "pro" the story of Anna. A number of British historians have debunked much of Anna's story, but this documentary interviews her relatives...hardly unbiased. Other parts of it are realistic, particularly her fabrication of her early life. Take it with a grain of salt, but it's an interesting documentary.

Nick Zegarac (movieman-200) "Anna and the King of Siam" 1946 is the first big screen adaptation to borrow from the personal journals and public account of British school teacher, Anna Leonowens and her experiences in the far East. After the death of her beloved husband, Anna (Irene Dunne) departed England in 1862 with her young son in tow to become the educator of the King of Siam's many children. However, upon arrival, Anna discovers that King Mongkut (Rex Harrison) is very much a renaissance man trapped in heritage thinking. He refuses to acknowledge Anna's request for a house, expects that she will bow and grovel as his servant, and demands, above all else that the protocol of suppliant be strictly observed. The headstrong Anna, of course, disagrees. And although their initial meeting is marred by a considerable clash of wills, eventually the two begin to recognize a genuine affection and respect for one another. He, in marvel of her forthright nature in the face of his wielding totalitarianism, realizes his way may not always be right. She, in absence of having a man to love, discovers a fallible side beneath the king's rather gruff façade. Together these two launch a formidable quest to bring western culture and change to the seemingly backward status of Siam. However, the revolution will neither be easy nor straight forward.Director, John Cromwell does his very best to ensure an integrity in what are essentially cardboard caricatures of people who perhaps defy any three-dimensional understanding. In point of fact, Anna Leonowens probably overestimated her influence on the country and its monarch in her journals. Hence, the whole tale is thrown off balance by a very traditionalist and imperialist perspective that reduces Mongkut to parody from the start. As a Siamese king, Rex Harrison is hardly ideally cast – yet he manages to make much of the shortcoming, transforming what might otherwise have been a very dismal characterization into a challenging bit of reflection. Irene Dunne is an effervescent Anna – though in her, one sees perhaps too much of the screwball heiress a la Cary Grant in "The Awful Truth" and less of the stalwart schoolmarm that was, in fact, the real Anna Leonowens.Fox's Studio Line transfer on "Anna and The King of Siam" is impressive, if flawed. Though dirt, scratches and grain are kept to a bare minimum, there are still occasions riddled throughout, where the gray scale falters. Blacks are sometimes black, sometimes deep gray. Whites can be clean, but most often appear slightly speckled. Contrast levels vary throughout. There's some speculation as to whether dupe negatives were used for certain scenes. There is a genuine loss of fine details in certain scenes. The audio is mono but nicely balanced. The only extras are an audio commentary and a Biography Special on the real Anna Leonowens.

jlanders13 "Anna And The King Of Siam" is the original, non-musical, version of what was later re-made with Deborah Kerr and Yul Brenner as "The King And I". This is one of the few Irene Dunne originals that is not better than the remake. Irene Dunne was a highly original and intelligent woman and had few equals either before the camera or in her private life. In fact, if you consider all of Irene Dunne's original movies that have been remade into newer versions with the same name: such as "Back Street" 1932 or "Magnificent Obsession" 1935 or "Showboat" 1936 or "Age of Innocence" 1934 - or under a different title: such as "An Affair To Remember" which was a remake of "Love Affair" 1939 or "Something's Got To Give" which was essentially the same plot as "My Favorite Wife" 1940 - it amazes me that she was nominated six times for best actress and NEVER WON! Usually, her original versions are much better than the remakes. Anna and the King of Siam would have been had the remake not included such a lovely musical score and been so beautifully filmed in color.